The Hillhouse

The Journey of a Mother and Son

Vanity Pandemic April 22, 2020

As I see it, and as I believe most of us will agree in our most private thoughts, humans become quite physically unattractive on the downward slope of their lives. The enlightened folks in the room will instantly protest this by arguing that true beauty is in a person’s wisdom, and in their soul (yes, but the packaging can be very off-putting, rendering that soulful beauty unknown), and that the best years are yet to come. Ok. You can think all that if you want.

Nature would work to support my feelings on this; a 56 year old woman is not designed to procreate, therefore she is not equipped with physical attributes that might attract a mate – or in base terms, signal to members of the opposite sex that she is a viable candidate for maintaining the species. There is just no point in denying it. The visage of a young person is magnetic, but an image of a person in their late 50s – honestly folks, not so much. I sure wish I would’ve taken the time to contemplate this more deeply in advance of my arrival at this strange place. I wish I’d considered that by the time my son left the house I’d be old – as in beyond my years of a strong jawline and a waist smaller than my hips, a time in my life when my hair would be as thin as my little finger, and my fingers would be twice their previous size and too arthritic to clutch a steering wheel. I’m not sure how that would’ve changed things, except that it might not have come as such a surprise.

Those of you who immediately react in opposition to my thoughts will likely be coming from an inspired and holy place that I myself will probably never know in this earthly lifetime. Those folks will scold that age is just a number. Uh-huh. Right.

All my life I’d never been able to imagine what things might be like beyond a few months into the future. Aside, I suppose, from a drawing I made in 4th grade projecting who I imagined myself to be at – gasp, 25 – where I sported a Mary Tyler Moore-esque flippy hair style and announced that I would be an “actor”. I think the choice was made based on my famously outgoing personality, and nothing else. (Of course what does a 9 year old know about job opportunities??) But how exactly would I get to be an actor? What was involved in that? No idea. Even a decade later, more than halfway through high school I had no idea what the future held, and actor was off the list after my grades tanked in sophomore year and my parents said no more auditions for school productions. So in junior year I had no ideas, no vision. Really. If I’d had my druthers I would’ve just been a musician. I have never been a good student, and since the age of 12 classrooms and panic attacks were closely associated. What I really liked doing however, what inspired me, had been playing music with friends – that was natural. And so it made sense that after I muscled my way through what ended up being a nearly wasted four years at college I made my way back to playing. (A sidebar here is that I made some great friends, met musicians, and got to play in some great groups – that was the value of college for me.)

Growing up I always thought of myself as fat. Might’ve been reinforced by my mother’s own laments about her chubby childhood (photos show no such thing), or it might’ve been the way my thighs always wore the whales in my corduroy pants down to shiny fabric in no time, or that my arms never curved in below my shoulders the way the athletic girls’ did – whatever it was, it had me confiding to my 5th grade diary that I was “78 pounds! Such a fatty!” Sheesh. The timeless lament of women – sad that it starts so young and runs so deep. True, I was not one of the slender ones, but by no means was I “such a fatty”. Regardless, I spent my teenage years feeling very bad about myself and trying in vain over and over again to lose twenty unwanted extra pounds. But I met with an unlikely fate at the end of high school which completely changed the course of my life, and gave me the chance for a complete re-invention of myself. I was literally given a ‘do-over’.

When I was 18 – and on my way to a band rehearsal – I broke my neck in a car accident. I wasn’t driving, but I had made the bad choice of accepting a ride from a friend who had been drinking. It was on a Sunday afternoon at the end of a village celebration. I knew when I got it that he wasn’t in good shape, but I didn’t relish a two mile walk home and being late to practice, so I got in. Before 30 seconds had passed I’d broken C6 and C7 (my shoulder too). I spent the next two months strapped to a Stryker frame bed in the hospital. A horrible event to be sure – but by the time I was healed and back at home, I’d lost nearly 40 pounds. I was given a jump start into a new body and a new life. I didn’t take it lightly either. Just being able to walk after such an injury was certainly huge, but being given a new body was inspiring. I began to workout and to run and surprisingly found that I loved it. I got fit and cut, and for a long time there was no looking back. And man, the shit I wore back in those days was amazing. Among hundreds of outfits, a lime green PVC catsuit and 4 inch platforms come to mind as I think back…

You gotta know that playing onstage is more than just talent and gear – maybe more so for a woman – but it’s there for all of us. It’s about how you read to the crowd, how you look. Really. It is. But getting a look together for a band was always fun, it was never a hardship. A challenge, definitely, but one I loved. Thrift stores and head shops with a rack of tiny tees, my grandmother’s leftovers – I’d cobble together a unique look that told the world it was just that easy to look so music video-ready. With chops from years of classical piano and ears informed by my dad’s jazz LPs, I had enough facility to play in a variety of groups. From reggae bands to alt country (the sparkly accordion added to my rootsy street cred) to Elvis cover bands – and then later (when I realized that by singing I could work with “real” jazz musicians) fronting 20 piece big bands – all of it represented an impressive repertoire of costumes. I’ve let go of most of it by now, but I have a few pieces left. A red and black horizontal stripe top from the early years (which matched my red and black Farfisa!), and a few gowns from the “Doris Day” years. Wow, those waistlines slay me. I actually zipped that shit up? I’m not even sure my current thigh could fit inside the waistline of one of those gorgeous dresses. Linda Ronstadt once said that she had no regrets because she had “a long drink at the trough”. I didn’t drink the way she did, but I’ve certainly had more than one woman’s share of glamour and adventure. Truly.

So now here I am, a country gal, closer to 60 than 50, and holding onto a half dozen silk sheaths. It’s almost as if keeping the clothes demonstrates to me that that life will one day return. That the body I identify with will return. That youth will return. I try to take stock, to let pieces go every so often. There really is no more size 8 in my future, this I know… But it’s a deeply poignant thing to say goodbye; it’s like another confirmation that the best times are behind me and truly gone… The turquoise suede duster with the fur collar that I netted from a lucrative commercial job in Las Vegas – I let it go for just $5 at a garage sale last summer. When the man sent his niece a photo and she texted back immediately that she really wanted it – that gave my heart some relief. It would have a new life, a young life. That made it easier. Step by step, velvet boots by beaded gown I’ve let most of it go, and with each separation I like to think that I’m increasing my OK-ness with this aging thing. But really friends, I’m not.

I’m grateful for the buffer of pandemic life because at least it gives me a window of time for some deep self reflection. I must remember that while I’m flitting about in this turmoil of vanity, people are fighting for their lives. This should not be the time for lamenting in my diary that “I’m such a fatty”, yet somehow that’s how it’s turning out for me. Let’s just keep this between us, shall we? I’m not proud.

The gift of time has enabled me to finally justify spending hours upon hours going through boxes and boxes of paper. Memorabilia mixed in with mundane crap. Lots of stuff mis-filed. Hell, lots of files themselves labeled “to be filed” – now that’s a hoot. I’ve just never had the stretch of time in which to fully face down this monster. And it’s actually producing results! Who knew? Finally I can put my hands on teaching materials and pieces of music that have been MIA for years. So it’s been productive, which offers my spirit some lift. There’s a lot of paper being tossed in the burn bin these past few weeks – and as each bonfire spirits away a few pounds’ worth of the past into the sky, I feel a small breath of hope growing for the future. It will be oh so different, to be sure. I will need some major redefining of my life in a year’s time. But thankfully I have a handle on it now, and I have time to prepare. I will make the most of my pandemic cocoon. File by file, and fire by fire, I’m already making progress.

I think back on breaking my neck, and how frightening it was; the uncertainty for my very life, my mobility, my health… And yet it turned into a gift. As I lose weight in paper – old files, long-useless owner’s manuals, receipts, set lists, to-do lists – it gives me a real sense of lighten-ing. And in these heavy times, that is something I can really use.

 

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