Tag: depression

Under Over

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This past week I’ve been feeling off. Down, dark and scared of the other shoe dropping at any time. Some moments it’s really terrifying. So I try to soothe myself by eating with a vengeance, or drinking as much as as college boy. I stay busy. I keep myself distracted. I pass the days waiting for the nights, when I take my faithful Ambien and check out. But even then my dreams won’t let me be. My dream life is rich and busy, and most mornings I wake without a sense of having truly rested.

Something has felt different for me over these past few months. Something is nagging at me, and it’s been growing and growing. I’m trying to identify it. So many stressors. Hard to know what’s at the root of my ill ease. It’s a cocktail of many things I suppose.

If there’s any wisdom that I have gained from 62 years on this planet, it’s this: take your hunches – your instincts, your tiny afterthoughts, your conscience (my son and I have always called this the “God voice”), magnify it ten times – and then do what it tells you. Hear the message, heed the message. (Most of the time it’s been a really useful tool for life. I recommend it.)

My thoughts have been consumed lately by one nagging thought, but I can’t tell if it’s the neurosis of an aging woman or an insight from the ether. The voice keeps saying “You just need to outlive your mother”. My mother is ticking along at 90, with only a few short-term memory slips. On the whole, she’s very much who she’s always been. Me, I kinda feel like I’m waiting for some major health shit of my own to hit the fan. So many of my peers have suffered awful and unanticipated health crises; why not me too? I’m concerned; as the cotter pin holding that’s holding the whole Conant project together, I can’t leave until stuff gets sorted.

I’ve had a couple of strange feelings in my body, one being a persistent pain which travels around the upper left quadrant of my chest, sometimes under the breast, sometimes in the armpit, sometimes like a line up the left side of my neck. I’ve thoroughly employed my “God voice” technique here – asking for an assortment of tests over the past year, yet at this point my doc and I are basically giving up the search and are attributing it to a referred pain from a decades-old broken shoulder. But I’m not convinced. What to do? I think I’ve done all I can. Or have I?

I’ve been working on the physical crap inside my house for a while now with some good progress. Elihu’s big move to Brooklyn this summer gave a huge push to our household’s downsizing. He wanted to move out with all of his worldly possessions taking up just the space of two large rolling suitcases. And he did it, purging the rest. Inspired by his progress, I took up the charge and continued the project after he moved out. But still. So much stuff.

Just how is the garage always full after ten years of garage sales? The way in which we Westerners amass physical clutter is astounding.

My mother has begun to let go of the idea that I will eagerly inherit her house and its contents. There was a time, a few years ago, when she’d thought that naturally I would move into her house after she was gone. When I pointed out to her that I already had a house – and that I, as an aging empty-nester would have no need of a large, four bedroom home, she looked genuinely surprised. She’d just assumed I’d want all this stuff. It’s been a journey, but I think she’s finally coming to understand that her Baccarat wedding crystal and her well-worn Limoges china are of little value in today’s world. It’s sad. It is. But it’s the reality of this physical plane. Dust to dust. Only so many museums. Only so much room for our stuff.

As a creative, I naturally have notebooks upon notebooks (let’s not even consider the hundreds of cassette tapes of demos, rehearsals and ideas). Even though the reality is that I will not revisit and reanimate 99% of those ideas, I still wish to keep all of these for my lifetime as space allows. They’re only of interest – and comfort – to me. Once I am gone, into the fire they can go.

What I do wish gone is all the extra paper that I’ve hung onto. Programs, set lists, photos, ticket stubs, doodles, letters, diaries and so on. Things essentially only meaningful to my mother, my son and me. I so wish that I could indiscriminately grab piles and throw them onto the fire pit! But then I see a hand written letter from me to my parents when I was a child at camp, and I think “Oh! Elihu and his children will get such a kick out of this one day!” Myself, I find letters and notes of a personal and intimate nature of interest. But will my grandchildren find this ephemera fascinating or irrelevant? Will I even have grandchildren?

I admit it, I’m stuck. Taking a breather here. The burn pile will grow. I just need a minute.

The Studio is finally on the market after two years of town bureaucracy and lots of other back-and-forth legal nonsense. I emailed the architect to tell him the news, and it bounced back. A quick search informed me that he had died a year ago. He was an old family friend, so this was sad news. But it also seemed to confirm that things were truly in cosmic order. The time had come to let the place go.

My brother Andrew is another item on the unresolved list.

Just last night as my mother and I tried to discuss the topic, I saw that not only were we not any further along in the process of discussing his caretaking, but we had backslid. My mother and those of her generation have a hard time getting honest about personal things, and having a mentally unwell child is, in my mother’s eyes, a failure on her part and a point of shame. So how does she deal with this? Denial. Lack of willingness to see the problem. You can’t solve a problem if you don’t think you have one!

My brother is as hoarder whose house is something you’d have to see to truly understand. He cannot throw things out, whether mementos or garbage. There is no distinction to him. He is a deeply intelligent person, but he has been consumed by his disease for most of his life. He hasn’t had a job in over 40 years. Has no dentist, no doctor. He isn’t even in the system; his dysfunction is such that he cannot follow through on any administrative endeavor. One year I got him food stamps, but he never followed through to keep them. He lives with an enormous inguinal hernia hanging over his crotch. He’s an alcoholic and does nothing but sit in front of the TV at mom’s. She gives him pocket money (his only income). She gives him her car to drive. She makes him dinner every night, fretting aloud about what he will and won’t eat, and what she’s got planned. Some nights he goes on a bender and never shows. My mother waits it out with no idea if he’s alive or dead (Andrew won’t answer his phone). Many times through the years I’ve had to peek through the window panes into his shack to see if he’s ok. But if he saw me doing this, he might fly into a rage, so there’s some risk involved. My brother showers, eats and watches TV at her place, then retreats to a tiny, dilapidated farmhouse at the foot of the driveway. Dysfunction of the highest order.

At present, everything is propped up and working. Mom has a reason to live; she has been a consummate chef and feeder of people for her whole life. She has someone to check in on her, take out the garbage and collect the mail. Andrew has dinner, booze, entertainment and shelter. They enjoy a symbiotic relationship. No need to dismantle things. But one day, shit’s gonna fall. And inevitably, it’s gonna fall on me. I’m as ready as I’ll ever be. But I’ll feel better once we finalize the will and get Andrew’s future care plan laid out. If mom won’t believe me that it’s a major concern, she’ll believe our family attorney. It’s on the immediate to-do list. Maybe my heart will lighten a little when we get our plans defined on paper. Maybe.

When I opened my eyes this morning, I turned on my phone and began the search for some dopamine to start my day.

Instead, I found a New Yorker article about a man my age of Jamaican descent who’d lived nearly his whole life here in this country and who had been deported by ICE to a maximum security prison in Eswatini. The agents employed needless violence.

The next story I read was authored by a mother who had lost her only two children. Both sons as teens committed suicide. They were deeply intelligent, insightful young men. But they were driven to such despair by either this world, their temperaments – or both – that they took their own lives.

Following in my feed came a post by a friend whose only child was killed a year and a half ago. She and I were both single mothers of only boys, both jazz singers, both from Chicago. I’d always felt a bond of some sort with her, and her loss has become a part of my life in some small way. I can’t help but feel a mixture of heartbreak and guilt when I think of her situation – and fear for the safety of my own son. But my reality is still comfortable. Hers is not.

This whole fucking world is brutal. And I am feeling it. I’ve got it good, I know I do, but I’m feeling the weight. The Trump era has ratcheted up the stress level on this planet for sure. It’s definitely playing a part in my unease. I long for freedom, peace and comfort for every last one of my fellow humans, but it seems further off now than ever before.

I’m under the spell of overwhelm.

Blogging from the Bar

Posted in An Ongoing Journal...5 Comments

People are important. People are not important. They matter, and yet they don’t. As with everything else in this world, this is a situation of duality. Both ideas coexist at the same time. But truly, in the ultimate scheme of things, none of us individually really means a whole lot to the totality of our species. It may sound like a depressing thought, but the universe really doesn’t care. The caring part is up to us.

I spent an afternoon recently at the emergency room with my mother, watching – and sometimes even smelling – the folks who came, waited and then went. I saw a large young woman with a distant, disconnected look in her eyes – she appeared to be heavily medicated – and I watched as she was admitted into triage and then carefully walked back to her seat by a member of the ER staff. I smelled a homeless person before I saw her; the pungent scent reminded me of an old farmhouse, maybe a barnyard – and so my associations at first were pleasant – until a funk began to grow – the sweet smell of decay; the smell of a human unable to wash. (My mother’s words from just an hour earlier came to mind: “I took a whore’s bath” she had said when describing how she’d prepared herself to go out to the ER.) The stench quickly became too much for me, but I remained in my seat so as not to hurt her feelings by moving. I saw elderly folks, wearing masks as they waited. They arose from their seats in a feeble, cautionary manner. We all experience weakness and vulnerability, but it’s not a pleasant truth to face.

All of these plain, ordinary people had been in such a state of need, and yet the staff was so kind and tender when they received each one of these patients. I marveled over that. These were not beautiful people, they did not stand out as exceptional – in fact, had I seen any one of them on the street I might easily have passed them by without a second thought (or perhaps with a critical thought, if I’m being completely honest) and yet there in the emergency room they were all cared for and asked after with kindness and respect. It was very moving to watch.

I thought about the deaths of a few people just the day before, on a bridge in Baltimore that had collapsed. I remembered being surprised at the traction the story had had – and yet when I heard in first-person the stories of the families who had lost someone dear, it instantly became real. It’s so easy to disassociate from people because they’re removed from our own experience; do we really feel the pain of those who die in dire circumstances in far-away places on the globe? We may want to, but I don’t believe we truly can. Yet when it happens close to home, and right in front of our eyes, we begin to sympathize in a deeper way. The situation is made human, it becomes real. Of course all tragedy is real, but it doesn’t always feel to be. 

In the emergency room, there were numerous mini tragedies underway all the same moment. On the outside, these folks looked unassuming and unmemorable, and yet each was being treated like the precious human they truly were. It was heartwarming, it was reassuring. It was humbling.

I thought of Pompei in ancient times. The volcano erupting and swallowing thousands of people. When I was in high school, I saw a touring exhibit of plaster casts that had been made of actual inhabitants of the city during their final moments – in the poses they struck upon their deaths. Those frozen figures were both distant to me and yet very real all at the same time. When I hear of disasters on the news, I often flash back to the sight of those anguished individuals, and I realize we humans, no matter our place in history, cannot ever be protected from tragedy, pain and fear. And no matter how it befalls us, not a one of us is beyond the purview of death. At best, we can only hope for a peaceful transition.

Every human who has suffered or died was as real as you or me. Those who have experienced frightening demises may seem a world away, but their stories could easily be ours as well. This thought is never terribly far from my awareness. And that day, while waiting in the emergency room, it came close to home again.

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For some reason my mother and I had a heated argument as she prepared for the drive to the hospital. Since then, we’ve spoken a few times on the phone and, as it comes easy to us, we’ve compartmentalized very successfully and were able to fall back into the “I love yous” before too long, and then things became normal again. 

But goddamit, may I not be as distrustful and defensive as my mother when I enter my elder years! I have taken to using the phrase “It’s not a hardship” when speaking to my mother about a situation in which a decision must be made, because for my mother everything is a hardship. Yet saying this aloud seems to make no difference – it does not reach her. “We can take your rollator in the car or not”, I will say, “We can take Braim Road or Locust Grove – nothing makes a difference to me – but if it does to you – just say something!” But that’s not how my mother operates. Passive-aggressive asides said under her breath are commonly used as a vehicle of primary communication. Not speaking up for her needs is her MO. It’s simply how she’s lived her whole life. Much as I’d wish that common sense and my honest declarations might make a difference, they do not. She makes simple non-issues into topics of debate. I have told her numerous times that I am a sixty-year-old woman, I have run a successful business and raised a brilliant child – what makes her think that I can’t make basic choices as we make our way out the door and on to our destination? I have never received an answer to that query.

When driving my mother home (I have known that driveway for over fifty years) she will still point to the driveway lest I miss the turn. Good lord. Really? This is the level of distrust and control with which my mother lives – at least with relationship to me. It is endlessly frustrating. I do know that she believes me to be a control freak – and in light of the deep and fundamental distrust she feels for me and my choices, I can understand how it affects her responses to me. But still. Really??

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Days have now passed since my mother’s visit to the ER – one which ended up in an overnight stay and a surgery in which a stent was placed in her kidney – and she is back to her usual self. General anesthesia at her age always makes me a little concerned, but she and I appear to share a high tolerance for the stuff that knocks us out. There do not appear to be any lasting effects from the anesthesia. And that is good news.

This near-the-end chapter must feel a little strange for her, perhaps even a little scary, but it’s not something she reveals. I tried to investigate further the other night when we had dinner together, but she didn’t offer up any insights. (I had bought some lamb, string beans and potatoes for her, suggesting she make herself an Easter dinner. In that her prime creative expression in life has been that of being an exceptional cook, I was happy when she offered to make dinner for the two of us. And it was so delicious. When I arrived at her house and she was in the midst of preparing everything – in spite of her steeply bent-over spine and arthritic hands – I realized how lucky I was that my mother, at 89, was still making home-cooked meals like this. In spite of how crazy we make each other, when she finally does leave us, I will miss this time.)

Even though I am glad to have her here with us – and to still know the sense of home and permanence her presence provides – there is a part of me which almost wishes that the Band-Aid be ripped off already. I wrote a song called “House of Cards” in which I ponder this strange place of worry and not-knowing. Will things become dire? Will my mother fall, will she experience an event that changes everything in an instant? Will the entire remaining estate go to pay for her care until she dies? Will she die in a place other than her home? My one main goal is to ensure she does in fact die at home, but one can never truly be guaranteed of that outcome. I also worry about her being bored; her life is very small, very repetitive. It seems her whole day is simply about getting dressed, eating and then going to bed. In between she feeds and watches the deer outside her windows, and she enjoys a drink in the evening while watching the umpteenth episode of MASH or All in the Family. Can this be enough? It would likely drive me insane. But perhaps as one enters the truly aged years the need for stimulation and new experiences wanes. I can’t imagine being in a place like that, but then again, just ten years ago I couldn’t have imagined that my own body would age as it has, or that I would find myself wanting go home and be in bed by eleven.

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I began writing this at a local Irish pub as a means to learn how to use my new Bluetooth keyboard and iPad setup. I began writing with loud music playing, a beer at hand. It’s also where I’m concluding this piece. At a bar, with the energy of people all around, again with a beer at hand. I can’t imagine a life without this experience, and yet I’m fully aware that it’s made possible by relative youth, health and vigor, and a certain place of privilege in which I exist.

But no matter the level of privilege into which we are born, the primal losses unite us all. May I find it in me to navigate the coming unknown waters with compassion and patience. And even as the contours of my life change in those impending and profound ways, I intend to savor every moment of these earthly pleasures, knowing deep in my heart that it will not always be thus.

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Post Script: My song “House of Cards” explores the worry of not knowing how life will play out. “Depression Era Girl” is a song about my mother; writing it helped me to organize the sorts of idiosyncrasies I mention in the post.

Before too long I will have an EP on all the platforms so that you may finally hear what I’ve been doing for the past year. I love songwriting, but it sure feels good to write for this format again and I hope not to let four months pass before posting my next piece. I deeply appreciate your still being here!

Gedenken

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I’m fairly sure the Germans have a word for it. They are good at unapologetically mashing together a bunch of words, thereby making a whole new word which more perfectly describes some phenomenon. At the window just now, looking out down the hill and over the tops of the trees, a feeling washed over me. I lingered in it, trying to feel it as deeply as I could. Trying to understand it as best I could.

I was kneeling on the floor by the Christmas tree, looking out of the picture window in the living room. The sun was bright, and it highlighted the cobwebs and the dirt on the window frame. The grass outside was resting in matted clumps; I haven’t had the money to cut the lawn in years. These days the property reeks of neglect. The decaying wooden window frame and the cracked pane of glass itself, held together only by a sheet of tinted cling film confirm that too. On the sill there rests an antique glass bottle with a garden of moss and tiny ferns inside. Years ago, Elihu and I came upon it on a winter walk in the woods. It is as captivating and mysterious now as it was when we found it. It’s been there for ten years, a tiny universe within a jar, continuing somehow to live. Getting dustier and dustier.

As I sat there, I was caught up in this feeling of acute sadness mixed with a sense of expansiveness. It’s hard to convey. One moment without end. Loneliness and dust and sunshine and silence. But I recognized this feeling; I’ve had it in lots of places. What is it about? It’s not quite sorrow, it’s not entirely unpleasant, but it hurts just a bit to feel. It’s a certain sort of aching. It feels as if I’m missing things – and it feels as if I’m also resigning myself to that missing. 

My house – at least the living room – is a very cozy place, especially so at this time of year, with the tree and candlelight and lovely decorations, and it has an effect on everyone who visits. When they enter the big room, people sometimes sigh or pause for a moment. Some even open their mouths. The living room here is a beautiful country sanctuary at Christmastime. And for the most part it does the job; it helps me to forget how lonely my life is, it helps me to forget that my best days are now most likely in the past, it helps me to forget that one of the major remaining events in my life will be my mother’s death. For a few weeks of the year, it is a very pretty distraction. And while I’m grateful for this space, sometimes it makes the contrast between the now and the never-to-be even harsher. I’m missing something, I just know it. But I just don’t know what that is.

For me, writing helps soothe the aching. It helps me to believe that all this longing-for-what-I-don’t-know isn’t for naught. You know, the old writer’s idea that every experience, no matter how crappy, is worth it simply for the sake of the story. So. Here’s the story – only it has no ending.

Even when I box up all those family treasures in a few weeks, turning the corner into red and white Valentine’s Day decorations, the ache won’t dull. In fact, it will become more acute as I wrap the ornaments and strip the mantle of the pine boughs. There will come again that one afternoon of the heavy heart. There will be the empty room, and that annual moment of reflection. It happened again, and it has gone again. I’ll stand there, hands on my hips, taking in the room now vacant of decorations, with pine needles and ornament hooks scattered across the floor, the only apparent color being the brown of the couch.

I wonder at all my fellow western-world humans who, like me, haul out the decorations each year, install them and then pack them away. They too must have those moments of rumination – coming upon old family trinkets and remembering again the stories that go with them – they too, like me, must feel a sad sort of “what now?” feeling in their stomachs when faced with an empty room afterward. It’s not just me, I know it. Anything I can possibly think or feel is certainly not novel or new.

As my son grew up, he spent all of his Christmases, save one, with his father. Alone in the house on those Christmas mornings, I’d look out the big window at the hills in the distance and wonder at the scenes going on at that very moment. Exhausted parents, shrieking and delighted children, living rooms covered in a sea of spent wrapping paper. I remembered how it was when I was young. And it was all going on right at that moment – somewhere out there. On the one year that I did have Elihu with me, it was so cold and lonely (literally, we were low on heating oil) that he actually cried. On Christmas.

The sun is now on the other side of the house, and it helps tone down the ache. Not sure why. Maybe it feels closer to evening – helped by daylight savings time – and that makes me feel like I’m closer to the nightly respite of sleep. Only that’s not really true. I have mixes to listen to and corresponding notes to make. I have original songs I need to revisit and relearn. I have a few shows to book and folks to call. There’s a slow leak in my tub drain and the basement sump pumps are in constant use, so I have to find a plumber. And I will make myself get to the gym. I’ve been good about that recently, no sense losing my momentum. No students today; I’ve been given the gift of time, and I’m going to use it well.

Day after tomorrow, Elihu and I are taking the train to Manhattan. We’re going to stay for two days with some dear friends for a final time in their Soho residence. They are retiring soon and moving to far-off Utah. This brings to a close a thirty-plus year history of visits. Ages ago, when I was a touring musician and performing in the city, I’d sleep on their floor. We remained friends, and long after the bands were over and after I’d begun the single mom chapter, my son and I continued to visit. After Elihu returned from a trip to Europe a few summers ago, he found his way to their home first, before heading back up north. There will be no more landing pad in NYC now, but that’s a minor loss compared to the fact that I can’t be sure when we’ll see our old friends again. I am going to savor this final visit. By Christmas, just five days hence, Elihu will be in the Midwest with his father, and I’ll be back here, alone in my cottage in the woods.

Before I know it, this eagerly anticipated visit will become just another memory. It’s enough to inspire a wistful sigh. I suffer a tiny heartbreak at the thought. But that’s the way it works here on this mortal plane. Expectancy, experience, memory.

The passage of time – or rather the unceasing forward movement of it – can be a blessing or a curse. If one is in a bleak situation – in jail, in a hospital bed, in a nursing home – passing time is itself a challenge. When I broke my neck as a young adult, I spent two months in a bed, unable to move. The wait was grueling. The boredom was maddening. Time positively dragged. These days, while I’m not entirely thrilled about being here, I do realize I’m in a unique and valuable spot. I am filling the space with songwriting and performing, which is good. At the moment, there’s no end in sight to the material; there’s always something waiting to be created. And if I apply a small bit of discipline, it means that I not only have something to show for my time, but it also passes more quickly – in fact I reside in a timeless place when I’m creating. I like that.

The feeling that inspired this writing has dulled now, and now the urgency of my to-do list has begun to tug at me. The out-of-time thing has once again taken place during this writing session, and now I see that it’s later than I’d realized. Or later than I hadn’t realized.

My takeaway from this on-paper rumination is simply that which all of us know, but seldom consider too deeply. Most of our lives are simply made up of memories. And with every forthcoming moment we have the opportunity to make another one. Memories are the only things during our lifetimes – be they accurate or self-tailored to suit our needs – that remain.

So, it’s time now for me to loosen my chair-stiffened joints and get going. There’s much yet to remember ahead.

Ambiverse

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Yesterday, my 88-year-old mother and a friend drove north into the Adirondacks. Essentially, it was a leaf-peeping trip, but along the way they visited the lakeside house where my father’s family had summered from the nineteen-aughts through the sixties. It was the house where I was conceived in August of 1962.

About a decade ago, I took mom and Elihu up to the Severance home. No one was in the main house, so I searched the grounds for the owners and found them having a large family gathering in a screened outbuilding. The owner happily gave us a relaxed tour of the house. He enjoyed the stories that mom recounted from more than a half-century ago. I enjoyed seeing the rooms and matching them up with my father’s stories. I spent a moment at the top of the stairs, imagining that young boy, long past his bedtime, sitting there listening to the eruptions of grownups’ laughter as they sat downstairs playing pinochle. But my biggest curiosity was to see the room. Easy enough, it was at the top of the stairs. A cozy bedroom under the gable that looked out and over that grand, descending lawn and the lake beyond.

When my mother and son and I stood in the room together, I felt the closure and completion I’d been after. My existence had begun in that room, and, as a result, Elihu’s life had begun there, too.

My son’s life had also begun in a lakeside retreat, one with a similar view (Torno, Italy). Like this place, the site of Elihu’s conception was also high above the nearby water, and on the south side of the lake. If you were to examine a map of each location, they look incredibly similar. My son and I both began our lives lakeside, looking out to the mountains beyond. This is something I very much like to know. Somehow, it grounds me.

A massive new house now sits too close to the driveway, and a few small outbuildings appear to be missing. The house itself has been painted, it is no longer pale yellow, and the shutters are now blue. The immense tree in the turnaround of the driveway has been taken down. It seems there has always been a tree there; it does make perfect sense. But new money doesn’t always abide by those classic rules of balance and aesthetics. No matter, it’s under the care of someone with resources. That’s the key to a building’s survival. The place may be changed in many ways, but it still exists. The phantoms of the home as it once was still hug the new periwinkle shutters and bare front yard. My father still lives there as a five-year-old boy bringing barn kittens into the house. The Confederate General and his family still live there, slightly dazed at their new Northern environs, but finding enjoyment in the cool waters and pine-scented woods, nonetheless.

These days I feel I am living in an in-between time. Things are this – and at the same time they are also that. My son is in college, closer to graduation than high school, yet he is close by, and I am able to see him fairly regularly. My mother, although visibly aging into frailty, is still living her own life, driving to the Adirondacks, regularly reading The New Yorker and feeding her outdoor wildlife friends each day. I myself look young enough to fool people about my age but am old enough to feel the oncoming infirmities. This and that. Both, at the same time.

Sometimes I feel as if I’m waiting for the other shoe to drop. Or at least the next chapter to identify itself. Lest I sound as if I’m complaining, I wish to say that I am not. I am simply feeling a little off – a little out of my body, a little unsure as to what it is that I am. My roles have always been fairly tidily described. But now, these days? I’m kind of in a nether role. I’m not a caregiver anymore. Not for the kid, and as it stands right now, not yet for mom. I’m in a rare place, this I know. And so I’m filling the space. And filling it easily.

I’ve begun to write songs. And while it may seem a mere hobby – on paper it would satisfy that definition – it feels to be more than that. A tiny spark ignites inside my chest when I envision writing songs and performing them. And then, if I imagine a band behind me, it gets so exciting that I don’t dare explore it further. It would be too big a disappointment if I began to care too much about that particular outcome, never to see it happen. But then again, why the hell shouldn’t I dream? Is that not what leads to creation? Have I not played behind dozens of other people who themselves had the conviction of self to assemble a band in support of their own vision?

It appears to be time for me to step up. And I am in the process of doing so. Step by step I am beginning to ascend. Or, as a band leader once put it to me, I am, to use his words, beginning to “ramp up”.

About a year and a half ago I had a rapturous musical experience which was followed quickly by an excruciatingly difficult period. I lost almost half of my hair due to the stress that it caused. I stopped working out. I started eating and drinking way too much. Then I suffered a back injury. After six months of brutal despair, I knew only I could get myself to a better place. And so I began to work my way up in the only way I saw available to me. I began attending open mics in search of a new musical tribe.

The open mics were challenging to endure, especially in the beginning. Long slogs through dozens of bad musicians playing done-to-death songs on out-of-tune guitars. Yet I tenaciously continued to attend open mics everywhere – even in Chicago – fascinated by the hard and earnest work that so many people were putting into their performances, even if, at the end of the day, they were far from performance-ready. I also went to the open mics on the hunt for the gems – the sleepers, those magic songwriters who stop by to work out a new idea, or who are there to fill a night because they’re passing through town… (That’s a bit of a fairytale outcome I now realize – although at the Caffe Lena open mic I actually have heard and become acquainted with a few “real” artists.) On the whole, there were no sleepers. The “real” musicians and songwriters were out playing real shows.

Tiring though they may be, the open mics have been a very important step in my ascent. They give me an opportunity to test this new skill of songwriting. They provide me with a goal. They provide me with feedback and input. They have opened doors for me to do my first solo shows. They have been a necessary step on the staircase ahead of me. They are a great tool, to be sure.

The first song I wrote was born of sheer need. I was going mad. Bereft and alone, without son, prospects or piano students, I pulled my keyboard outside into the sunshine on a late summer day because I had nothing to lose and no reason not to. Moved by the dire situations of two dear friends, I began an aural contemplation on the whys of it all. And by the end of the day, I’d written my first song.

It feels a bit naïve to actually call myself a songwriter at this point in my evolution – I only have about 30 songs completed and ready to perform – but I feel as if it’s a really perfect tool of expression for all the interior stuff that’s going on in my head right now, and it tugs at me daily. And at this time in my life, when I am not distinctly in my middle-aged years nor yet in my truly aged years, it seems to be a sweet spot for this new adventure to take place. I can still carry and setup my gear, I’m able to offer enough interesting covers to fill some single jobs, and I can perform a few sets of well-written original songs decorated with plenty of charming backstories.

Panic attacks still tap me on the shoulder and threaten to reappear, but I’m working on it. Silencing the self-sabotaging monkey which pulls me out of that place where I need to be in order to perform well should be handled by now, but it is not. I’m working on it. It is getting better. And I also gotta slow the fuck down when I talk. These things I know, and I practice every chance I get. I’m deeply appreciative of all the time I have to write and all of the opportunities I have to perform – and to work on telling that monkey who’s boss. I’m trying my very best to ramp it up.

I’m no longer at the bottom (although I’m not even sure if I know where the top is). What I do know is that I’m somewhere in the middle of it all right now. I’m en route.

And even though I’m not “there” yet (and I do fully realize that “there” may well simply be right here and now), for the sake of naming things in a physical world where we organize our lives through time and accomplishments, let’s just say that I am definitely on my way to a new place.

For now, I reside in the ambiverse.

To my friends near and far, you can watch my upcoming solo set at Caffe Lena (here in Saratoga Springs, New York) through their live stream. The show is on Sunday, October 29th at 7 pm. I’m up first, so tune in close to 7 EST for my set. Link here.

You can read a sampling of my song lyrics here.

Project

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When my son Elihu was four months old I had a thought. Quite literally, it went like this: Omg, I can’t wait til this project is done. Kinda feels like it should be wrapping soon. The way I felt about my child was, internally, the same way I had felt about making a record. You write, arrange, record, and then it’s done. When I realized that my child was not a recording, I was flushed with an urgent sense of panic. Wait – what? When exactly was this ending? Wait – this was not a project! Holy crap! This was forever! This was an actual human that I was in charge of! I was deeply surprised at myself. How was it that I’d never thought this through? I was filled with fear of the most urgent kind.

(When I was in labor – at home in my bed – and my doula was trying to help me, she dangled a onesie in front of me as some sort of enticement to hang in there until the reward came. I remember thinking – what in hell is that for? Lady, that piece of laundry means nothing to me. Don’t distract me (what was I doing again and why?) and my god, please let’s get this thing over already.)

Clearly, I have never been much of a planner.

Now, twenty years later, thinking back on my panic at the realization that my infant son was a life-changer and dependent entirely upon me, I realize from a new perspective that the project has been satisfactorily concluded, and finally, the post-release tour has ended. The content is good, and it’ll have a long and robust shelf life. But the job is done, and I’m free to move on to other projects – smaller ones with less on the line. Things I can see begun and done without waiting two decades. It’s a good outcome, and I’m deeply grateful for the freedom to embark on new endeavors. Even so, it makes me wistful, living here in this empty house with the uncut grass waving all around it… But I’m too tired to become teary and nostalgic and wish it otherwise; I’m feeling my age and thinking to myself that I made it just under the wire.

Sometimes I cannot believe that I got us both through that passage. And I can tell you, it was a hell of a lot more work than making an album.

My energy has been drawn elsewhere the past few months, as evidenced by the longest-ever pause in between essays across the twelve-year history of The Hillhouse. It strikes me a bit incongruous that at a time when I’m not on the hook for driving a kid to and from school, when I don’t have to make meals every day or shuttle tubas and airplanes around – a time when I’m merely accountable to a handful of piano students – I find myself feeling short of the time I need to get my creative projects completed. When I was working and being a mother, I was still able to find the time to write essays, and yet now, somehow, I’m just not. Only so much time, only so much energy. I’m using both those commodities in other ways now.

It may surprise people to learn this, but I have never written songs before this year of my life. Took me sixty years to get around to it. I’m good at creating parts – good at arrangements and decision making, but I’ve never been the one doing the creating. I’ve always been a sideman. And now finding myself twenty years on the other side of my life’s main project, I’m learning that the whole world works differently than it used to. Plus I’m not young and cute. Yeah, that stuff has currency. Things really do change.

Songwriting is interesting to me; it serves primarily as therapy (why is it that the folks who really could use therapy the most are the least able to afford it?) and it also creates something which I began to feel a need for as I entered the open mic culture for the very first time: new material that hadn’t been done to death. You could say I began songwriting out of necessity. And now that I’ve started – I can’t stop. It’s crazy to me. I’ve become a prisoner to this process now. Ideas come to me in the middle of the night – usually my most productive time is from 5 am til 10 am – and I’ll sing them into my voice memo. Then the work then begins as I cull and piece together ideas. It becomes sort of like a puzzle. And until now, I’ve always hated puzzles. But this challenge is different – it demands resolution. But man, the content is often primitive, and I can’t help but be self-conscious about the quality. Some songs come together quite nicely, but most of them don’t. It was so much easier all these years to offer my opinion about content someone else had already slaved over. Oy. Who knew? Not me. Like I said, I’m not always good about thinking things through.

There’s a new adventure emerging now. I’ve already done a few solo shows and have a few more on the books. I’ll be participating in a local songwriters showcase soon at Caffe Lena, here in Saratoga, and that’s kind of a nice way to mark my first calendar year of writing songs. I’m realistic enough to know that I’m not an established artist, nor will I be at this point, and that in this culture I’d be hard pressed to carve out a living room tour even if I were, but it’s not a deterrent. In fact, it’s sort of freed me up not to worry too much about the outcome and instead enjoy these new experiences.

I admit to feeling a good deal of conflict about spending so much time on something that will never net a penny, but I’ll just have to sort that out myself (it is therapy, after all). I hadn’t seen it coming, but it’s here. Songwriting appears to be my new project. And I’m not even sure when it’s gonna end. But some things you just can’t plan.

And now for the diary portion of this post:

Elihu is doing exceedingly well, living and working (with a salary and not a word of English known by a single coworker) in Tianjin, China. He has traveled a lot – covering a country as large as the US, visiting different climates and navigating through a variety of regional languages and hard-to-understand accents. I am SO grateful for the blessed satellites which allow us to enjoy two-hour long conversations which cost us nothing. This is a far cry from the days when a mother saw her child off on a ship never to know of their whereabouts or well-being. I am deeply satisfied in Elihu’s personal successes. I am happy that he still feels me to be a friend, that we can cover such a wide range of subjects in our conversations, that we two can find the same things funny, the same things fascinating.

Final of Fifties

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There are some times when I long for the partnership of a marriage, times when I am nostalgic and perhaps even a bit overly romantic about the whole idea of aging alongside someone whom you know well. And then there are times when I feel pretty lucky, and I enjoy things just as they are.

Things took a tremendous turn for me almost fifteen years ago, and ever since, I’ve had to readjust my expectations. Life has been a challenge during the past decade and a half, yet it’s yielded results beyond any I could have imagined. I did the Green Acres swap; I traded my tony urban life as a famous man’s wife for a life on the farm as just another single mother hustling to make it all work.

You couldn’t have convinced me of it during those first brutal years, but now I know it was the best of any possible scenarios. My child wouldn’t have turned out as he has, nor would I have learned all that I have, if my husband had not left me. So many treasured memories of our shared life here in this tiny cottage in the woods as mother and child would not have come to be, so many life-changing events would never have happened if things had worked out the way in which I had expected them to.

But I am getting older. My body isn’t able to do things it could only a year or two ago. It’s not a hunch anymore, it’s real. And there are moments when I panic. What the hell am I supposed to do now? Is it in my best interest to grow old all alone back here in the woods? Is it even safe?

Yesterday my car got a flat tire in the driveway. And, for the first time in my adult life, I could not change it myself. My bad back and arthritic hands just couldn’t come through for me. Man, did I feel vulnerable. And old. As I sat there in my car, wondering what to do next, it hit me. Maybe this wasn’t where I should be anymore. Maybe.

My house is covered in branches, decaying leaves and moss, the gutters full. There’s a gaping hole in my garage roof with a swath of soffit hanging down like a giant loose tooth. Downed trees and huge branches lay all across my now-growing lawn. The iron hand rails down my kitchen steps have corroded so badly that they’re only held on by two remaining bolts. I haven’t got the physical stamina to tackle any of it, certainly not enough money to have someone else take care of things. And it worries me. The older I get, the more it does. Ten years ago – even just five years ago, I would’ve thrown my back into it and done my best to patch the roof myself. I would’ve tied the trees to my car and dragged them to a great pile and burned them. I had the energy and strength to imagine a solution and employ it. Now my back just won’t let me, my fingers can’t clutch tools very well anymore, and I hesitate to even go up a ladder. A fall is a potential disaster at my age.

At 59, all of these things are becoming clear to me.

In a few weeks’ time The Studio will be on the market, and the wait will begin. Who will buy the place since all the local arts venues have passed on it? Likely it will become a private residence. And that is not something I ever truly considered. It kinda changes everything. The anchor gets lighter, the future less certain.

When I first began renovations on The Studio in the summer after dad died, a contractor had spoken to me from the place of a concerned father; was this really my dream? he had asked me. Or was I embarking on this huge undertaking out of guilt, or a feeling of obligation to my late father’s legacy? I had thanked him for his candid offerings but assured him that I knew what I was doing, that it was a vision that I alone held. He probably knew as well as I did that I was headed down a long and expensive road, and that I honestly had no idea what I was doing. And while I can say that The Studio did in fact produce hundreds of beautiful moments and brought pleasure and delight to many over the following ten years – I cannot say that it ever paid for itself. To the contrary, it’s been through the gifts of kind people, including my mom, that the place ever broke even. But I have no regrets. I’ve learned a lot, and many wonderful things were born of the place.

But it’s so hard to let it go.

In the end, what in hell does anything matter but the moments themselves? Memories are important, as too are goals, but they all culminate in the single witness to a moment. This is something I’ve pondered for ages. I’m still in futile pursuit of truly getting it, but at least these days I understand a little bit better. And it’s what helps me to have no regrets; I have gratefully born witness to every moment of my “new” life here in Greenfield, from farming to academic to professional endeavors. Even as I felt the suffocating effects of my despondency, poverty and loneliness – even then I knew enough to hold a deep appreciation for the idyllic place in which we lived, the gifts of experiences that we’d been given, and the treasured way in which my young son and I lived together in partnership and solidarity.

Now that era has ended. What exactly comes next? Judging from the way my older students hold firm the handrails as they descend my kitchen steps, what comes next does not seem all that appealing.

I’ve joined the Y; I’ve had my first interactions with people other than students and store clerks since before the pandemic, and that restores hope in my heart. And over the past few months I’ve written around two dozen songs – something I’d never done until this year of my life. I am in possession of a Dot card and ready for networking; the links to my material are all easy to find. I’ve begun the hustle to get some work this summer. I’m still without a duo partner, but as with everything else in my life, it seems I’ll have to go that path alone. I also make myself attend open mics regularly – despite the drudgery that is inherent in that process – and so I get the opportunity to try out my new songs in front of people. It’s not a bad place to be in my life, if only perhaps a bit dull and without compensation.

My sixties await, and despite some genetic predisposition towards longevity in my family, Facebook and the virtual world beyond remind me that I could go any day; the prospect of dying feels close by and very real. I’m satisfied with my son and his future success, that storyline is resolved. And as soon as I can archive all my material in such a way that it can be accessed by folks after I’m gone, then I can rest easy. Resolution is what I’m after these days. (That, and a tiny, vain effort to remain present in this world in some form after I depart.)

Greenfield is a sweet place in which to live. Is not the name itself so very poetic?

Once, when driving back from the highway department where we’d helped ourselves to a bucket of free road salt, Elihu remarked through a laugh that he loved living in a town where a “five-gallon bucket was a unit of measure”. Elihu grew up knowing that the local good old boys would always come through to help us prime a pump or fix a fence; we always knew that our neighbors were our extended family. It was fundamental to the person my son has grown up to be. So I thank Greenfield, my neighbors – and my mother, too, for our success in this corner of the world.

Now the landscape here is different. The young children on our stretch of the road are quickly growing up; baby faces have matured through adolescence. No longer do tiny kids ride their bikes down the long gravel driveway to visit the big boy and his chickens. There is now a huge house in the field between us and the girls across the road. No longer do mother and child wander over a meadow to visit neighbors. There are hardly any meadows left. Even our dear woodcocks have moved away and taken up residence down the hill. Several new houses have been built, and ancient, historic homes have been razed. Greenfield looks so different now. I can see a suburb evolving. I can even imagine stoplights taking the place of lazy, country intersections.

Greenfield is changing swiftly, and I feel myself to be changing along with it. A new landscape is emerging for us both.

Post Script:

Elihu will turn 20 on April 28th, and I will turn 60 on May 7th. On my birthday I will drive my son to JFK airport, where he will embark on a three-month adventure living in Tianjin, China. He is now fluent and literate in four languages, conversant in three more, and he wishes to refine and improve his Mandarin as can only be done through an immersive experience. He has a huge adventure yet before him; he will be navigating through a country where all signs are in Chinese characters – no Roman letters to assist. There will be no safety net. And he’s a person of low vision, so that factors in, too. But I don’t worry. In fact, I’m thrilled and excited for all that awaits him.

Who knew that life in a tiny, country cottage would produce such a brave and adventurous young man? Who knew that this unexpected change in our life path would turn out so beautifully? To quote a line from a Richard Scarry book that I said to my son throughout his childhood: “This was the best mistake ever.” Truly, it was.

Visit Elizabeth’s website here. Visit Elizabeth’s Instagram here.

Visit Elihu’s personal Instagram here. Visit Elihu’s tuba Instagram here.

Showtime

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This is the final month of my fifties; one month from today I will turn 60.

Recently I’ve been feeling the sting of reality in a much fiercer way, and so I set about to express my thoughts differently than I ever had before. While not writing here for this dear blog, instead I’ve spent the past two months doing something entirely new to me: I have been writing songs. Just a month ago I would’ve been hard pressed to fill a set, now I have two generous sets of songs ready to go. Not all are keepers, but some, I believe, are pretty good.

Flushed with the excitement of creating songs that actually worked – songs that came from a genuine place of inspiration and most of which held together pretty well – I experienced a few moments of idealistic bliss, thinking that perhaps I should try to market these little gems. Some are quite formulaic, and they hit all the marks – with a little production could easily be imagined as the bed behind an introspective montage of some cookie-cutter Netflix drama… But that idea has been quickly dispensed with, at least for now, as the initial thrill has died down and the real world has imposed itself upon my starry-eyed visions. It’s ok. It certainly won’t stop me from writing. I have found that writing songs is a thrill and a challenge, it’s something I now love. And at this point in my life, I can draw from a deep well of experience.

A few posts ago I complained about the open mic scene in this town, and I’d hatched an idea to write songs in order to grab the attention of a lost and disconnected audience. The scene fairly infuriated me; the same songs that they played, the out of tune guitars and the warbling, pitchy vocals zapped me of my patience. More accurately all of this caused me to become infuriated with my own situation, as just a year ago this time it had seemed I’d had a foothold up and out of this place, but it was not to be. This past year I’ve been just sick that my prospects had vanished, and that I was left to languish in a town without any musical peers. The only solution, it seemed, was to write my own shit. So that’s what I did.

I’m not a fan of most disclaimers before a performance – but in this case I feel I must make it clear that by no means do I presume myself to be a poet. In some ways I suppose I’m creating a type of poetry that exists in tandem with music, but in that the words and music often arrive together, I don’t feel it’s the same. Nor do I think that my stuff is particularly enlightened or exceptional. But on the whole, I’m happy with these first exploratory months into this new mode of expression. It’s what makes me feel that this whole crappy detour of a year hasn’t been entirely for naught.

My health still has me in a near-constant state of despondency. I’m not far away from the heaviest weight of my life and due to ongoing troubles with my herniated discs, I just can’t move the way I used to. My mood continues to swing from the darkest downs to infrequent glimmers of hope and promise. The songwriting is another tool to help distract me from the day-to-day disappointments of what is my current life. But there is a small light driving me forward; I’ve been given several solo shows in which to perform my material, starting with a modest guest spot this weekend to a set as a featured artist at the local and iconic Caffe Lena. It’s definitely something. I don’t look forward to dealing with the panic attacks and mind games of anxiety that come with that attention, but the clock is ticking down now, and I don’t have time to fuck around. This seems a rare opportunity for a fresh start.

Turning 60 is much different than embarking on any decade that’s come before. It truly feels like it’s now or never. The stakes feel higher, the outcomes are so much dearer. In this life of mine I’m hoping for a few more moments of the connection and satisfaction that performing brings. And with any luck the journey will bring me into the sphere of good musicians once again, and before the final curtain there’ll be a few more shows to play.

Toro

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I’m a Taurus by birth, and sometimes by my actions too. And occasionally I stumble into a china shop.

While in my private life I struggle to find the energy and motivation to get even the most basic things done, when I get out into the world, my energy and behavior can be a bit explosive. In high school it made me seem quirky and strange. As an adult, it’s a mixed bag. My personable nature can go a long way towards making people feel witnessed, it can brighten a stranger’s day, and it can assist when getting tasks done. But sometimes, it gets me into trouble. I can hurt folks, and I can go too far. A product of both my energy and my insecurity combined. When I’m feeling of little value (which, regrettably, is much of the time), I end up overselling myself, and in blind pursuit of recognition or a feeling of camaraderie, I lose my sensitivity to other people. Most times I can read the energy of a room – but when I’m in the vortex of my own tumult, I can’t.

When, oh when will I grow up?

The other day I dropped in on the hair salon that I’ve gone to since I moved here almost fifteen years ago. I do this every now and then; I’ll grab a salad across the street and pass a half hour in between appointments, chatting with the women there. It’s got a great, relaxed vibe, and the company there takes the place of the in-person friendships which are almost entirely absent from my current life. The salon chair has a special role in a person’s life; there is an intimacy one shares with the hairdresser, and the chat that passes back and forth brings a certain comfort.

Until I bluster in, that is.

Last week, I popped by for a visit, and settled into a chair with my lunch. I proceeded to share my story to the patrons as if it were a pre-vetted group of my closest friends. This has gotten me into bad situations in the past, and although I thought I’d begun to make some progress on that front, that day, apparently, I had taken a few steps back. I went too far. I wasn’t sensitive to the way in which I’d tossed someone’s opinion aside. And I went on to enthusiastically discuss a topic that was important to me, not realizing how it was affecting a patron. I remember sensing something to have been off, but I didn’t slow down enough to take it in. The women were polite, and the smiles continued. But still, I missed some shit I shouldn’t have. I’m disappointed in myself to think that I still don’t have a handle on it.

My mother is certainly not responsible for my behavior, but I can see where many of my tendencies come from. Mom had a knee replacement three weeks ago (and she is doing very well, I’m happy to report), and while visiting her at the rehab facility and subsequently driving her to appointments, I’ve had the chance to watch her interact with a fair amount of people. It’s been insightful. I’ve been able to spot a few of my own characteristics within her actions, some good, some not. She’s very personable, and she stands out; people like her. She is not the ball of energy that I am, and she is a consummate rule-follower, which I am not. She wears a default smile all the time when with strangers (I find this inauthentic and annoying) while I am almost always guilty of bitchy resting face. But aside from all of this, I noticed something in particular which intrigued me: my mother talks over people, and rushes in to finish their sentences. She also adds so much more story than her audience really wants. Crap. I believe myself to have inherited these very habits.

“Elizabeth,” my friend Debi had said to me over three decades ago, “you are an interrupter.” I remember distinctly the darkly lit Italian restaurant, the red and white checked tablecloth. I can see her finger, as she, in frustration, pointed it directly at me. Many times through the years I’ve played that moment in my mind, and used it to shush myself, to hold myself back from excitedly adding more than anyone needed to hear. But sometimes I forget, or I just don’t realize I’m doing it again.

There are also times when I’m exceedingly aware of the energy around me. When I’m listening to a friend, when I’m sitting with an elderly person. And, there are times when my confidence and sensitivity are purely second nature. When I’m singing, when I’m playing music. I’ve made a concerted effort to bring this awareness with me in my everyday affairs, but sometimes I lose it. Like the other day. I was dismissive and hurtful and hadn’t realized it.

Kudos to an individual who was present for bringing it to my attention.

I received a stinging text message from this person – it seemed to come out of left field. But she was still bothered by the experience, so the situation needed to be remedied. It reminded me that I’d grown lax again, and I needed to be humble and learn from it. The situation was definitely not pleasant to face, and my system was flushed with adrenaline when it was all over. But I held out, continuing the conversation to the point where I could get some insight. To a place where I could learn from my actions and stood to improve my sensitivity and behavior. I believe things were left in the best way possible. I can’t know entirely, but I at least I apologized. All I can do for now.

Personally and professionally, the last twelve months have been a doozy of a year, from extreme highs to brutal lows. Over the past year I’ve lost a good portion of my hair due to stress. I’ve dropped the fitness gains I’d made earlier in the year, plus I suffered a couple of herniated discs which continue to make movement tricky. To top things off, I went up a couple of dress sizes due to a lot of self-soothing through food and booze (a mechanism very familiar to me). But I’m trying to get it together again. I am.

Before I exit this plane, I’d like to become a bit wiser in my actions and behavior, and healthier in my lifestyle. And I readily admit to losing patience with my mother; I’m a long way off from my goals on that front. It’s the supreme test of my abilities to apply discretion with her, to let things just be and choose to say less than I’d like – a test which I almost always fail. But every day is another opportunity to work on it. Definitely not there yet, but I’m putting forth some effort.

Where I choose not to say less is in my writings. I can’t. I won’t be here a whole lot longer in the grand scheme of things, and what I have to express might resonate with someone, sometime. For this reason – the present and future connections and assurances I might provide for others – I can’t censor myself too rigorously. There is possible insight to share, and I have nothing to lose – as long as I’m not combative or hurtful to others. I will be careful not to betray anyone here. After some less-than-favorable reactions to a few pieces I wrote this past year, I have learned not to cite anyone in such a way that they can be recognized. So, progress made I suppose.

The bull is back in the pen for now.

Liz’s Bin

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The past few months have been hard on me and my peers. Our world is changing.

We’ve begun to lose iconic individuals who’ve always seemed to exist as permanent landmarks in our lives and culture. It’s easy to forget that they’re human, and that they’re aging too. And since many were there to pave the way for us, they may even be a bit older than we are; it stands to reason they might leave first.

I’m at the doorstep of 60, and in the past year or two I’ve become acutely aware that this is an age at which maladies appear more frequently, and morbid diagnoses begin to arrive. Even in my early and mid-fifties I retained that feeling of “everyone but me” regarding aging and disease. The attitude which prevails among the young and early middle-agers. The sense that one has not arrived yet, that age and its concerns are still far-off. For me personally, the new awareness and perspective began as a murmuring in my 58th year and moved in for good sometime over the past twelve months.

I now take nothing for granted. Blood pressure meds are part of my daily ritual now, and due to a family history of colon cancer, I have pre-cancerous polyps snipped off every few years. I’m thankful all is well so far, but it’s real now. It’s here.

In our modern world we are very keen on extending life, and we have come to expect longevity. It’s easy to forget that just a generation or two ago, if you made it to 60, that was an acceptable outcome. If you died in your 70s, it wasn’t considered a breach of cosmic justice. It was simply your time. Your glorious turn on the planet in corporeal form was up. But these days, we fight as hard as we can to survive into years of frailty – and then we consider it a victory. I disagree.

I assert that a life well-lived is a victory, at no matter what age it finds completion. It may be heart wrenching to see someone depart, it might not seem fair, and it may hurt, but a life fully expressed is not a failure or a tragedy. Rather, it should be considered a good outcome. I’d like to think that if my life ended tomorrow, it would be seen as a minor success. I’ve been kind to people (however I fully admit to also being neglectful and selfish at times) and I’ve tried my very best to be loving and kind wherever I go. That’s about the best I can do.

Last year I went back to my hometown of Chicago for a visit. It was a thrilling week for me, densely packed with reunions. There was music and food, and there were all those streets and neighborhoods which I knew so well, the sight of which made me profoundly happy. Two radio stations provided the soundtrack; WDCB (which at my arrival was serendipitously playing a track by friend and jazz guitarist Dave Stryker, who I had also coincidentally just seen play the night before at Caffe Lena in my current hometown of Saratoga Springs, NY) and then – there was WXRT.

The DJ’s voices on WXRT were as familiar and comforting to me as old friends. Because they truly were old friends. These on-air personalities had been with me all throughout my musical growing up. And it was kind of remarkable that they were still on the air. It felt as if I hadn’t actually been gone for a decade and a half. Lin Brehmer accompanied me as I drove north on 294. I can’t hope to describe how full this made my heart. It restored my life energy; the sound of his voice made me feel loved and ready to keep going. It made me feel like I really had returned home. I experienced a moment of true bliss that day.

Lin died yesterday.

I knew he’d left the air last spring, but I’d also heard that he had returned this past fall. Somehow I’d just figured he’d won – he had beat the cancer, and he was back; all was as it should be. Yesterday, the news of his death was shocking to me. Understandable, but still… And as I began to think more critically about it, I realized that my generation was at the beginning of its downslope.

It’s begun. The time of goodbyes.

Death is nothing new, and our grief is not exceptional. But what does make the experience far different at this time in history is that we are all experiencing these losses in real time, and on a global scale. For us, there is no softening of the message through the buffer of time. Maybe it’s a good thing, because it is certainly cathartic to be able to share with people all around the world, in real time, our grief and our memories. I’d even say it’s a kind of privilege. But it’s certainly a new one.

I can recall so many times when my parents would hear about the death of a friend or colleague and express their regrets with a tired resignation. It was as if the time in between the death and receipt of the news served to dull the sting. I can’t really know; my parents were of that stoic generation that thought it bad form to express their true feelings. What I remember is the pause that would follow after my father would peruse the New York Times obituaries and read a name aloud. A beat of silence would follow, and then there would be the recollections, and finally my mother would say “Oh, that’s too bad”, and on they would go.

It feels as if I too am adopting my parents’ approach to the news of a death. It hurts, and yet it seems to hurt far less now than if these people would have died a decade or more earlier. At this point in the game my peers have all left legacies of some sort. There may be regrets – I should think every life has a few – but for the most part, a death after sixty productive years on the planet is not a travesty. It’s a sorrow that will subside as time passes. And as we of the fifty-plus segment of the population can easily attest, time passes much more quickly as one ages. Our pain will soon become less acute.

Ten years ago feels like the year before last. Last year feels like just last week. You know. It’s gone in a blink. Our end dates are fast-approaching. But let us not be made too weary by this; all of us have done the best we can, and we will continue to enjoy the ride as best we’re able. Let’s thank our missing comrades for all they added to our lives, let’s smile at the memories, and let’s let them go with a wave and a kiss.

Thank you, Lin, for reminding us that “It’s so fucking great to be alive”.

Postscript thoughts:

Men, please don’t put off having a prostate exam. My own father had prostate cancer, but thanks to early detection, he went on to live another two decades. I know that men aren’t as familiar with routine physical exams as women, so if you haven’t been to a doctor for a health check in a long time, please break this trend and make an appointment.

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Funny that after all these years I never knew that Lin got his start in commercial radio here in upstate New York and was known as “the Reverend of Rock and Roll” at WQBK, in Albany. We traded home states, but in the reverse. (But like Lin, I will always be a Cubs fan.)

~~~

Here are a few songs played on WXRT today as Lin’s colleagues remembered his life through stories and music:

“Chicago” by Sufjan Stevens.

“No Hard Feelings” by the Avett Brothers.

“Keep Me In Your Heart” by Warren Zevon (it was his last song).

“All Things Must Pass” by George Harrison.

“I’ll Take You There” by Chicago’s own Mavis Staples.

~~~

Today’s Sun-Times piece on the life and death of Chicago’s WXRT radio host, Lin Brehmer.

~~~

The title of this post was inspired by Lin’s Bin.

The first track Lin played on his commercial radio debut at WQBX in Albany (January 20th, 1977) was the Beatles “Within You, Without You”. He explained that he had chosen it because he had always felt that “life flowed within you – but mostly without you”.

Horizon Bound

Posted in An Ongoing Journal...2 Comments

These days I think my job to be mainly that of a writer. An unpaid writer without benefit of professional editing, but a writer no less. A ruminator. A distiller of my many experiences into bite-sized takeaways that don’t require a lot of time invested to offer a return of insight.

But what exactly makes me qualified to offer such wisdom? A fuck ton of life experiences. I’ve packed a lot into my 59 years. And at the rate that people of a similar age are dying these days, I kinda feel the clock ticking. I feel a strong urge to share my shit. If the material isn’t of interest to you, that’s fine. But if you do resonate with my writing, then I can call this a job well done.

And, having long considered myself to be a “jack of all, master of none”, this is not a small achievement. (My son, were he to read this, would likely correct me; strangely, the original meaning of that phrase was just the opposite. But let’s not go down that rabbit hole for the moment.)

What is unresolved in my life? What would I like to see completed in a flat-out winning scenario? These are the questions I am posing to myself these days, with the sorrowful knowledge that much of it will likely not come to fruition. So I gotta make hay while the sun shines. (That expression leaves no room for misinterpretation.) I shall lower my expectations and find myself much happier at the results.

When I see middle-aged or older folks go through harrowing medical journeys in order to stay alive, I often wonder why? I’m honestly not sure I’d take any drastic measures to keep going at this point, should I become afflicted with a life-threatening disease. Or – perhaps my innate human drive for survival might kick in and supersede my current feelings on the matter. I just don’t know. But what I do know is that my son is launched. My most important job has been done. Were I to die in the near future, he might grieve my departure, but I can tell you it wouldn’t slow him down one bit. He’s sailing under full power now.

At this point in my life, I’m just trying to stay alive longer than my tenacious mother. After that, I dunno. I can honestly say that I am not entirely thrilled about being here. The things I’d always valued are increasingly elusive. I realize this may sound terribly aloof. Because, my goodness, don’t I have it all? I’m surrounded by nature, my home is beautiful (and paid for) and I’m safe. But my life is flat, flat, flat. Very little joy these days. As things stand now, there is no more playing music with other humans. No more in-person camaraderie, no more athletic success (much less prowess), and no more promise of aesthetic satisfaction regarding my aging body. And certainly, no more sex. Naw. That ship left the dock back in Milwaukee.

This next stage of the game is going to require a whole new approach. Every decade or so it seems life requires an overhaul, and now seems to be that time of reckoning. I’m not feeling quite up to it, but like a runner with her eye on the finish line, I’m motivated to find that second wind and blow this thing out to the best of my waning abilities.

Stay with me as I wrestle publicly with my grumbling alter ego. Let’s see if I can’t offer you a few more interesting tidbits before I reach my ambit.

See you next year, friends.