It’s hard to believe it’s here again; that muggy mid-section of the year which from the bleakest winter day you cannot fathom ever returning… One hundred degrees in the sun, and the kind of relentless humidity that presses in and clings to every surface. Me, I can hardly stand this weather. But my son, he loves it. Ever since he was tiny he’s always said that he wants to go to Vietnam one day. He says that he actually loves this heat and humidity, and while I can’t help wonder if he doesn’t enjoy it all the more because it irks me so, I think I’m beginning to believe him. He isn’t slowed at all by the heat, but for me, it drives me to the brink. I find it hard to choose the right clothes. Hard to move around once I’m in those clothes. Hard to keep motivated. This is one of the reasons I feel so landlocked here in Greenfield; there is no escaping to the relief of a windswept beach. Instead, the vapors of the forest and field hang thick and unmoving in the air. While I feel a certain nostalgia at the scents of goldenrod, ferns and dampened pines (they remind me of my childhood; summer vacations, overnight camp and Baroque music), I can also say that that certain perfume brings with it a feeling of dread; there will no escaping the sweat that comes along with it. And think of all the musicians who must contend with the weather as they fight to keep their poor instruments in tune! It just seems to add insult to injury that the humidity spikes so mercilessly just as the outdoor music festival season reaches its peak. If only the weather could level out sometime in mid May and remain there until the fall. Yeah, if only.
I whine about it because it’s nice to get it off my chest, but truthfully, I bear it all with a bit more dignity than it might seem. It’s really more of an inner sort of anguish. I do manage to keep up with Elihu, I invent new itineraries for us, I make sure we aren’t lying about the house day upon day…. Every so often there are those afternoons where it just makes more sense to remain indoors on the comfort of the couch, surfing the great world beyond on our laptops, but for the most part we’re out and about. There are chickens to feed, gutters to clean, weeds to pull and concerts to attend. There’s busking to be done, there are frogs to be caught, tubas to be practiced and trampolines to be jumped upon. (Or is that the other way ’round? No, wait, that’s a joke…)
My last post had me cringing a bit; all that backward-longing, the clumsy pep talk about my future… In re-reading it, it feels as if I was saying the things I thought I should be feeling…. All that second-guessing of my goals and abilities, an encrypted bid for outside vindication veiled in the modest, self-effacing style of a middle-school girl’s journal entry. I guess it struck me as slightly jive because another two weeks on, and I’m exactly where I was before my spike of can-do spirit. The return of my son, and with him, the nonstop daily job of being a single mother, it’s reminded me that simply starting over again as a working musician is not exactly going to be simple. First, what to do with the kid? I’m making headway with material, but still, there’s new stuff to incorporate, and I find it’s sinking to the bottom of the list. It’s harder to find the oomph to learn tunes that I don’t particularly enjoy. And so I don’t. But that’s ok for now, because The Studio is entering into a new phase with much outdoor construction taking place, in addition to a good deal more to complete on the interior, and I need to be present for all of it. And I still have to feed the kid. Me, when my kid’s not here, I go for hours – entire days – without a thought of food. I’m all about getting shit done. But the brakes slam on pretty hard when the kid’s back. Which is ok. Elihu is 12, he’s on his way to being a young adult. He might still find making Ramen a bit of a challenge (he’s got his dad’s spazzy gene when it comes to some simple tasks), but in a pinch he could probably get through a day without me. So while my snazzy new role as rockin keyboard mama might not come to fruition this summer, I think next year it’ll be much more likely. I’m not stalling here, just investing my energy where the reward will be greatest. And in all honesty, cover jobs will always be there. The Studio will not build itself, nor rent itself out. I’ve put a great deal of time into the place lately, and can see the light now. I don’t wish to be overly cheerful and optimistic about its future – I admit it, I’m still too nervous; bold, decisive language still frightens me. I’ve spoken robustly about our future here before, but in this moment, I’m just kind of holding on until we can get the plumbing turned back on and the kitchen finished. I think those final touches will embolden me to be more visionary. Hell, for the time being I’m choosing to blame my chill attitude on the less-than-chill weather.
Things are moving. There is no stasis, that’s for sure. Every week there’s a new adventure, and even more so when lil man’s here. Elihu will be rejoining his father for much of August, and there will be house guests here in his absence, so much will be going on during the summer that remains. My enthusiasm might be wilting a bit in all this heat, but heatwaves don’t last forever.
Sussy takes the heat well. Behind her are sprouting some super-gigantic goldenrod plants, well-fertilized by their location in the middle of the chicken run. Chicken poop can result in some crazy-big plants. !
I actually enjoy cleaning the gutters. I always seem to put it off for months and usually get to them when – you got it – it’s super hot out. Once you’re sweaty and uncomfortable, why not get even more sweaty and uncomfortable? Better to be productive than not.
On rainy nights the frogs are easy prey on local roads. We stock our pond each year with a variety of sizes.
Martha’s birthday was a couple of days ago. We’d planned on having a party anyhow, but it just didn’t work out that way. We did all meet up in the kitchen. (See how lost we all look. Even the camera couldn’t find its focus!) Every birthday of Martha’s we can remember was always the very hottest day of the summer. Strangely, this year the heat broke and the weather was cool and rainy.
As life would have it, there was another place we wanted to be that same night… Forty years ago at the age of 12 I first heard the great David Amram here in Saratoga, and now Elihu is here, at the same age, taking in that same experience. (Locals, please go hear the Dylan Perillo Orchestra – some of his musicians played behind David. They had a wonderful roster of tunes in their set, great charts, and a solid, swingin feel. Leader Dylan is the bassist, and his on-mic style was minimalist and quirky ala Steven Wright. Needless to say Elihu was way beyond impressed. And dig this – Chicago pianist Ron Perillo is his cousin. Say what? The world contracts once again.)
I have been lucky to share the stage with David a couple of times. Luckier still to witness him playing an impromptu version of “Pull My Daisy” on my Rhodes, back in our Evanston home. Crazy thing is, he remembers all of it.
The man and his necklaces.
Elihu gets up close to the neck gear…
…and enjoys a bit of a chat with David.
The next day there’s action at the site of the Studio’s future parking lot.
The site is being excavated in order to tie in the new kitchen to the existing septic system. A friend helped me with some post-construction cleaning inside, and between the two of us we put in over ten hours. Still so much to do.
Al, our earth-moving friend, has changed the grade behind the Studio in order to provide a perennially wet spot some necessary drainage. Formerly surrounded by woods, it’s a bit odd for me to see the building so exposed. We will be replanting evergreens at some point in order to fill in the space. We’re just doing things the right way so as to avoid problems in the future. A modest venue, but so much work has gone into it.
A far less modest venue: SPAC. Saratoga Performing Arts Center. (Chicago friends, this is what Ravinia wishes it were. Sorry, but true.) Today we are here to see New York City Ballet, which makes SPAC its summer home. I grew up going to the NYCB regularly, but today is a first for Elihu.
We arrived with two hours to kill inside the park before the ballet started, so our first stop was the Auto Museum.
A car very similar to the one my grandfather, Judge Conant, drove in 1932. Dad recalled holding on for dear life in the rumble seat with his brother David as their father raced down the winding Adirondack roads.
Far less glamorous was my first car, a 1986 Mustang. Yellow. One of the only non-cool Mustangs ever.
We lunched at the Gideon Putnam Hotel with Saratoga’s finest. Remind me to tell the story sometime of how I once spent the night there with Patti LaBelle and Stevie Ray Vaughn. It’s not what you think. But memorable. !
Heading down to the backstage area.
Took this on the fly – we kinda snuck in backstage for a quick look-see. The dancers are there on the left, just outside the wings waiting for their entrance.
Elihu’s very first look at SPAC from the inside.
Our seats are in the front row – check out these tympani covers.
We’re right behind the pit!
We need seats like these – it’s the only way my little Achromat can see… Even here there isn’t a lot of definition. But I was impressed that he could see well enough to glean the story from the movement… Made me happy.
At intermission we made a new friend. I went to find him on Facebook and wouldn’t ya know, we have a couple of friends in common already. Once again, small world.
Afterward we met Andrew, another twelve year old – only he was a dancer! That was fun.
Crossing the bridge that leads across a creek far below, Elihu stops to mimic the concert posters.
Can’t forget our buddy Yannick! We are excited to hear the Philadelphia Orchestra – and hero, tubist Carol Jantsch – at the end of August.
This selfie gives you a little idea of the perspective here. Or maybe not quite. Trust me, it’s a long way down. Take note of that white formation on the right – shortly it will be the site of a dramatic moment in our afternoon.
En route to the riverside walk we sample a spring. It was the most displeasing of all the springs we have tasted – and Elihu actually enjoys that sulfury-tasting crap. We thought this spring was “Horrendable”.
A long way down.
It’s exciting to finally be here!
The mineral-laced water from this particular spring has created this huge deposit in the form of a small mountain. Much of its surface is continually under a film of falling water.
Up close. It shimmers in real time, as a film of water descends.
Here’s a look back at the bridge we were on earlier.
The narrow ledge upon which we walked was all chalky white mineral residue covered with running water.
The water empties into the stream.
Here’s the path we followed to get downstream.
Once we were at the water’s edge, we had fun. The father of these boys grew up in Rogers Park in Chicago – just off of Devon Avenue – blocks from where I myself (and Elihu’s father) had lived. Later this man lived in Buffalo Grove, the town in which my late friend Bob Gand lived. He’d spent time in my hometown of Wilmette, too. He didn’t seemed impressed by it all, but I sure was. Small world stuff always blows my mind.
When wildlife wasn’t to be found, we busied ourselves making cairns in the running water.
I ended up making ten of em. I had a blast.
Elihu catches his breath after a frightening couple of minutes and an urgent lecture from a short-of-patience mom.
Things turned – and turned scary for a moment – when Elihu misjudged the relative elevations of the path and the water. He mistook a ledge for a shallow entry into the water, and in an instant he was up to his waist in the creek, clinging to the rough rock by his fingertips. I did a lightening-fast assessment of the situation, and realized the water was not more than three feet deep there, and if need be I could jump in and grab him. I was overcome with fear and anger all at once, and before I made my move to rescue him I chewed him out.
Poor kid, with his vision, things are bound to go wrong at some point, but still, I always tell him he has to be so much more diligent about assessing things that anyone else. Without good depth perception, life can be dangerous. He knows this, but he hates that it’s true. He blows things off that he shouldn’t. He hates that he can’t just be a curious 12-year-old boy who can take off running with everyone else. He always has to look twice, and sometimes it happens that he’s sure he knows what he’s seeing – when he really isn’t. Step or flat surface? A crap shoot most of the time.
This time it ended up ok, and as I told him it’s a good experience if he learns from it. He was still so mad at me for getting mad at him that I don’t think he took that in. But it’s something this mom has no trouble repeating. Good advice for anyone – achromat or not. Learn from it and it’s not a mistake. It’s a lesson. Crisis averted – this time.
Treasures from our river visit.
The heat finally breaks with a heavy summer downpour.
We’ve got a bit of a drainage problem in our garden beds. On the to-do list…
Who are we fooling? Raincoat? Ridiculous!
Elihu insists he jumps tons higher when the trampoline is wet. So high it looks like he’s walking on the treetops… Happy boy, happy summer, happy rainy day. For the time being, everything’s finally cool.
Post Script: While I had personal misgivings about the immature nature of my reflections in the previous post, I actually received a note in the mail from a dear friend saying how much she’d enjoyed it. It’s hard to know how feelings translate to readers. I guess one never knows, do one?
The Hillhouse 