Tag: musician

While I’m not sure I qualify as a ‘musician’ anymore, it sure has taken a lot of my life’s energy and time. I’ve experienced a combo meal of musician’s experiences, from achieving minor rock star status to singing in front of a great big band to playing piano for my kid’s school musical. I keep a piano, harpsichord and accordion in my living room, and a banjo hangs in my laundry room just in case.

Ambiverse

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Yesterday, my 88-year-old mother and a friend drove north into the Adirondacks. Essentially, it was a leaf-peeping trip, but along the way they visited the lakeside house where my father’s family had summered from the nineteen-aughts through the sixties. It was the house where I was conceived in August of 1962.

About a decade ago, I took mom and Elihu up to the Severance home. No one was in the main house, so I searched the grounds for the owners and found them having a large family gathering in a screened outbuilding. The owner happily gave us a relaxed tour of the house. He enjoyed the stories that mom recounted from more than a half-century ago. I enjoyed seeing the rooms and matching them up with my father’s stories. I spent a moment at the top of the stairs, imagining that young boy, long past his bedtime, sitting there listening to the eruptions of grownups’ laughter as they sat downstairs playing pinochle. But my biggest curiosity was to see the room. Easy enough, it was at the top of the stairs. A cozy bedroom under the gable that looked out and over that grand, descending lawn and the lake beyond.

When my mother and son and I stood in the room together, I felt the closure and completion I’d been after. My existence had begun in that room, and, as a result, Elihu’s life had begun there, too.

My son’s life had also begun in a lakeside retreat, one with a similar view (Torno, Italy). Like this place, the site of Elihu’s conception was also high above the nearby water, and on the south side of the lake. If you were to examine a map of each location, they look incredibly similar. My son and I both began our lives lakeside, looking out to the mountains beyond. This is something I very much like to know. Somehow, it grounds me.

A massive new house now sits too close to the driveway, and a few small outbuildings appear to be missing. The house itself has been painted, it is no longer pale yellow, and the shutters are now blue. The immense tree in the turnaround of the driveway has been taken down. It seems there has always been a tree there; it does make perfect sense. But new money doesn’t always abide by those classic rules of balance and aesthetics. No matter, it’s under the care of someone with resources. That’s the key to a building’s survival. The place may be changed in many ways, but it still exists. The phantoms of the home as it once was still hug the new periwinkle shutters and bare front yard. My father still lives there as a five-year-old boy bringing barn kittens into the house. The Confederate General and his family still live there, slightly dazed at their new Northern environs, but finding enjoyment in the cool waters and pine-scented woods, nonetheless.

These days I feel I am living in an in-between time. Things are this – and at the same time they are also that. My son is in college, closer to graduation than high school, yet he is close by, and I am able to see him fairly regularly. My mother, although visibly aging into frailty, is still living her own life, driving to the Adirondacks, regularly reading The New Yorker and feeding her outdoor wildlife friends each day. I myself look young enough to fool people about my age but am old enough to feel the oncoming infirmities. This and that. Both, at the same time.

Sometimes I feel as if I’m waiting for the other shoe to drop. Or at least the next chapter to identify itself. Lest I sound as if I’m complaining, I wish to say that I am not. I am simply feeling a little off – a little out of my body, a little unsure as to what it is that I am. My roles have always been fairly tidily described. But now, these days? I’m kind of in a nether role. I’m not a caregiver anymore. Not for the kid, and as it stands right now, not yet for mom. I’m in a rare place, this I know. And so I’m filling the space. And filling it easily.

I’ve begun to write songs. And while it may seem a mere hobby – on paper it would satisfy that definition – it feels to be more than that. A tiny spark ignites inside my chest when I envision writing songs and performing them. And then, if I imagine a band behind me, it gets so exciting that I don’t dare explore it further. It would be too big a disappointment if I began to care too much about that particular outcome, never to see it happen. But then again, why the hell shouldn’t I dream? Is that not what leads to creation? Have I not played behind dozens of other people who themselves had the conviction of self to assemble a band in support of their own vision?

It appears to be time for me to step up. And I am in the process of doing so. Step by step I am beginning to ascend. Or, as a band leader once put it to me, I am, to use his words, beginning to “ramp up”.

About a year and a half ago I had a rapturous musical experience which was followed quickly by an excruciatingly difficult period. I lost almost half of my hair due to the stress that it caused. I stopped working out. I started eating and drinking way too much. Then I suffered a back injury. After six months of brutal despair, I knew only I could get myself to a better place. And so I began to work my way up in the only way I saw available to me. I began attending open mics in search of a new musical tribe.

The open mics were challenging to endure, especially in the beginning. Long slogs through dozens of bad musicians playing done-to-death songs on out-of-tune guitars. Yet I tenaciously continued to attend open mics everywhere – even in Chicago – fascinated by the hard and earnest work that so many people were putting into their performances, even if, at the end of the day, they were far from performance-ready. I also went to the open mics on the hunt for the gems – the sleepers, those magic songwriters who stop by to work out a new idea, or who are there to fill a night because they’re passing through town… (That’s a bit of a fairytale outcome I now realize – although at the Caffe Lena open mic I actually have heard and become acquainted with a few “real” artists.) On the whole, there were no sleepers. The “real” musicians and songwriters were out playing real shows.

Tiring though they may be, the open mics have been a very important step in my ascent. They give me an opportunity to test this new skill of songwriting. They provide me with a goal. They provide me with feedback and input. They have opened doors for me to do my first solo shows. They have been a necessary step on the staircase ahead of me. They are a great tool, to be sure.

The first song I wrote was born of sheer need. I was going mad. Bereft and alone, without son, prospects or piano students, I pulled my keyboard outside into the sunshine on a late summer day because I had nothing to lose and no reason not to. Moved by the dire situations of two dear friends, I began an aural contemplation on the whys of it all. And by the end of the day, I’d written my first song.

It feels a bit naïve to actually call myself a songwriter at this point in my evolution – I only have about 30 songs completed and ready to perform – but I feel as if it’s a really perfect tool of expression for all the interior stuff that’s going on in my head right now, and it tugs at me daily. And at this time in my life, when I am not distinctly in my middle-aged years nor yet in my truly aged years, it seems to be a sweet spot for this new adventure to take place. I can still carry and setup my gear, I’m able to offer enough interesting covers to fill some single jobs, and I can perform a few sets of well-written original songs decorated with plenty of charming backstories.

Panic attacks still tap me on the shoulder and threaten to reappear, but I’m working on it. Silencing the self-sabotaging monkey which pulls me out of that place where I need to be in order to perform well should be handled by now, but it is not. I’m working on it. It is getting better. And I also gotta slow the fuck down when I talk. These things I know, and I practice every chance I get. I’m deeply appreciative of all the time I have to write and all of the opportunities I have to perform – and to work on telling that monkey who’s boss. I’m trying my very best to ramp it up.

I’m no longer at the bottom (although I’m not even sure if I know where the top is). What I do know is that I’m somewhere in the middle of it all right now. I’m en route.

And even though I’m not “there” yet (and I do fully realize that “there” may well simply be right here and now), for the sake of naming things in a physical world where we organize our lives through time and accomplishments, let’s just say that I am definitely on my way to a new place.

For now, I reside in the ambiverse.

To my friends near and far, you can watch my upcoming solo set at Caffe Lena (here in Saratoga Springs, New York) through their live stream. The show is on Sunday, October 29th at 7 pm. I’m up first, so tune in close to 7 EST for my set. Link here.

You can read a sampling of my song lyrics here.

Project

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When my son Elihu was four months old I had a thought. Quite literally, it went like this: Omg, I can’t wait til this project is done. Kinda feels like it should be wrapping soon. The way I felt about my child was, internally, the same way I had felt about making a record. You write, arrange, record, and then it’s done. When I realized that my child was not a recording, I was flushed with an urgent sense of panic. Wait – what? When exactly was this ending? Wait – this was not a project! Holy crap! This was forever! This was an actual human that I was in charge of! I was deeply surprised at myself. How was it that I’d never thought this through? I was filled with fear of the most urgent kind.

(When I was in labor – at home in my bed – and my doula was trying to help me, she dangled a onesie in front of me as some sort of enticement to hang in there until the reward came. I remember thinking – what in hell is that for? Lady, that piece of laundry means nothing to me. Don’t distract me (what was I doing again and why?) and my god, please let’s get this thing over already.)

Clearly, I have never been much of a planner.

Now, twenty years later, thinking back on my panic at the realization that my infant son was a life-changer and dependent entirely upon me, I realize from a new perspective that the project has been satisfactorily concluded, and finally, the post-release tour has ended. The content is good, and it’ll have a long and robust shelf life. But the job is done, and I’m free to move on to other projects – smaller ones with less on the line. Things I can see begun and done without waiting two decades. It’s a good outcome, and I’m deeply grateful for the freedom to embark on new endeavors. Even so, it makes me wistful, living here in this empty house with the uncut grass waving all around it… But I’m too tired to become teary and nostalgic and wish it otherwise; I’m feeling my age and thinking to myself that I made it just under the wire.

Sometimes I cannot believe that I got us both through that passage. And I can tell you, it was a hell of a lot more work than making an album.

My energy has been drawn elsewhere the past few months, as evidenced by the longest-ever pause in between essays across the twelve-year history of The Hillhouse. It strikes me a bit incongruous that at a time when I’m not on the hook for driving a kid to and from school, when I don’t have to make meals every day or shuttle tubas and airplanes around – a time when I’m merely accountable to a handful of piano students – I find myself feeling short of the time I need to get my creative projects completed. When I was working and being a mother, I was still able to find the time to write essays, and yet now, somehow, I’m just not. Only so much time, only so much energy. I’m using both those commodities in other ways now.

It may surprise people to learn this, but I have never written songs before this year of my life. Took me sixty years to get around to it. I’m good at creating parts – good at arrangements and decision making, but I’ve never been the one doing the creating. I’ve always been a sideman. And now finding myself twenty years on the other side of my life’s main project, I’m learning that the whole world works differently than it used to. Plus I’m not young and cute. Yeah, that stuff has currency. Things really do change.

Songwriting is interesting to me; it serves primarily as therapy (why is it that the folks who really could use therapy the most are the least able to afford it?) and it also creates something which I began to feel a need for as I entered the open mic culture for the very first time: new material that hadn’t been done to death. You could say I began songwriting out of necessity. And now that I’ve started – I can’t stop. It’s crazy to me. I’ve become a prisoner to this process now. Ideas come to me in the middle of the night – usually my most productive time is from 5 am til 10 am – and I’ll sing them into my voice memo. Then the work then begins as I cull and piece together ideas. It becomes sort of like a puzzle. And until now, I’ve always hated puzzles. But this challenge is different – it demands resolution. But man, the content is often primitive, and I can’t help but be self-conscious about the quality. Some songs come together quite nicely, but most of them don’t. It was so much easier all these years to offer my opinion about content someone else had already slaved over. Oy. Who knew? Not me. Like I said, I’m not always good about thinking things through.

There’s a new adventure emerging now. I’ve already done a few solo shows and have a few more on the books. I’ll be participating in a local songwriters showcase soon at Caffe Lena, here in Saratoga, and that’s kind of a nice way to mark my first calendar year of writing songs. I’m realistic enough to know that I’m not an established artist, nor will I be at this point, and that in this culture I’d be hard pressed to carve out a living room tour even if I were, but it’s not a deterrent. In fact, it’s sort of freed me up not to worry too much about the outcome and instead enjoy these new experiences.

I admit to feeling a good deal of conflict about spending so much time on something that will never net a penny, but I’ll just have to sort that out myself (it is therapy, after all). I hadn’t seen it coming, but it’s here. Songwriting appears to be my new project. And I’m not even sure when it’s gonna end. But some things you just can’t plan.

And now for the diary portion of this post:

Elihu is doing exceedingly well, living and working (with a salary and not a word of English known by a single coworker) in Tianjin, China. He has traveled a lot – covering a country as large as the US, visiting different climates and navigating through a variety of regional languages and hard-to-understand accents. I am SO grateful for the blessed satellites which allow us to enjoy two-hour long conversations which cost us nothing. This is a far cry from the days when a mother saw her child off on a ship never to know of their whereabouts or well-being. I am deeply satisfied in Elihu’s personal successes. I am happy that he still feels me to be a friend, that we can cover such a wide range of subjects in our conversations, that we two can find the same things funny, the same things fascinating.

Big B Day

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Today is my 60th birthday. Throughout the past few months I have experienced a slow, burning sense of dread about becoming this old. Feeling keenly the paradox of finding life in and of itself a pure win, and yet at the same time feeling inextricably trapped in a nightmarish scenario of decay and irrelevance.

Strangely, yesterday and today I have been covered in a sort of calm. It’s a new feeling, not intense or forward in my thoughts – but instead, running in the background like a maintenance program. I have not experienced anguish or lament at reaching this landmark birthday, but rather I have been feeling a general sense of peace these days. This is new to me, and unexpected.

I am a vain woman, and it would be silly to deny it. But I am also an insightful woman. I counterbalance my vanity with the awareness that I am vain. (Not that it gets me off the hook entirely, but I offer that by way of partially absolving myself of that distasteful character flaw.) But as things feel from where I sit in this moment, I care less than I have in the past. Sure, I don’t want you to see me in full light with a great lens, but if you do – it won’t slay me anymore. Cuz my turn at youth is up. I get it.

It’s not as if I won’t still play the game – I’m still a vain and insecure person – so I’ll play it alright. But somehow, today, it doesn’t feel quite the same. It just doesn’t feel that critical, that urgent. I’m 60, not 40. Not even 50. Nope. I’m older. And it is what it is.

To tell the truth, what I’m feeling is a sense of freedom.

I don’t believe an outlook can truly change in an instant, or on some landmark day, and yet I can honestly say that I’m feeling differently right now than I would have expected. Feels kinda like I just don’t wish to hold myself accountable to standards that I simply can no longer meet. You know, the physical ones. Cuz things are different now. They really are. In just the past three years I’ve felt a decline. I can’t fathom cleaning up my five-acre property the way I did in the past. It’s beyond me now. I can’t reset the stones and hardscape like I did a decade ago. I’m not confident about cleaning my own gutters anymore. I know that I’ll never ride a motorcycle or handle lines on a sailboat again. These things do kinda break my heart, but I also know that I’ve had more than anyone’s fair share of great experiences. I can move along without regret.

My son is on his way to China for the next four months, a dream of his come true. My mother and brother live next door, and I am doing relatively ok. I’m poor on paper, but rich in life. I have a handful of dear friends whom I love, I have a beautiful baby grand piano and a huge picture window which faces the distant hills. I’ve got it good. So I’ll just take what I have and hold it dear.

Thank you, mom, for bringing me into this adventure, and for giving me everything I needed to make this life a pretty good one. I hope I’ve done the same for my kid.

Happy birthday to the spring babies of the family, Elihu and me.

Music Monster

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Melissa Ferrick at Caffe Lena in Saratoga Springs, New York

The size and complexity of the musical world blows my mind.

Genres and styles seem to be as numerous and varied as snowflakes. Just when I think I have a handle on things – at least within the parameters of the current, western culture in which I reside, and that I can organize in some satisfactory way the musical world as I know it today – I’ll learn something new about a subgenre, a style or a trend, and I realize it’s not possible. The musical world – even my tiny corner of it – is too big to fully understand.

In addition to my amazement at the boundless forms in which music exists, I am also fascinated by what people seek to get from music. It serves so many functions, and within those functions, so many aspects of music are valued in such different ways. I am endlessly curious about people’s motivations for listening to music. What on earth moves them?

Last night my own feelings about what’s musically important to me became clearer, and as soon as I got home, I began to digest my thoughts…

This evening I went to hear songwriter Melissa Ferrick at Caffe Lena, the iconic local venue here in Saratoga Springs, New York. My former husband produced what I believe to have been her first EP demo – the recording that came before her successful career began (starting on Atlantic Records), now over thirty years ago.

As I listened to her set, I observed the audience with care, as I do at all shows. I always note the reactions, whether folks nod or sway to the time, whether they mouth the lyrics, whether they sit stock still, whether or not they applaud or shout. It was fascinating to me how many folks didn’t move an inch as they listened. I’d say maybe five percent moved visibly. Melissa’s stuff is, as one would expect from a songwriter, mostly about the story, the choice of words. As I listened, I couldn’t help but think that the folks there present – as with folks who gravitate to singer/songwriters in general – didn’t seem to care so much about the groove or the harmony. Maybe even the melodies weren’t of top priority. They seemed to care primarily about the sentiments expressed. I imagined that they were listening for the language and the poetry. Listening for connection through story.

For me, that’s secondary. A clever lyric always impresses, but I don’t really want all that storytelling. (Says the woman who’s penned nearly 700,000 words of her story over the past decade.) And as for the nuance, the poetry? There’s a deficiency in my character, I fully admit it, because I don’t have a need nor the patience to listen for it. (I do enjoy reading poetry, however.) When I’m listening to music I’m wanting primarily to be soothed, to be taken to a place of ease and deep comfort. My objectives cannot be met by an evening of music consisting of essentially the same four chords with very similar voicings. For me, the story alone is never enough to carry the same predictable harmony, over and over. If I want a story, I’ll go hear someone read one. (I usually get a lot more enjoyment from the stories that come in between the songs than come from the songs themselves.)

Please understand that I know Melissa is a super-talented showman and songwriter, and her relationship with the crowd is beautiful. She’s top tier stuff. And her rhythm, her time? Her style of playing is built on it. Her groove is rock solid. Melissa is an all-around stellar human and badass musician. (But in light of how few in the audience were nodding in response to her time, it seems to confirm once again that for them, groove still takes a back seat to story.) Yet somehow – and I cannot quantify exactly how – it didn’t move me the way it did all those people there. Maybe it’s because I have no history with her material. I don’t know. Her set was a great thing to behold, and what she possesses is rare – and I’m glad I went, for sure – but on the whole, I don’t need a lot of solo singer/songwriters in my life. A few shows a year by great talents like Melissa will do me just fine.

There, I’ve said it. It’s been on my mind for decades. I’ve always known it, but I’ve never shouted it from the rooftops before. But now I am ready to declare that I am, musically speaking, a snob. Perhaps I’m even a bit of a simpleton. I want music to wrap around me like a warm blanket or tease me like a lover. I want to feel about a groove the way I do about a fresh, hot slice of thin crust pizza with just the perfect amount of char on the bottom. Oh dear God. That’s the good stuff I’m after.

I like things the way I like them, and at this point in my life I don’t wish to spend too much time trying to like things I pretty much know that I won’t. I’m always up for listening to something new, and I’ve probably spent more time critically listening to a far wider variety of music than most folks I know (thanks to my father, former husband and son and their huge combined musical orbits), but I no longer wish to give over hours of my time to music that I don’t really love.

Instead, I’ll take any form of Bach you have, I’ll take harmonically and sonically rich tracks of any genre, a few clever lyrics – then add in a handful of impeccably tasty sessions at Daryl’s House and I’ll be good. On the drive home I might want some hair bands to push me through those long, dark highway miles, and when I’m driving into New York City I’m gonna need my Cuban grooves on the way down and some deep R&B cuts on the way back. And when I can’t be soothed by tasty and tidy pop tunes, give me some straight-ahead jazz, the stuff that scratches the itch like no other musical form. On a fine fall day I might need to hear the sweeping expanse of a Mahler symphony. And on that first warm day of spring, I’ll definitely need some vintage Allman Brothers playing (with all the windows down) when I’m driving through Greenfield.

Metaphorically speaking, I listen the way I eat; the meat isn’t important to me, the sauce is. All I’m after is the bread and those sexy flavors. Actually, forget the bread. Brother, just hand me a spoon.

I don’t need a sophisticated story – just something I can identify with. Mostly, I just want a rich sound and a great feel. And please. When you’re sharing those lyrics, please… get to the point already. I’m here to witness your story, but do you really need nine verses to tell me about it? Give me a hook or a melody that I’ll go away singing, share a curiously clever lyric. Let me hear the kind of arrangement or performance that will make me laugh out loud because it’s that good.

As I see it, music and food provide the highest order of pure pleasure I’ll ever know at this point in my life. So this shit all better be pretty compelling. Music should sound as good as the best barbecue tastes.

After Melissa’s show I walked around the tourist town to hear the many lives acts whose music spilled out into the street. I paused at each, wondering what it was that appealed to the patrons. It was easy to see what all the cover bands offered; folks waved their beer bottles in the air and sang along with every line. Humans have enjoyed this sort of camaraderie for centuries. The jazz club was different, very few seemed to be listening, the music served more as an energetic bed behind the conversation. I moved on to the large venue in town and could feel the bass pushing my organs around inside my body before I reached the main room. It felt like a physical assault. Yeah, but this was a young person’s scene. Once I too had the energy – and desire – for a full immersion like this. But not now, it seemed almost violent. I didn’t finish out my tour of the town; I’m not a fan of electrified Irish bands; loud, midrangey and often on top of the beat, they usually just make me anxious. Kinda like Zumba classes. (Seriously guys, what’s with the crappy music at the Y? Someone, please, figure it out. Produce some compelling tracks already.)

These days I need the good stuff; I need the medicinal forms of music. Please, do your best to play and sing in tune. Bury the click or lay just a bit behind it. Let your string quartets and symphonies breathe and sway like great undersea plants. Give me a sonic profile that is balanced, lush, and just loud enough. Time is running low; I need to get to the good stuff now. I need to get to those tasty, salty crumbs at the bottom of the bag. Got no time for the filler these days.

Ok, so having just unloaded my uber-honest feelings about music, I feel I must make a confession: I do not find my own music to check many of my own requisite boxes. I’ve written songs that fit my current and limited purview; I write for me and a piano, not for a band. And it’s really more like therapy than songwriting. (Kinda like this collection of writings. So. Who knows how my songwriting might evolve?)

This songwriting thing is completely new to me, and I’m a tad disappointed that my process is confined to keyboards. Guitar players carry an arsenal of critical elements that serve to drive songs. I don’t have the built-in drummer of the strum patterns, I don’t enjoy the complex harmonic profile that strings create, and then there’s the portability issue. I have always been deeply jealous of guitar players, and it’s only getting worse as I realize all the components my one measly instrument is missing. I have begun to dream about having a band, of hearing how my songs might sound if they could only be fully animated. Who can I enlist? Fantasies of moving back to Chicago filter into my thoughts… At least there, I know musicians. I’m odd man out here, and it feels acute these days.

My efforts to find a duo partner have failed, so I’m skeptical that I can find anyone to help me animate my music. I dunno. I feel stopped. I’m such a critic, and yet I myself am worlds away from any sonic success. I began writing songs only to discover there are so many more layers to the process than I’d realized, to say nothing of what’s involved in producing it and bringing it to life. (I wish to add that I do know well about the production process, it’s just that I didn’t expect to get sucked in and wish for anything more advanced than simply writing a song and documenting it on my ancient iPhone 7.) With the skills and tools I have presently, I don’t have the ability to achieve a product that comes close to what I think might be satisfactory. Holding standards that I myself cannot live up to makes me feel a bit foolish, but there it is.

In writing my own music, I have created a monster. Kinda looks like my next project will be learning how to train the beast.

Postscript: Since publishing this post, it has been brought to my attention that a primary element of Melissa’s show is simply her incredible energy. Seems silly that I missed such an obvious thing; it appears that in my analysis of her performance and music, I missed the forest for the trees. Yes, Melissa exudes energy. She also exudes humanity and honesty. There’s much to be said for her and what she gives to this world.

Visit Elizabeth’s website here. Visit Elizabeth’s Instagram here.

Visit Elihu’s personal Instagram here. Visit Elihu’s tuba practice Instagram here.

Final of Fifties

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There are some times when I long for the partnership of a marriage, times when I am nostalgic and perhaps even a bit overly romantic about the whole idea of aging alongside someone whom you know well. And then there are times when I feel pretty lucky, and I enjoy things just as they are.

Things took a tremendous turn for me almost fifteen years ago, and ever since, I’ve had to readjust my expectations. Life has been a challenge during the past decade and a half, yet it’s yielded results beyond any I could have imagined. I did the Green Acres swap; I traded my tony urban life as a famous man’s wife for a life on the farm as just another single mother hustling to make it all work.

You couldn’t have convinced me of it during those first brutal years, but now I know it was the best of any possible scenarios. My child wouldn’t have turned out as he has, nor would I have learned all that I have, if my husband had not left me. So many treasured memories of our shared life here in this tiny cottage in the woods as mother and child would not have come to be, so many life-changing events would never have happened if things had worked out the way in which I had expected them to.

But I am getting older. My body isn’t able to do things it could only a year or two ago. It’s not a hunch anymore, it’s real. And there are moments when I panic. What the hell am I supposed to do now? Is it in my best interest to grow old all alone back here in the woods? Is it even safe?

Yesterday my car got a flat tire in the driveway. And, for the first time in my adult life, I could not change it myself. My bad back and arthritic hands just couldn’t come through for me. Man, did I feel vulnerable. And old. As I sat there in my car, wondering what to do next, it hit me. Maybe this wasn’t where I should be anymore. Maybe.

My house is covered in branches, decaying leaves and moss, the gutters full. There’s a gaping hole in my garage roof with a swath of soffit hanging down like a giant loose tooth. Downed trees and huge branches lay all across my now-growing lawn. The iron hand rails down my kitchen steps have corroded so badly that they’re only held on by two remaining bolts. I haven’t got the physical stamina to tackle any of it, certainly not enough money to have someone else take care of things. And it worries me. The older I get, the more it does. Ten years ago – even just five years ago, I would’ve thrown my back into it and done my best to patch the roof myself. I would’ve tied the trees to my car and dragged them to a great pile and burned them. I had the energy and strength to imagine a solution and employ it. Now my back just won’t let me, my fingers can’t clutch tools very well anymore, and I hesitate to even go up a ladder. A fall is a potential disaster at my age.

At 59, all of these things are becoming clear to me.

In a few weeks’ time The Studio will be on the market, and the wait will begin. Who will buy the place since all the local arts venues have passed on it? Likely it will become a private residence. And that is not something I ever truly considered. It kinda changes everything. The anchor gets lighter, the future less certain.

When I first began renovations on The Studio in the summer after dad died, a contractor had spoken to me from the place of a concerned father; was this really my dream? he had asked me. Or was I embarking on this huge undertaking out of guilt, or a feeling of obligation to my late father’s legacy? I had thanked him for his candid offerings but assured him that I knew what I was doing, that it was a vision that I alone held. He probably knew as well as I did that I was headed down a long and expensive road, and that I honestly had no idea what I was doing. And while I can say that The Studio did in fact produce hundreds of beautiful moments and brought pleasure and delight to many over the following ten years – I cannot say that it ever paid for itself. To the contrary, it’s been through the gifts of kind people, including my mom, that the place ever broke even. But I have no regrets. I’ve learned a lot, and many wonderful things were born of the place.

But it’s so hard to let it go.

In the end, what in hell does anything matter but the moments themselves? Memories are important, as too are goals, but they all culminate in the single witness to a moment. This is something I’ve pondered for ages. I’m still in futile pursuit of truly getting it, but at least these days I understand a little bit better. And it’s what helps me to have no regrets; I have gratefully born witness to every moment of my “new” life here in Greenfield, from farming to academic to professional endeavors. Even as I felt the suffocating effects of my despondency, poverty and loneliness – even then I knew enough to hold a deep appreciation for the idyllic place in which we lived, the gifts of experiences that we’d been given, and the treasured way in which my young son and I lived together in partnership and solidarity.

Now that era has ended. What exactly comes next? Judging from the way my older students hold firm the handrails as they descend my kitchen steps, what comes next does not seem all that appealing.

I’ve joined the Y; I’ve had my first interactions with people other than students and store clerks since before the pandemic, and that restores hope in my heart. And over the past few months I’ve written around two dozen songs – something I’d never done until this year of my life. I am in possession of a Dot card and ready for networking; the links to my material are all easy to find. I’ve begun the hustle to get some work this summer. I’m still without a duo partner, but as with everything else in my life, it seems I’ll have to go that path alone. I also make myself attend open mics regularly – despite the drudgery that is inherent in that process – and so I get the opportunity to try out my new songs in front of people. It’s not a bad place to be in my life, if only perhaps a bit dull and without compensation.

My sixties await, and despite some genetic predisposition towards longevity in my family, Facebook and the virtual world beyond remind me that I could go any day; the prospect of dying feels close by and very real. I’m satisfied with my son and his future success, that storyline is resolved. And as soon as I can archive all my material in such a way that it can be accessed by folks after I’m gone, then I can rest easy. Resolution is what I’m after these days. (That, and a tiny, vain effort to remain present in this world in some form after I depart.)

Greenfield is a sweet place in which to live. Is not the name itself so very poetic?

Once, when driving back from the highway department where we’d helped ourselves to a bucket of free road salt, Elihu remarked through a laugh that he loved living in a town where a “five-gallon bucket was a unit of measure”. Elihu grew up knowing that the local good old boys would always come through to help us prime a pump or fix a fence; we always knew that our neighbors were our extended family. It was fundamental to the person my son has grown up to be. So I thank Greenfield, my neighbors – and my mother, too, for our success in this corner of the world.

Now the landscape here is different. The young children on our stretch of the road are quickly growing up; baby faces have matured through adolescence. No longer do tiny kids ride their bikes down the long gravel driveway to visit the big boy and his chickens. There is now a huge house in the field between us and the girls across the road. No longer do mother and child wander over a meadow to visit neighbors. There are hardly any meadows left. Even our dear woodcocks have moved away and taken up residence down the hill. Several new houses have been built, and ancient, historic homes have been razed. Greenfield looks so different now. I can see a suburb evolving. I can even imagine stoplights taking the place of lazy, country intersections.

Greenfield is changing swiftly, and I feel myself to be changing along with it. A new landscape is emerging for us both.

Post Script:

Elihu will turn 20 on April 28th, and I will turn 60 on May 7th. On my birthday I will drive my son to JFK airport, where he will embark on a three-month adventure living in Tianjin, China. He is now fluent and literate in four languages, conversant in three more, and he wishes to refine and improve his Mandarin as can only be done through an immersive experience. He has a huge adventure yet before him; he will be navigating through a country where all signs are in Chinese characters – no Roman letters to assist. There will be no safety net. And he’s a person of low vision, so that factors in, too. But I don’t worry. In fact, I’m thrilled and excited for all that awaits him.

Who knew that life in a tiny, country cottage would produce such a brave and adventurous young man? Who knew that this unexpected change in our life path would turn out so beautifully? To quote a line from a Richard Scarry book that I said to my son throughout his childhood: “This was the best mistake ever.” Truly, it was.

Visit Elizabeth’s website here. Visit Elizabeth’s Instagram here.

Visit Elihu’s personal Instagram here. Visit Elihu’s tuba Instagram here.

Showtime

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This is the final month of my fifties; one month from today I will turn 60.

Recently I’ve been feeling the sting of reality in a much fiercer way, and so I set about to express my thoughts differently than I ever had before. While not writing here for this dear blog, instead I’ve spent the past two months doing something entirely new to me: I have been writing songs. Just a month ago I would’ve been hard pressed to fill a set, now I have two generous sets of songs ready to go. Not all are keepers, but some, I believe, are pretty good.

Flushed with the excitement of creating songs that actually worked – songs that came from a genuine place of inspiration and most of which held together pretty well – I experienced a few moments of idealistic bliss, thinking that perhaps I should try to market these little gems. Some are quite formulaic, and they hit all the marks – with a little production could easily be imagined as the bed behind an introspective montage of some cookie-cutter Netflix drama… But that idea has been quickly dispensed with, at least for now, as the initial thrill has died down and the real world has imposed itself upon my starry-eyed visions. It’s ok. It certainly won’t stop me from writing. I have found that writing songs is a thrill and a challenge, it’s something I now love. And at this point in my life, I can draw from a deep well of experience.

A few posts ago I complained about the open mic scene in this town, and I’d hatched an idea to write songs in order to grab the attention of a lost and disconnected audience. The scene fairly infuriated me; the same songs that they played, the out of tune guitars and the warbling, pitchy vocals zapped me of my patience. More accurately all of this caused me to become infuriated with my own situation, as just a year ago this time it had seemed I’d had a foothold up and out of this place, but it was not to be. This past year I’ve been just sick that my prospects had vanished, and that I was left to languish in a town without any musical peers. The only solution, it seemed, was to write my own shit. So that’s what I did.

I’m not a fan of most disclaimers before a performance – but in this case I feel I must make it clear that by no means do I presume myself to be a poet. In some ways I suppose I’m creating a type of poetry that exists in tandem with music, but in that the words and music often arrive together, I don’t feel it’s the same. Nor do I think that my stuff is particularly enlightened or exceptional. But on the whole, I’m happy with these first exploratory months into this new mode of expression. It’s what makes me feel that this whole crappy detour of a year hasn’t been entirely for naught.

My health still has me in a near-constant state of despondency. I’m not far away from the heaviest weight of my life and due to ongoing troubles with my herniated discs, I just can’t move the way I used to. My mood continues to swing from the darkest downs to infrequent glimmers of hope and promise. The songwriting is another tool to help distract me from the day-to-day disappointments of what is my current life. But there is a small light driving me forward; I’ve been given several solo shows in which to perform my material, starting with a modest guest spot this weekend to a set as a featured artist at the local and iconic Caffe Lena. It’s definitely something. I don’t look forward to dealing with the panic attacks and mind games of anxiety that come with that attention, but the clock is ticking down now, and I don’t have time to fuck around. This seems a rare opportunity for a fresh start.

Turning 60 is much different than embarking on any decade that’s come before. It truly feels like it’s now or never. The stakes feel higher, the outcomes are so much dearer. In this life of mine I’m hoping for a few more moments of the connection and satisfaction that performing brings. And with any luck the journey will bring me into the sphere of good musicians once again, and before the final curtain there’ll be a few more shows to play.

Horizon Bound

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These days I think my job to be mainly that of a writer. An unpaid writer without benefit of professional editing, but a writer no less. A ruminator. A distiller of my many experiences into bite-sized takeaways that don’t require a lot of time invested to offer a return of insight.

But what exactly makes me qualified to offer such wisdom? A fuck ton of life experiences. I’ve packed a lot into my 59 years. And at the rate that people of a similar age are dying these days, I kinda feel the clock ticking. I feel a strong urge to share my shit. If the material isn’t of interest to you, that’s fine. But if you do resonate with my writing, then I can call this a job well done.

And, having long considered myself to be a “jack of all, master of none”, this is not a small achievement. (My son, were he to read this, would likely correct me; strangely, the original meaning of that phrase was just the opposite. But let’s not go down that rabbit hole for the moment.)

What is unresolved in my life? What would I like to see completed in a flat-out winning scenario? These are the questions I am posing to myself these days, with the sorrowful knowledge that much of it will likely not come to fruition. So I gotta make hay while the sun shines. (That expression leaves no room for misinterpretation.) I shall lower my expectations and find myself much happier at the results.

When I see middle-aged or older folks go through harrowing medical journeys in order to stay alive, I often wonder why? I’m honestly not sure I’d take any drastic measures to keep going at this point, should I become afflicted with a life-threatening disease. Or – perhaps my innate human drive for survival might kick in and supersede my current feelings on the matter. I just don’t know. But what I do know is that my son is launched. My most important job has been done. Were I to die in the near future, he might grieve my departure, but I can tell you it wouldn’t slow him down one bit. He’s sailing under full power now.

At this point in my life, I’m just trying to stay alive longer than my tenacious mother. After that, I dunno. I can honestly say that I am not entirely thrilled about being here. The things I’d always valued are increasingly elusive. I realize this may sound terribly aloof. Because, my goodness, don’t I have it all? I’m surrounded by nature, my home is beautiful (and paid for) and I’m safe. But my life is flat, flat, flat. Very little joy these days. As things stand now, there is no more playing music with other humans. No more in-person camaraderie, no more athletic success (much less prowess), and no more promise of aesthetic satisfaction regarding my aging body. And certainly, no more sex. Naw. That ship left the dock back in Milwaukee.

This next stage of the game is going to require a whole new approach. Every decade or so it seems life requires an overhaul, and now seems to be that time of reckoning. I’m not feeling quite up to it, but like a runner with her eye on the finish line, I’m motivated to find that second wind and blow this thing out to the best of my waning abilities.

Stay with me as I wrestle publicly with my grumbling alter ego. Let’s see if I can’t offer you a few more interesting tidbits before I reach my ambit.

See you next year, friends.

The Severing

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There was a time when it was all on me.

Making money, taking care of the kid, the students, the Studio, the chickens and ducks, the house, all of it. Now, at least for the moment, nothing at all is on me. I am bereft of the many responsibilities that had once left me spent at the end of every day, while, unbeknownst to me at the time, had all been at the very heart of my purpose here on this earth. Now, with all of that tidily wrapped up, my purpose is not something I know with any certainty these days.

It’s not a pleasant feeling.

Yes, there are still some hurdles ahead which only I myself can navigate, and there are situations which would likely fall apart if I didn’t step up and do my job, but at the end of the day these will merely be administrative tasks. They do little to address the deeper issue that lurks behind my every moment these days.

Why the hell am I here?

The kid is successfully launched, my brother is on site to help mom out, and I have no one to whom I am beholden. Is this not precisely what I had yearned for all those years ago when I lamented the unending domestic drudgery that was my life?

Goodness, Elizabeth. Your future has arrived. Why then is it such a melancholic occasion?

I’m moved to write tonight, but my conscience is nagging me to get in the car and attend an open mic across town. I know there will be a keyboard, I know that I can join in. But I also know that it will almost certainly disappoint. There is a resting level of mediocrity which afflicts this town and its music scene. Swarms of not-quite-average musicians fill the open mic signup sheets by 6:30, promising a three-hour cavalcade of out-of-tune guitars, waif-like girls with nasally, warbling voices and miserably indistinguishable three chord songs.

I realize that writing publicly and honestly about my feelings may well have bad consequences, but at this point I’m not sure that I care anymore. The stakes just aren’t that high these days.

Last spring, the candor in my writing, instead of being seen as simply that, was taken to be a breach of trust within the band that had employed me. As the new member of an established family, I had marked myself a loose cannon from the start. There was no going back. No apologies or retractions were going to fix it. It made me physically sick for months. And, it had been such a musically successful endeavor, the likes of which I could never have guessed would come my way – that it made the loss even more tragic.

When my new musical venture vanished, so too did my hope. My desire to stay fit, to be healthy. Even my will to get out of bed. I forced myself to attend a handful of open mics in a desperate search for something, anything, that might help fill the musical void, but instead, the experiences made things much worse. I discovered that I was alone. Completely alone. To realize one is living in a community without peers is heartbreaking.

In an effort to pull myself up and out of a serious funk, I tried my hand at busking this fall. It went well, and I began to really look forward to future sessions, until one night when I was packing up my keyboard, I suffered two herniated discs. A lightning bolt of pain had me instantly on the ground. Crap. I’d finally come upon a promising solution, and in one split second it was gone.

The two months that have followed have been another challenging detour. It’s hard not to take shit personally sometimes. Things were looking so good just less than a year ago. I had a gorgeously promising foothold into another world, a higher tier, and then – I lost it. After a period of mourning, I’d tried to get back up again. I’d tried to take matters into my own hands, to be proactive. And then….

Seriously?

I’m going to try to check my self-righteous and self-sorry attitude and try to behave with some humility this evening. My plan is to go out shortly, armed with a wide range of material to offer. Folks seldom ‘get’ me at these things, so I’ve taken to writing songs that I think might resonate better with the room. Who the fuck knows what will fly and what will tank? I’m planning on doing “Twisted” because it’ll be fun, and, since it’s a basic blues I figure I can’t go wrong…. But I can already feel that sensation of losing traction with the audience. Joni who? Whatever. (Ok, yeah, I do know it’s Annie Ross a la Wardell Gray.) I’ve got an REO Speedwagon tune in my back pocket if all else fails.

Consider this a real-time post. I have now been to the open mic and returned. Some insights. Not a whole lot, but some.

When I realized that the first three songs out of the gate were Dead tunes, my perspective changed. It was likely a room of people with whom I had little in common. What kind of material did I possibly know that would they resonate with? Would I simply be met with blank stares? I myself was merely tolerating their music. Quite likely they would merely be tolerating me too. Again, I scolded myself: these were my fellow humans, the whole purpose of the gathering here was to be supportive of each other. My own piano student herself was hosting, and of course I was happy for her enjoyment and success. But it was a challenge for me to remain in the room. And although I heard no compelling grooves, there were a few people eagerly pounding on djembes and swinging tambourines – so the music had an obvious appeal to some.

Come on, Elizabeth, forgive the dropped beats and the out of tune guitars. You’re far from perfect, don’t be so snarky. Be nice.

So yeah, after a $3 whiskey (!) I did get a little kinder. And I listened. In between tunes the piano guy played “Christmas Time Is Here” from the Peanuts book, and he actually knew the bridge. So there was that. A fellow Greenfielder sat in on drums, adjusting his snare hits to fit the errant beats accordingly. The vibe was congenial, and although I’d never been introduced to some folks, they’d already known who I was, and that was nice, I suppose. Maybe next time I’ll get there earlier and play. After all, I’ve got a week to choose my angle.

About three months ago, in absolute despair about the next chapter of my life, I consulted a local tarot reader. She worked at the head shop which Elihu and I had visited since he was tiny, and from which I bought my first oversized gemstone rings (to accommodate my ever-enlarging osteoarthritic fingers). This woman was said to have been the “best there”. And so she did my reading.

Among the cryptic things she’d said to me (I took notes) was this line: “Soon, in late November or early December there will be a great severing.” My God that sounded scary. Of course my first thought was my mom – who knew, right? She was 87, after all… A friend had even suggested maybe this meant my son. No, neither of these could possibly be!

And then today, at a piano lesson, this young girl from across the road, whose family had taken in half of our flock (the favorites) when I left for the road this past spring, they had made the decision to “off” the hens, as they were old and had ceased laying eggs. The girl mentioned this in passing, as it is a common thing for farm folks to do and to talk about – in general it’s nothing more than a recounting of the week’s events. But this time – this very afternoon – to me it was a punch in the gut. I was stopped.

For a few moments I tried to process this. It’s been several weeks now that I’d been wanting to go over to her place and visit with my dear Hammie (a black and white Hamburg hen). My heart wished for that comfort, as the past few months have been pretty awful for me. I’d thought that once I was walking ok without the use of a cane, I’d take a trip across the road to see her… It was a hope I held onto; it was a tiny light I had looked forward to. I just wanted to see Hammie once again, to see her beautiful, familiar patterns… I wished to hold her in my arms and bury my nose in her side, taking in that lovely, earthy scent.

But – she was gone now. Head cut off and left in the forest, she’d been food for the wild creatures. Ah well. At least I know she filled a belly or two, and her parts have sunken back into the woods of Greenfield. She still rests here. And she was, after all, just a chicken. A reunion wouldn’t have been the same thing for her as it would’ve been for me. But still. My heart breaks once again. Great severing, indeed.

Time for me to sever myself from this day, from the unexpected sadness, from the way in which I miss so terribly the tribe I’ve yet to meet. I’m not as despondent as I was a month ago, but I’m not in a great place either. I miss my son (he won’t be here for break). I miss the music I used to make and the places I used to go. I miss having friends, I miss the body I used to inhabit. I’m just waiting now. But for what, I don’t know. Holding my breath in hopes that things don’t get too much worse, or at the very least that things don’t change too quickly, so my heart will have time to adjust.

But I’m certainly grateful that I don’t live in a war zone. I do have my home. It’s warm and it’s safe, the interior is cozy and beautiful, and the roof doesn’t leak – and since the mouse nest has been evacuated from the piano, all is well for now.

I experienced one very good moment this past fall; it was a happy and welcomed respite from the current bleak musical landscape of my life: Here I am singing “I’m Confessin” with a non-local band at a trad jam session which is held monthly in Saratoga.

A happy accident. Now this is what I need more of in my life.

I Could Be Good for You

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Watching a YouTube-guided playlist of era-specific videos while tending to the mindless task of scanning an unending pile of lead sheets for my new paperless life as a musician, I was brought back to some long-forgotten guilty pleasures, one of which being the band 707 playing their 1980 hit “I Could Be Good For You”. The live recording is rather primitive, but the performance is loaded with energy, and it positively thrills me.

Guitarist Kevin Russell, slumped over his low hanging Gibson, with his early rocker haircut and form-fitting T-shirt simply reeks of Nigel Tufnel from Spinal Tap. (In fact, the more I think on it, the more convinced I am that Christopher Guest may have modeled his character after him. Did Kevin Russell create his look or was he simply mirroring the collective archetype of the time? It’s a chicken-or-egg type of dilemma I suppose.) From the outside, this guitar player is a caricature, but from the inside, (to me) he represents the familiar.

These days, things familiar are dwindling. So seeing and hearing the band 707 as they were back in my youth brings me a mild sense of things being right again. It makes me feel the energy and hope of a kid. And who on earth does not thrill to the feeling that only naivete, inexperience and limitless possibility can bring?

While we make plans for the future and almost always have our eye on goals down the road, this doesn’t usually include the final stretch. That patch when it gets ugly and real. Seriously, who the hell ever truly thinks about getting old? Older, yes. But old? Consider this for a second.

I’m guessing being “old” is a vaguely defined time for you, a place in time far off into the future. You might be mindful about the process ahead, but I doubt you’re deeply aware. (Barring any unique or extreme situation, that is.) Me, I’ve yet to truly face the mirror. Yeah, I broke my neck once, but youth and good luck helped me to avert a life path which might’ve had me looking more closely at my mortality a whole lot sooner.

I’ll wager you haven’t put a lot of mental energy into visualizing how things will end. How things will really end. End end.

These days my mobility is limited. Really limited. And it sure does shed light on what the ending times might look like. The prospect of descending the five steps from my kitchen door to the ground outside is a challenge. Lightning bolts of pain are a possibility in every thoughtless move. A single step must be fortified with a cane’s solid contact with the floor and a tightening of core muscles. It’s exhausting. So is getting out of bed. The whole thing – just moving through a day and trying to maintain some faint semblance of time spent in contribution, not to mention performing the basic functions of living – is a huge effort and takes gobs of time.

Guilt blankets my spirits as I try to rationalize my diminished output. After a week of merely just existing, my ego is broken and looking for harbor. My inner voice sounds like a forgotten old woman muttering to herself: I’ve been a useful person, right? And I’ve been a musician, too. How lucky for that, right? But wait, was I any good? I think I was… I was good enough, I suppose… But what the hell was I doing all that for anyhow? It seems a bit vainglorious, truly it does. Well, at least I know that I’ve mostly been kind to people. I do know that. And I’m a really good teacher, yeah, I know that too. I do. And there’s also still a lot I’d like to write about – that’s of interest to some, but honestly, who cares? Wait, does any of this actually matter? Who needs another piano teacher or another blog post to read? Can I just be satisfied with my turn as it stands? Has my contribution been enough? Haven’t I had enough fun? Do I still have any reason to be here?

(Further musings go much deeper into the existential conversation; I’m still ambivalent about the “everything happens for a reason” philosophy, however pieces do tend to arrive in serendipitous ways, which tempts me to believe. But at the end of the day, whether we’re here for a reason or not, the ultimate takeaway for me is that we may as well do our best job at life while we’re here. Be kind, help when able, and do what we’re good at doing. Seems that’s the least we can do, and also the most we can do, too.)

I feel like Cinderella when I recall a reality of just six months earlier in which every one of my dreams had seemed to be coming true. A time in which I had a new keyboard, a new band and new prospects. Damn. I had it for a minute there. Right? Wait, did I? Well, I had a taste, at least. That’s more than most people ever experience. Dammit. I won’t be able to do any of this shit for much longer. Crap. Will I ever have it again?

Watching my 87-year-old mother moving around her house pushing a rollator and hanging onto the counters like a rock wall, I’ve harbored some sorry thoughts. God, how sad. How does life end up like this? And just what in hell is she even living for at this point? I like to think that I won’t end up thusly. But do not we all think this? Ha! We can all be sure, at least as things are now on this planet for most of us, we won’t have a choice in the matter. Some of us will draw the lucky straw and go either peacefully or quickly. The rest of us – the majority of us – will languish for a length of time in ill health and weakness, dependent upon others for basic tasks. This is a future none of us wishes for. But statistics show that it’s our likely outcome.

The lava lamp in my son’s bedroom has ceased to flow as it always did; the wax inside has grown stiff and slow-moving. Looking it up, I learn that yes, even lava lamps have a shelf life. I resist the temptation to see this as a metaphor for my own life and how it has slowed precariously over the past few months. This is not a sign from the universe, I remind myself. Get over it.

I begin a search on YouTube for back injury success stories. I’m gonna need some footholds on the way back up.

It appears I have a herniated disc (MRI next week will confirm). This new situation isn’t the usual back issue that’s bothered me since my twenties. This is acute, intensely painful and very different. While there’s been a slight improvement over the past few weeks thanks to several chiropractic sessions, I’m still unable to walk properly (let alone racewalk or dance, two things I dearly love). I certainly can’t workout – I can’t twist my core or lift a hand above my shoulder without experiencing a stunning electric shock of pain.

Perusing vids and websites, I’m encouraged by success stories. One young woman peppers her shpeel with the phrase “check your ego”. I really didn’t get her meaning for the first few minutes. And then, when I began to understand how long my road back to physical fitness was going to be, I got it. Sheeeit. I got it. Who cares if I was working out six days a week and could easily curl 20 pounds last May? None of that matters. I can’t do shit today, and I have to let all that “I used to” stuff go. No laurels to rest on. Crap.

My body is weak, soft, fat. And injured. But I just received my first round of exercises, so at least I’ve got a plan. Sadly, I’m beginning from a place way behind the usual starting line. That’s discouraging. It’s gonna be a long climb. This recovery will demand the kind of patience and perseverance I’m not keen on. The process won’t be sexy. But the alternative seals the deal on a lost future. So, onward I must go.

My mother faces a knee replacement in the next month, and this is the next family hurdle. I’m feeling slightly stressed that I cannot be of any significant help to her right now. She is in pain – I’m guessing it’s worse than mine – yet she doesn’t let on how horrible it is. But it shows; she looks weary. It’s all got me a bit emotionally guarded and on the ready for difficult times to come in the new year. My mother speaks cryptically about dying before she makes it to surgery, she laments the long wait time before the procedure (she needs relief now). She tells me how this is far more daunting a prospect than having her mastectomy this past summer. She’s a stoic woman and seldom allows her deep feelings to be known. But I can tell she’s afraid. Hell, I am too. My dear friend Ganga was seven years younger than mom when she died, shortly after her hip replacement. This stuff happens. We all know it, but aside from the very frank and helpful consult with the surgeon, no one else has spoken this fear aloud. It’s a strange time. A new and scary place.

My small and sedentary life of late has not been entirely wasted; I’ve written a number of songs. Most are toss-aways, some novelty numbers, a small number of earnest songs too, if not a bit too simplistic. Hey, I’m not a poet. At best I can write a jingle or a hook. So this is new territory. It’s taken a hard stop on my go-go-go life to bring me to writing music, so in some ways it hasn’t been a total loss.

A few weeks ago (before things got this acute) I saw the comedian Maria Bamford perform here in Saratoga. Her candid, stream of conscious style was stunning, mesmerizing. She is a genius. I am not, but I am definitely full of something that still seeks expression. Seeing her inspired me. She gave me a small dose of courage. She helped plant a tiny seed of a thought…

Characters, voices and bits come to me, and they quickly get recorded on my iPad memo app before they have a chance to vaporize in my flimsy memory. I don’t sleep a whole lot (getting in and out of bed positively sucks!) so I drag on into the wee hours of the morning, writing, inventing, improvising. I’m beginning to hatch a plan to weave all this into some sort of one-woman show. There are online busking platforms that might work as a venue. It’s only a germ of an idea at the moment, and until and unless it becomes public, only my son and a few friends will hear these primitive stabs at content. It’s a tiny light which helps to distract me from the sucky slog that is my life right now. All in its time, I suppose.

I may not have a lot to contribute at the moment, but I shall do my best to avoid wallowing. I’ll do something every day to pull myself up and out. I have my mom, my lost brother, beloved son and high school bestie to think of. I can’t leave them all quite yet. So for now, my life will consist of gentle core exercises, a handful of piano students, and writing new material. I’m a bit anxious about the next two months, so this seems like a productive way to focus my energy and take my mind off the worry. (My body doesn’t move fast, but my brain continues move with the pace of a nervous squirrel.)

Hopefully, by the close of this short chapter, I’ll be in a better place. Hopefully, by then I really can be good for you.

707 performing live on the Midnight Special. As a kid I would try – mostly in vain – to stay awake long enough to watch the show.

A short clip of Maria Bamford, with a clever piano accompaniment by Luke Thering.

Falling Reign

Posted in An Ongoing Journal...Leave a comment

This past summer has been an emotionally difficult season for me.

At a time when most of my peers have been wrapping up their careers, and at a time when I had fancied myself to be starting my career anew, I instead discovered my future to have fallen far short of that expectation. This has consumed me, and I have been stuck. And when my son returned from his trip to Europe late this summer, he knew it too, straight away.

“You are becoming happy in your sadness” he’d said after I’d admitted that I was still bereft at the end of my recent musical employment. “You are becoming happy to be sad. It’s not acceptable. You’re letting this become your story. ” He paused, and then he let a few minutes of dark highway pass, as if for effect. “Do not let this become your story.”

Although whatever had happened was in the past, he could tell that I was still dwelling on it – nay, simmering in it. What was gone – and how it had all gone down – was becoming toxic to me. “You have to move on” Elihu said, as we drove home in the inky darkness. It stung to hear him so critical, so serious. He was hardly my kid anymore; he was a peer offering sage advice. My mental health depended upon it, and we both knew it. I’d been able to push it away during the lonely summer months, as I’d had no one to counter my mood, no one to discuss it with. But he was home, and now I had the outside perspective I’d needed. Yeah. Time to move on. But to what?

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With no musical comrades, no peers and no dear friends in physical proximity, “moving on” seems truly daunting. Elihu has been my closest companion for the past nineteen years, and it is a tall order to replace such an insightful and considerate person with whom I can discuss things. I do have a few close friends – my oldest bestie from high school having recently become a cherished part of my life – but she is far away and has her own life to contend with. And in the end, no one can really take the place of my son. People warn against considering your child to be a peer, but I dunno. I have often said jokingly that I gave birth to a 50-year-old man. Not so funny as it is true.

Music seems to be fading into my past, and it breaks my heart fiercely. I have new projects – unrelated to music – which I should really dive into, but I flounder. I try to convince myself that I need new headshots, new recordings. That I need to write songs. Sure, I can always do that, but is it truly necessary at this point? Who fucking cares? I’ve worked mostly as a sideman; at 59 it’s a little late to pretend I’m a solo artist. So what is it that will earn me money, give me a sense of joy, self-respect and fulfillment? Is music even my path anymore? I am beginning to doubt it. I mourn the richness of my musical past and miss the brief taste of how it felt to make music again with other humans (that gave me joy, albeit short-lived). For now, I suppose it’ll have to go on hold while I discover what the next practical move should be.

What that will be, I don’t know. I’m grateful for my spiral-bound pads, filled with writing, lyrics, poems and project to-do lists, yet following through and assembling any of it into meaningful content seems as challenging as losing these goddam extra pounds I’ve solidly re-packed onto my frame over a season of self-soothing and grief.

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Last night, a violent late-summer storm pelted the house with sheets of rain and gusts of wind that knocked out power and toppled trees. I stood in the screen porch, feeling fully the might of the wind and water, and I asked the force to please wash me free of the past; wash me clean that I might start over again, from this moment forward…

It’s been a few weeks now since Elihu has returned to campus. He is an autonomous individual. I am no longer a full-time parent. The Queen has died, lain in state, and been buried. Things are different now. It’s time for the new order.

I suppose it’s time for Elizabeth 2.0 now. And when I figure out what form that will take, I promise you’ll be the first to know.

Turn of a Dime on “Liz Sings 70s”, my YouTube channel

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