The Hillhouse

For me this has been a day of very mixed feelings. From elation at the prospects of the future to intense pangs of sorrow at having lost something precious, now irretrievably gone from my life…

Today some friends and I cleared the Studio out of its contents. There was so much more stuff than I’d realized there’d be. And I do understand pretty well how stuff adds up – I’m rather a stickler for organization and pairing down to the most important stuff – but the piles and the boxes just continued to appear. It’s amazing how we humans manage to stash away objects. And when you finally do get around to excavating every last corner of the place and have set all the piles out before you, what then?  How do you let go of things when they’re so loaded with nostalgia, longing, subtle shades of regret? Where do you draw the line?

I regarded the boxes and when pressed as to whether or not they should go out onto the big trash pile I found myself sounding a lot like those poor souls on the show Buried Alive… “Mmm, uh, I might use those again, uh, maybe just put them here for now. Hm, um, wait, wait… I’m not sure, I don’t know…” Wait, me? I can’t let go? I myself used to help others let go of their stuff and organize their possessions long before it was trendy, long before places like The Container Store were even dreamt of. Under the informal moniker of “Assess a Mess” I’d go to people’s homes and help them throw away all of their crap or send it back out into the world. A combination of psychologist, personal assistant and trashman, I’d help them make all the hard choices. I employed what I called my “rule of two”: if you hadn’t used it in the past two years and didn’t plan on using it in the next two months, then out it went. I wasn’t cold-hearted about sending stuff away; I always tried to find objects a second life – and this was before the era of Freecycle, Craigslist or Ebay, yet somehow I’d make it through mountains of stuff, leaving a perfectly clean and organized joint behind. But now that it’s come to me – now that we’re talking about my recently deceased father here and all the tangible results of his life’s work – it just isn’t the same deal at all. And my mother’s hand is here too; it was she who kept the place running, made the videos of all the concerts, fed and watered the audiences at intermission, the musicians before and after concerts and rehearsals – her things are here too, and it’s troublesome to vote her things out when I know all the love and attention they represent…

Thankfully I had my partner Ceres and her kids here to help. It was far more work than it appeared to be at first, and I – physically or emotionally – couldn’t have done it alone. After getting a bit further into the job I discovered that the more I excavated, the more that I liberated the walls and corners of long-forgotten stuff, the more hopeful I became. I began to envision little future scenes of what one day happen here in this room. I’d been listening to the boombox I’d bought dad for Christmas last year (so he could listen to his favorite Bob and Ray CDs) to keep me going, and I heard violinist Andrew Bird on the local college station and wondered… might I host him here one day? I realize he’s become kinda big now, but I knew him in Chicago back in the day. Never know. And what of my other friends from my old life? I started imaging concerts, combinations of folks whose music I love… I didn’t want to spoil my fantasy with all the ‘yes, but‘ conditions, so I held back the sober voice of reality and limitation and allowed myself to continue to dream while I cleaned… Later on I heard jazz vocalist Janice Borla – also another fellow Chicagoan – and man, I though her recent recording sounded great. A totally different kind of music and crowd, but maybe, I thought, might I have something like that here too?

All manner of possibilities started to come to me, and I let myself fantasize for a bit as I worked. I loved music of all kinds – I just couldn’t see limiting the room to one thing or another. House concerts? Maybe that’s the route to go… Baroque Ensembles that are starting out and need a smaller venue? Hm. The jazz kids from Skidmore hosting small ensembles and including some of the high schoolers in town?? Stuff just kept coming. But then I’d feel a sudden wave of panic, when I’d look up from my task for a moment and see in my mind’s eye the room as it had been for decades… In an instant it was a late summer afternoon and the house was full of people, there was the scent of freshly cut hay in the air, and of course the music. The harpshichord, the gambas, violins, flutes, voices… The familiar sound of the chairs being scooched back on the wood floor as people got up to stretch and mill about… The dreamlike vision came upon me and with it all those subtle feelings I associate with my entire childhood. In my head I could still see so clearly the golden sunlight streaming through the western doors; I remember the flowers, freshly cut from the local roadsides, that my mother would arrange for a vase on the stage; I remember the murmur of the audiences’ voices as they chatted during intermission….

Baroque music and the scent of newly cut hay, the warm sunlight, low in the sky… The memories all swirl around my head, tugging at me to remain there with them, never to leave them lest they die forever… My heart wants things to continue to hear and see these very same things for years without end.  But of course, this is impossible now. Their leader is gone, that era has closed. I know I sure don’t feel like much of a leader myself, and I haven’t a clue what I’m in for. But I guess there’s no question about it. It’s my party for now, ready or not. Into the future we go, much to learn, much to do, and lots of great music and memories yet ahead. Thanks, mom and dad, for the great start. The Studio won’t be the same, but it will continue to have a lot of heart and soul.

The Studio as it appears from the South from just outside mom and dad’s house.

This is the side of the Studio people see first, the main door and box office are here. Note the stuff already piling up out front.

I really wanted to convey the size of this hump in the middle of the room. Seriously, right now we could rent the place out as a skate park! Look at this stool – all four legs are on the floor!

A selfie with the ever-present tapestry on the back of the stage wall.  Dad and I once had a picture taken of us on this very same spot. I’m feeling a bit sad about things right now.

See the tilt of the floor now? Crazy!

I was hoping this might illustrate the drama of the mid-room bump. Kinda…

Ceres’ son, Christoper, is being creative in trying to illustrate the big bump. In real life it looks much more impressive.

This is the green room. None of us (mom and me, that is) ever liked dad’s ridiculous choice of green. Ich. Thank goodness I can finally get rid of it. This room served as a backstage area, holding pen for several harpsichords and apartment for musicians and their families while they played here at the Festival. Now my Rhodes lives here – but after sitting in three inches of water for over a week, it’s in need of some serious cleaning and looking-over. So back to my basement it’ll go. That’s grandma’s rocking chair on the left – in good shape. Anyone want it? It’s yours!

More stuff.

The box office jam-packed.

Hmm. You can always tell a lot about a person by looking at their trash….

The spiral staircase to the balcony. As kids we had loads of fun on this. Note the high-tech, ten pound cam-corder mounted to the balcony railing – mom recorded every last concert on it. (We’ve since had them converted to DVD.)

The Studio’s sign came off the frame shortly before dad died, and it’s been sitting in a bank of snow. Lest it become warped and useless as the wood floor of the place, Ceres and son Brian moved it up from the road and into shelter. (The Conant’s summer cottage is in the background – it’s where my brother lives now.)

Ahh, such a great space.

Always loved this beam detail.

Even with the damaged floor, she still looks beautiful.

Had to take this pic from a distance so it’s fuzzy – but it’s from mom and dad’s very first festival in 1959. !

Here the Zabel family is going home after an afternoon of hard work. Thanks guys! We’re on our way now!!