
This past Tuesday my band Nymbis made an audition video for NPR’s Tiny Desk series. The project came upon us all at once, and some of the challenges it presented were where to record it so last-minute, and if we could somehow perform for a live audience. Once we decided on The Studio, the event just kinda came together.
The floor is now absolutely wrecked due to an immense and almost overnight surge of moisture from below the slab (no, there sadly was no vapor barrier in place) and it is now on the market with a handful of marginally interested parties. But I’m not worried. It’ll sell. It will sell when it’s time, I know it. Somehow, that place has always been quietly magical. The Studio will not be rushed.
There was such wonderful energy in the room this past Tuesday; so many good friends came by to enjoy the space one final time, and to support the band. Our percussionist and bass player welcomed twin boys in October, and the babies were there too. There were fine bottles of rye, cheap cans of Labatt Blue, pizza and bagels with shmear. Two friends brought a little summer picnic setup, complete with wine glasses and tiny charcuterie plates. We had a wild light show projected onto the large slanting ceiling and our lighting designer had brought some large white balloons to catch the black light. Such a fun and festive vibe, despite the single-digit temps outside and the failing floor.
That week I had a bad cold, and on Tuesday it was at its peak. In addition, my back was horrible; I had to be very careful and conservative about movements. But I had gear to move. Chairs and tables to load into my car and into the room. The usual stuff it takes to put on a show. Up until tape rolling I felt a mess, eyes watering, sneezing, back sore. But somehow, when we played, my body shut it all off. I consider that a small miracle. We all know the show must go on.

As I was assessing the room from my post behind the keyboards, it occurred to me that I was in the exact same spot where my father had sat at his harpsichord so many years before. Maybe not a big thing, but still, a thing. And although the events of the night were moving fast and there was no time to linger in nostalgia, I was able to take on the beauty of the moment. I was on stage making music with my some of my very favorite people, in a room full of friends whom I love, and we were all fully present and enjoying the moment. It was a rare epicenter of experience. Even as I played, I was able to marvel over my good fortune. Imagine, one last concert, one final party in that space. It had been dark for two years, and now here it was brightly animated and filled with camaraderie.
Could anything be more perfect?
The following day I came back to clean. Something I’ve done dozens of times. Post show, post Airbnb guest. The big room must always be swept and mopped. As funky as that floor is now, I still had to erase hundreds of salty footprints the crowd had made. It needed to be realtor-ready. I spent about an hour on the place. When I was finished, I stood in the center of the stage area. Underneath the floor where I stood were two hairs – one of my father’s (he had just died a month before I had the new floor put in) and one of mine. I had laid them both on the slab before they were sealed up by the boards. It’s always been the spot where I stand when I reflect on this place and all that has gone on in that gorgeous hall.
I sensed some movement, and so I looked up and to my left. There was one clear balloon drifting down from the center of the room and moving toward the back wall of the stage. I’m pretty sure my mouth fell open – I do remember saying aloud “Where the hell did you come from?” I swear I had cleaned that place. Emptied every last piece of detritus. It was empty.
I was compelled to follow it. The balloon came to rest against the stage wall, just at my eye level. “Really?” I asked it. I mean, this was crazy. I became still, I engaged with the balloon. I was there for it, witnessing it. I extended my palm and asked if it would come to me. It moved to the left, staying at eye level. I followed. We stopped. I extended my hand and it moved to the right. And there we rested, unmoving, together in an absolutely silent room bathed in the low-slanting rays of afternoon sunshine. A few moments passed, and I dared to speak my thoughts aloud. “Dad?” It seemed too poetic, too staged. Too too. We remained there for about five minutes, until I lost the staring contest and sat down underneath it, back against the stage wall, looking out into the large room.
After a few more moments passed I walked back to the spot in center stage. And I sang. I leaned into the stunning reverb of the room, oohing minor, medieval-sounding lines. Like Gregorian chants sent up into the tops of the snowy pine trees outside the balcony windows. I sensed movement again, and turned to see the balloon had moved to the front of the stage. It then leapt out into the abyss of the main room, did a small circle in the air, and headed once again to the back of the stage. By now, I had adjusted. I was less surprised. I was under the spell of the balloon.
But there was nothing more to do. I had sung, I had communed with the balloon. I had sat in the purest and most absolute silence I have ever known. It was time to go.
I walked to the back of the stage where the balloon hovered, still at my eye level. I placed my hands on either side of it, and I kissed it. Then I left.

When I got in my car, I turned for one final look, expecting to see the balloon forty feet away at the back of the hall. I might’ve gasped for the small shock if I hadn’t already been communing with the thing for the past half hour. There it was, like a child in the doorway, watching a guest’s departure. Until this point I had been fully in the moment – grabbing my phone had not even entered my mind. But now, now that I was in the car and the spell had been broken somewhat, I felt it would be ok to take just one pic. Were it not for the photo, I’m not sure I could possibly convey the surrealness of my experience. I felt I wanted some evidence, some confirmation of what had just happened. Still in a state of disbelief, I continued to shake my head back and forth as I drove the roundabout. And I was just about to leave the property, when I took one last look back at The Studio.
The balloon now hung in the large picture window; it was a powerfully poignant sight. Longing, but not. Sad, but not quite. Matter-of-fact, really. Just a balloon quietly saying goodbye to me alone. Goodbye, balloon.

I shared this experience with Elihu. Not a thing about it was unbelievable to him. But then he and I have had a number of strange experiences, both together and individually. Now we share them as casually as recounting a funny overheard conversation on the subway. I was glad for his witness, and I was hoping that sharing it would pack it away neatly in my mind. But I couldn’t let it go. Had I done the right thing? Was it a missed opportunity? Was it dad? Was it a collective of energies? What had just happened here? I wasn’t satisfied to drop it.
Last night I decided that I would share this with my mom. That was a stretch, because she is not a believer of esoteric ideas (or so she says; she still prides herself on once learning how to perform Reiki) and jumping into such a conversation would need to happen at just the right moment. But that wasn’t going to happen. Her woodstove had cracked the night before, so that took up a good chunk of time of going over options and safety concerns. My vote – use the damn stove, it’s six degrees out. Next came the endless nattering and commentary on the news presenters. Last night her issue was with the glossy, blown-out and ironed hairstyles; she insisted that it was age-inappropriate on the older women. Here our country was, falling into a dystopian modern-era McCarthyism, and she was going on and on about hairstyles. Oh my god. This was clearly not the time to share my balloon story.
Curiosity, and the need for some kind of closure – something I could take as an answer – pulled me back to the darkened hall. After leaving my mother’s, I drove to The Studio and went in. I was slightly apprehensive, but reminded myself that there was nothing sinister here. Unexplained maybe, but not sinister. I flicked on the warm overhead light… The balloon had come to rest at the foot of the old roadside sign which we’d brought in for the show. There it was. The end of the story.
Confirmation. A single white balloon come to rest after its journey around the perimeter of the storied music hall. The definitive conclusion of an era.
Best ending ever.












