Charley My Boy

Although I got off to a late start last night, I did finally go out. There was a fundraiser for the New York City Ballet at which the bassist for the orchestra was leading a small band, and a local fellow was to be playing with him too – enough of a reason to find a dress that I could still fit into and put something other than work boots on my feet. My evening started off quite Cinderella-like, as I had to scoop the last errant members of the flock into the coop before I could be on my way, and by then the event itself was half over and the sun was already down. Half was better than none, I told myself as I waffled once more on whether or not to even go. My windshield was sticky with sap from the trees (the windshield spritzer motor long gone) and my skin was beginning to dampen in the warm, humid air (the AC was on its way out, too). My glasses were smudged, and I’d forgotten to don any jewelry of merit.  I hesitated another moment in the dark car, pondering. “Fuck it” I finally said out loud, turned on the ancient Marshall Crenshaw CD I had in the player, and started down the long, potholed driveway.

I had indeed missed the height of the evening, which was just as well. Before entering, I hung back and assessed the crowd from behind the glass doors. The fundraisers I see in the locally-published glossy magazines wouldn’t be affairs at which I’d be very comfortable. High fashion, low body fat with a smattering of trout pouts, those scenes were simply not me. But if that population had indeed attended tonight’s fundraiser, they had by this time satisfied their social duties, and had returned home on a Sunday night, retiring to bed at a healthy hour. No, this crowd did not look intimidating. I entered the party and filtered through the thinning – and aging – ranks of the guests, and shortly after I arrived found the leader of the band, whom I’d known pretty much only through Facebook. He was kind to introduce me to someone, and I was off.

My father’s 52-year long early music festival still lives in the memory of many here in town, and although that population is aging, there are still many of them about. I’m always grateful to hear my name received with such warmth and recognition; the Festival of Baroque Music was an important part of the arts scene in Saratoga for half a century, and its leader was not only one of the world’s foremost harpsichordists, but he was a gentleman of great heart and good humor – and it seems everyone who’d ever attended the Festival knew it well. Even shopkeepers to whom my father sold ads for the concert programs (yes he did the work himself!) remember dad with a great fondness. My father was an ambassador for goodness and integrity, and I’m always filled with gratitude when I see the impression he made on people has been so memorable and lasting. Last night his good reputation preceded me on several occasions. I met a handful of folks who’d known about the Studio through dad’s music, so I handed out cards and expressed my hopes that we’d stay in touch.

The charts were fun; the band was doing old-timey jazz, the likes of which I’d performed for years with my much-missed Prohibition Orchestra of Chicago (my God you never know what you got til it’s gone!) and in fact, I almost teared up when I heard Black and Tan Fantasy – and it’s not a tune to make one cry, but it immediately brought back vivid memories of a cherished time in my life that was now long over. My nostalgic jag didn’t last though, I was smiling by the time I heard that familiar final minor cadence. The sax player had a delightfully old-timey sound which was a relief to hear. So often when you bands play old-style charts, the players execute them with a modern sound, which to me, kinda spoils the whole thing. If you’re going for the historic tunes – and historically accurate arrangements – play em the way they did back in the day. Just sayin.

I walked the room, looking at programs, posters and articles from the NYCB of my youth. I recognized images of Suzanne Farrell and Peter Martins, Gelsey Kirkland and Jacques D’Amboise – rockstars of my early teen years whom I’d sometimes followed through town when they made extremely rare appearances at the pedestrian joints on Broadway alongside the commoners. Peter Martins even put a cigarette out on my foot at the Adelphi Hotel once. Or almost.

We were standing in the lobby, enjoying a solo harpsichord performance when Peter took a final drag off his butt, then flicked it to the ground. It landed on my foot, which I retracted at the unexpected sensation of heat, and when I leaned in to assess the damage, I watched as the dancer’s foot slid towards mine in a motion meant to squash the ember on the floor. I withdrew my own foot and watched as Peter Martins finished the task, his eyes never once leaving the musician. He didn’t realize he’d hit my foot with a hot cigarette, and furthermore he had no idea he’d meant to step on my foot, too. Instantly I felt a mixture of horror, indignation – and awe. Because I was, after all, a thirteen year old girl standing two feet from one of the most exquisitely formed men on the planet. I wanted to be miffed, I’d wanted at the very least an apology. But knowing none was coming, the moment had passed and the point was moot, I decided instead to take the little event simply for what it was: a brush with ballet greatness, and an interesting little anecdote for the archives.

After the band finished, I greeted them and proceeded to pester them with a few questions, which I likely posed with too much enthusiasm. It was easy to get excited – this used to be my world after all, and I still miss it dearly, even a decade hence. The poor fellow who played clarinet, I caught him with cases under his arm and eyes on the door when I stopped to grill him a bit longer than I probably should have for some insight into the working music scene. We’ve met before, so thankfully he was patient with my inquiry. I appreciated what he had to tell me, which, as I might’ve guessed, wasn’t too terribly inspiring. There’s work to be had, but getting in seems the trick. And the money that these dates pay really isn’t much better than it was twenty years ago. Nothing terribly new or insightful, but I came away with some sense of possibility, and my mood was good enough to propel me to downtown Saratoga, where I thought I’d see for myself what a Sunday night looked like during racing season.

It was fairly quiet on the street, but to my surprise there was live music in three separate bars. I saw a fellow a little older than me sitting in the window at one place, playing guitar and singing. Good start. I found a place at the bar and began to jot down the tunes he was playing in my tiny notebook. I always do this when I hear musicians doing the cover thing, because I haven’t still quite gotten a handle on the repertoire. I’m convinced that the soft-rock hits of the 70s and 80s should do just fine in a town that caters mostly to a demographic my age or older – but I’ve come to see that there is a wide mix of ages partying side-by-side, and that a working musician pretty much needs a U2 tune or two in her bag of tricks, and much as it might make me want to weep, it seems that “Moondance” cannot be omitted from a night’s entertainment, no matter how many thousands of times it’s been played.

Soon after I sat down, I was joined by a large, well-toned man. He had a trim, slightly red beard, and wore a cap, which I suspected was used to cover a balding pate. He wasn’t a bad looking fellow, and in fact, had he not been so many drinks in, I might’ve given him a bit more consideration. What I did like about this chap was that he possessed a sense of humor. A construction worker and hunter, he had practical life skills. But surpassing any of his merits on paper, he had a certain twinkle in his eye – that lively, animated sort of presence that I don’t come across all that often. I could tell he was clearly a decade younger than me, but owing to his mild inebriation and my low-cut decolletage, this wouldn’t have mattered at all to him, even if he’d known the truth. I stuck around for a few minutes because I found myself getting a kick out of him.

I’ve had a handful of men show interest in me since I’ve lived here, but I simply haven’t felt a similar interest in them. I wouldn’t say that this chap was all that different – only that his humor and that certain spunk he showed held my interest even after my beer was almost gone. In spite of the beers he’d himself already put away, I could still sense the goodness in him – regardless of his ultimate agenda. (With men – and especially the drunk ones – I assume that’s always where they’re hoping it goes…) Before I realized what was happening, he wrapped his enormous arm around my waist and said “Kiss me”. I suppose I coulda ended it right there with a slap or a shove, but he seemed like a big kitten, really, and there was no time to think before Charlie had pulled me in for a smooch. It wasn’t a lingering kiss, nor a romantic one. It was, in fact, more like the generic kiss I offer all those in my life for whom our parting warrants a quick peck. But the point remains, it was a kiss. By a man. And truth be told, dear readers, this is the first man from whom I’ve received a kiss since my husband kissed me goodbye nearly nine years ago. I paused for a moment to drink in the irony: Charlie was the baby that my husband conceived with his then-girlfriend which propelled us into our life here in New York. Charlie is the person responsible for our life in Greenfield. If my ex had asked for a divorce before Charlie’d come around, things might have gone very differently. Many times through the years I’ve whispered to myself “Thank you, Charlie” in a quiet acknowledgement of the critical role he’s played in our new life. And now look, here was a Charlie of my own to keep things moving along! “Charley, my boy” I said under my breath after the kiss, referencing a song I’d sung in that old timey jazz orchestra so long ago. My drunk friend, oblivious to the quote, just winked and smiled.

My relationship with Charlie did in fact end when the drink was over, because as that same time the guitar player was packing up, and I was on a mission. I gave Charlie another quick kiss of my own, before saying goodbye and leaving him no choice but to return to his drink alone. I introduced myself to the musician, and when I gave him my card, he stopped. “Is Robert your father?” he asked, with a tone of great surprise. I told him that he was, and before I could add anything, Jeff went on to tell me how much he’d thought of my father, how he’d sold him a couple of minivans (the Conants always needed extra long vehicles to schlep around harpsichords) and furthermore he went on to say that my dad was the only customer he ever hugged – and more than once! My father, my father. I know what a loving and kind man he was, I do, but I certainly never realized just how much he’d shone that love and kindness into the world. The night had been such a revelation to me, and a comfort, too. My beloved father was still preparing my path, even now.

My new friend and I enjoyed a chat as he wrapped cables and tucked things away, but the information I ultimately sought couldn’t be proffered in the minutes we had left; it was late, after all, and he wanted to get home. Thankfully he offered to get together sometime by the light of day, so we could compare set lists and talk gear (I’m an unintentional Luddite who, over these past 13 years of child-rearing, has become ultimately lost to the culture of Ipads and modern PA systems). My heart was happy and hopeful as I hugged Jeff goodbye. Finally it felt as if there might be a new chapter ahead. Getting up and running as a musician had proved to be a much bigger undertaking than I’d first thought it would be, but at least now I might have a little help.

I moved across the street to a joint that’s known for its live music all year ’round. I saw an act I’d seen before, but this time I stopped to check them out more carefully. They are a duo; the woman plays drums, standing up, and sings too, and the man in his shabby, indie-hip garb and road-worn guitar provides the harmonic component. I couldn’t see bass pedals, and it didn’t seem they were playing with a track, so the source of the bass was a mystery until afterward when I went up to say hi, I learned that the drummer was hitting a pad that triggered the notes. They had a sweet and tidy setup. The merch table was filled with stuff, and to my surprise (for they are primarily a cover band as are all the bands in this town) there was a small line of folks wanting to buy stuff after the show. I watched the woman as she graciously allowed pudgy, drunk tourists to take selfies with her, and I noted how ‘on’ she was; that professional thing that my ex turns on whenever in the presence of another person, that thing that I personally find a major pain in the ass to cultivate. I was never good at schmoozing. Me, I play – and I want to leave. Go have a burrito. Hang with friends, musicians. Not hang with drunk, idiotic bar patrons who wouldn’t turn down a Jimmy Buffet cover. But I watched as this woman did just that. And I thought to myself, ‘man, you are so good at what you do, sister’. It’s one thing to hold together – and front – a two hour show. But it’s entirely another thing to have the post-show hang down. Good for them. I learned a lot, but mostly I learned that this really was not my world.

Drunk Charlie had also made his way across the street to hear the power duo, and I’d seen him in the audience singing along and offering his thumbs up of approval. Now he was by the door, and he had spotted me. He grabbed my hands and started to dance, and damn if this drunk behemoth wasn’t light of foot! He lead me around – the hand on the small of the back, the whole shebang – he turned me, dipped me, pulled me in, rolled me away – he had it. One of the things I’d so enjoyed about my ex husband was that he could dance. I’d made my seventh grade son take social and Latin dancing this past year because I insisted it was one of the reasons I had married his father. That got his attention. “Really?” he had asked me, with an open-jawed look on his face. “Really.” I’d answered. Yeah, I’ll go to weddings just to dance with a guy who knows how – or isn’t afraid to try to appear that he does. If the situation had been a little different, the drinks fewer and the night younger, dancing with Charlie might have held more appeal. I thanked him for the dance, made a slight bow, then dashed for the door before he could insist on anything more….

I grabbed two slices of pepperoni pizza and drove home to enjoy them with my last bottle of Fat Tire. Afterward, I tried a couple of songs on the piano, but it was beginning to sour in the midsummer humidity, and my results were less and less pleasant as a result. My night had come to an end, but what a sweet, enjoyable evening out it had been. And I laughed to myself to think that after all these years, I’d finally been kissed. Ha! Thanks, Charley, my boy.

All That Jazz

There are a few things my son will likely remember me for long after I’m gone; a handful of annoying habits, some exaggerated facial expressions and hopefully, a couple of unique and insightful locutions.

Starting when he was teeny, I have always strived to condense matters, facts and various life lessons into concise, easy-to-remember phrases that when spoken will instantly conjure the matter at hand and remind one of the lesson to be learned. One of these such sayings is “Everything is a thing.” While its meaning may not be instantly gleaned by the reader, I think you’ll understand it easily enough if I expand a bit: I offer that within every seemingly commonplace thing or event, there exists a huge back story belonging to that thing; an industry, the thought and careful consideration of many human beings, and certainly the investment of time and money. To some certain folk, the mundane things we so easily take for granted may be the very cornerstones of their lives and careers.

You can take just about anything that is fashioned by the hand of man and find this to be so. The upshot of this idea? That one should take nothing for granted; the toil and thoughtful consideration of many of our fellow human beings are represented in every imaginable thing we enjoy or use. It’s easy to overlook how much was involved in the making of the chewed-up pencil which lies long-forgotten in the detritus of your junk drawer. But someone owns the factory which makes the little metal band which holds the eraser in place. Someone had to buy the materials to make the eraser, someone had to insure the trucks which drove the materials to the factory, and so on. One can take this tack with virtually everything on this earth which is not naturally existing, without the influence of man.

Years ago, when I was in the barfly chapter of my life, there was a charming neighborhood tavern I frequented in which a handsome young man with long, gently-curling, red-blonde hair tended bar. (He himself was not a drinker, and I often wondered how ridiculous we hard-drinking, hard-smoking patrons must have appeared to him as the night progressed.) It was a small thrill to watch him at his work, and as he was a kind and intelligent fellow, I wished I’d had a better opportunity to speak with him outside of the bar environment. One night I got my wish, and the young man agreed to join a small gang of friends whom I’d rallied to meet up after hours at the Green Mill Lounge. With live and top-drawer music every night of the week, there was almost never a bad night to stop in.

The bartender looked quizzically at me. He wanted a bit more information about the proposed destination, so I tried to explain. “It’s a jazz club. There’s live music.” He looked at me, appearing unsure of my meaning. “You know, jazz.” A light of some sort went on in his head and he responded, almost incredulously; “Is that the place where they do all that improvising?”  Yes, yes, that was it! I agreed with great excitement by shaking my head; yes, that was it precisely! He looked almost pained at my confirmation. He shook his head to decline the invitation. “No, I’m not going. Nooo. I don’t like all that improvising“. I didn’t press the matter, the crowd was moving, and he couldn’t be talked into it. There was so much I wanted to add – I wanted to explain the context, the framework of the music so it might have made more sense to him, so he might’ve taken interest. In that moment I realized something: even though people may have some things in common – perhaps even a lot in common, culturally speaking – they can live in radically different private worlds. Jazz was a foreign country to him, but it felt like my home town. Something that acted as a cornerstone and primary identifier for my life was nothing but an annoyance to this guy. There wasn’t any point to trying to sway him, so I took my new lesson as a consolation.

From that point on, I have never taken any of my experiences or values for granted. And even though I may overlook things, or never truly demystify them for myself (case in point: I still have no idea how the game of football works; to me it just looks like a laborious, injury-prone and war-like game of chess which takes way too long), I still give these other worlds their due. When someone tells me they’re into something, or they collect something or play some game I know nothing about, I have a certain amount of respect for all that that might represent. It’s easy to take for granted all the time and energy that things take. Hobbies and careers alike require a lot of behind-the-scenes investment. And I try to make sure that Elihu recognizes that too. Thankfully I think I’ve been successful imparting that to him. (I myself have a lot of my life invested in that kid for sure, and lest anyone toss off the role of mother as a sidebar to a ‘real job’ – my child would certainly prove otherwise on that account!)

But not everyone does fully appreciate the value of another’s skills or accomplishments. The other day I had an adult piano student with whom I had the most unusual experience… He arrived at his lesson with an amp, a guitar, a huge boom box and a bag full of CDs. That much wasn’t so crazy; he was primarily a guitar player and wanted a chance to learn how to play on piano what he did on guitar. I got that. Seemed like a lot of work just for an hour’s lesson, but I’ve moved more gear for shorter jobs. But then the ‘lesson’ began to drag on, and almost three hours later I’d hardly given him any instruction, but rather we’d spent the time playing small parts of songs along with the CDs on the boom box (I had my own boom box, but it wasn’t substantial enough in his estimation). We’d essentially just been jamming on half-bits of songs, piddling around, getting nowhere with neither one of us learning much in the process. (I did learn that one of these country artists he liked chose to play a lot in Db, which I found curious.) He’d wanted me to have the boom box – on which great rings of red light flashed like an annoying karaoke machine in a bar – and he’d been most enthusiastic about giving it to me. I said politely that it was “too generous”, at which he agreed and said that we could just call it a trade. My heart sank to my feet. Food stamps were two weeks out, my ex’s payment was late, and I had a $50 tuba lesson in a few days’ time. What the fuck was I going to do? And how could I politely refuse this horrible machine that made it look as if a small spaceship had landed in my living room? I smiled my way to the end of my wasted afternoon and saw him out.

When you play an instrument – and you play well enough to join in pretty much any situation – but you don’t play like a virtuoso – I find it’s easy for people to take your skill for granted. They might think “you’re talented”, or “you’re lucky cuz it comes easy to you”, so therefore it’s no big deal. Something like that. As if you hadn’t spent hundreds of hours supporting that talent or skill. As if somehow, since what you did was “fun”, it wasn’t worth as much. It wasn’t in the same category of the necessary services like litigating, filing taxes or cleaning teeth. Here was a guy who’d somehow thought that because he was having such a good time, and because I was playing along so effortlessly – that somehow my time no longer had as much value. I don’t quite know how a person can come to such a conclusion, but how else to account for his oversight? He even left me with the request that I learn some of the songs on the pile of CDs he gave me. I lightheartedly suggested that he get a gig for us, and then I’d gladly learn them. He reasoned that you need to ‘work up the material’ before you book the gig. He was a nice guy, but he was missing something here. Everything is a thing. And this was my thing.

After stewing over it for a while, I ended up sending him an email. Cuz I honestly feed my son with my teaching income. I couldn’t overlook it. Happily, the fellow had had some similar thoughts in hindsight of our lesson, and he was more than gracious enough to not only pay me for the lesson, but to also tip me $10. That was very kind of him, and I told him how much I appreciated it. I got a little lesson about my self-worth through this experience, and I think he did too. Yup, sometimes there really is more to the story than one thinks at first.

I’d like to get myself a piano single gig this upcoming tourist season, but there’s a pretty good chance it won’t be happening. I’ll give it a try, but I have a good idea of what I’m up against now, and I’m still unconvinced I’ll land a job. Last year I’d made a pretty good effort, but in hitting the streets after so many years, I learned all over again how involved the whole process was. Again, there’s so much more to getting a job as a pianist and singer than you’d think; you must have dozens, if not hundreds of tunes ready to go. That means charts in your key (or charts on a tablet – that’s light years beyond my capabilities and budget at this point), it means gear, sometimes it means childcare (thankfully I’m out of those woods now!) and it means chutzpah, tenacity and salesmanship, not to mention the hours of playing and learning technique and theory. And these days, it usually means you need a nicely produced video of your performance too. Videos from over a decade ago won’t cut it, nor will your story about ‘taking time out to have a baby’. Nope, none of this will buy you an easier entree into this elusive world of the single, working musician. I suppose eventually one breaks down the barrier through sheer tenacity and a relentless drive – that seems to be the missing element in my method – but as of yet, I have not.

Nothing is every as easy as it seems upon closer inspection. Me, I’ve only ever been just good enough to play; I’ve admittedly used my ears and natural talent to cover me when hard work may have been lacking. And while I can sing and play, albeit in a rudimentary fashion, what we often call ‘jazz standards’ (which are really just pop tunes from the 20s thru the 60s which jazz instrumentalists have improvised over) I am not a jazz pianist. I can fake my way through some 2-5-1s (the chord progression upon which much of popular music is written), enough to get myself through a hotel lobby gig, but to hold that post all night at a singalong piano bar – I’m not so sure I could do that with unyielding vigor for a full three or four sets. Yeah, I could get there, and I suppose in a pinch I could possibly sub – but again, there’s a lot of infrastructure and time involved. Right now, my time’s needed in other places; I don’t have the time to make the proper investment.

There’s a joke about musicians that goes like this: How many musicians does it take to change a lightbulb? Answer: 100. One to do it, and 99 to say ‘I could have done that.’ ! Next time you hear a musician, stop and try to imagine yourself doing the same thing. Hell, next time you see anyone doing anything that you don’t currently do yourself, and ask yourself how you’d fare at the task. How comfortable would you be? How long would it take you to do the same thing with moderate proficiency? It’s easy to say you’d do it better than the other guy – but honestly, would you? Everything is definitely a thing. You can play guitar in your living room, but try doing it in front of a room full of people. Completely different. It takes skill to do anything well, no matter whether it’s cutting a lawn or writing a computer program. Everything is a thing – including all that other, unfamiliar jazz.

Here’s a link to Elihu’s performance of Ghost from Hamlet, which he performed last week at school, and again over the weekend at the Greenfield Talent Show, where he won third place for the same monologue. This too represents a good deal of unseen work. I myself don’t have a clue how or when he learned his lines. But I know they didn’t learn themselves! Proud Mama am I…

Chapter

Sometimes they start and end with a defining moment, but mostly they overlap, fading in and out with such subtly that we don’t realize the times have changed until long after they have. Looking back one can see with clarity how and when the events and circumstances changed, we can note the point at which certain characters left or our joined our drama, we can remember ‘times’ as if they were distinct acts in a play, yet when we sit in the midst of our action, deeply embedded in our own scripts, it can be a challenge to see the bigger picture.

Recently I came upon a pile of fringe on the floor of my cellar clothing storage room, and recognized it to be from an antique dress that I loved well. Made in the 1920s, I’d worn it throughout my career with the Prohibition Orchestra of Chicago. A deep ache began to grow in my chest. The dress was likely ruined, but I didn’t dare confirm it. Nor did I pickup the mess. Instead, I sat and felt the grief fill me. I wondered why it broke my heart so? I thought back on all that had happened in that dress… I remembered the stories, the scenes, the cast – the soundtrack. I tried to console myself; the dress was in tatters, but hadn’t I used it well in its time? Hadn’t I myself enjoyed those days as deeply as I ever could have? Yes, I had. I’d always enjoyed myself to the core. What bothered me so deeply now was not so much that that time in my life was over, but rather that I never actually understood when it was that it closed. I was never warned that there would be no more gigs, no more crowds, hands in the air singing ‘Brother Can You Spare A Dime’ in full voice, smiles all around – the whole thing was over before I knew it was over. And that’s what got me. In order to give myself some kind of closure, I stood there and let myself remember…

I’d been young, pretty, and fairly on top of my game. On stage, in front of that band, dressed in those one-of-a-kind vintage dresses, bedecked with bracelets and hip-length necklaces, kohl-eyed and as animated as ‘the it girl’ herself, I glowed. I emanated fun. I was always chatty with the audience, slightly inappropriate, slightly bawdy; camp enough to give the show some punch, self-deprecating enough to endear myself to fans. The tunes were those I loved best, and although the charts were mostly written for a man’s voice and had me splitting lines and finishing them an octave above or below, I loved them all. The music was charming, the guys and the gals in the band were charming – and our audience was charming, too. It was a cast of characters united in their deep love for the dusty songs of a time long-gone. I must have known the door to this time had closed when I moved away from Chicago to the corn fields of Dekalb. But no, even then I had an occasional job with them. Enough to make me think this band might slow its pace, but would always be there in my life, chugging along… It was only when the building in which the band enjoyed a steady engagement (at Bill’s Blues) burned to the ground a couple of years ago – long after I’d moved to New York – that my heart finally understood it was over. There was no going back now. And this poor dress, after nearly one hundred years of service, is done with its career of dance parties and concerts. This is not to say that its life is completely over; the dress may yet provide years of service as a costume – perhaps in a high school play, or in a little girl’s dress up trunk. But its show days are over. That chapter has closed.

The thing about chapters and books is that you know exactly where you stand with respect to the ending. You can clearly see how many pages are left. From that, you can figure out how to emotionally pace yourself. You might love the book so well you put it down for a few days, so as to make it last. You might love it so well you cannot put it down, and so you consume it immediately. Either way, it’s your choice. You control things. You can choose to skip to the end of each chapter and ease your mind by learning that things finally do come out ok, or you can simply take solace in knowing that ultimately it’s just a book, and as such, it has a finite life. And no matter what the outcome, good or bad, it will come to an end. And you know exactly when that will be. At any given time in your reading of that book you can tell precisely where you are in relation to the ending. Me, I like that feeling. That definite knowing. If only we could know how many days were in a life as well as we know the number of pages in a book. A pity we don’t, I say. How much more carefully we would write if we knew how many pages we’d yet to go.

It’s been said of me by friends that I tend to look backward more often than forward. And I suppose I agree. I get nostalgic and misty over past decades quite easily. In my defense I offer that it’s because I have had some very good and memorable times on this planet. It’s also been said of me by friends that I’ve lived half a dozen lives already. And I would agree with that too. I’ve been incredibly lucky to have lived this life. I’ve piloted a 40 foot sailboat through a storm on the Atlantic, I’ve jumped out of planes and hosted a radio show (not at the same time!) I’ve sung in front of thousands of people, I’ve played a sparkly accordion, I’ve traveled to unusual parts of the world, I’ve butchered a chicken, I’ve raised a child. I grew up in a house full of harpsichords, my summers were filled with New England lakes, Baroque concerts and life on a farm. From a young age my father took me to hear jazz, and my grandma showed me how to dance to Jelly Roll Morton. My Pakistani father-in-law and Chilean mother-in-law opened my world to a still-wider cache of experiences. I learned to make new kinds of food. I cooked food on a private boat as it motored down the Mississippi, I avoided day jobs by taking hundreds of temp jobs and doing singing telegrams, two tanks of helium in my trunk on the ready to blow up balloons en route to my hits.

My memories are jammed to the rafters. And as I recall some of them, I can almost pinpoint the times at which ‘mini eras’ came to be, and the times at which they came to a close. Funny thing is, when I was actually living these memories, I wasn’t necessarily aware of them as chapters. All I knew is that I was following the events as one prepared the way for the next. And when an era came to an end, it certainly didn’t feel like it. I may have sensed things were changing, but in the back of my mind I guess I always thought that things would continue on as they were… Maybe that’s because I am not good at goodbye. Change is relentless, and I know it’s not healthy to fight it, but still, it’s not something that sits easily with me. I like things steady and for the most part, unchanging. But to be fair, if life didn’t lead me to new experiences, I’d probably cry of boredom. I guess the trick to living happily in the balance is to be aware of things as they are happening. Perhaps this is a gift of aging. Even if I knew it before, I know it so much more keenly now: savor, savor, savor. You may not think so now, but chances are good that one day hence you’ll look back and miss the way things were this very day.

My son is in seventh grade. If ever there was a time in which things change, this is it. I know it was for me. My first real crush, the first time I ever shaved under my arms, the first time I realized how complicated it all was. Elihu comes up to my ears now, he might even a bit taller. His skin is still smooth, but the hair is coming in differently on his legs, his toes and feet don’t look like a young child’s anymore, and soon, very soon, he will become taller than me. And I’m ok with this, poignant though it may be to my sentimental heart, because now I know to be on the lookout for it. I will not be taken by surprise by the forthcoming chapter, dammit. Each day I note how subtly he is changing. I soak up our time together now because I know that one year from today we will have entered another era, and things will likely be very different. Being aware helps me in my process. I just wish I’d thought this way all those years ago – as I left the Aluminum Group days, as I left the sailing crew days, as I left my days of city living…. I guess I always thought I could return, effortlessly, to those experiences. I didn’t quite realize that each chapter requires a certain, magical alignment of the stars, and that that magical composition morphs and moves on just as surely as do the eddies in a river…

One week ago today, when the Studio’s last guest was gone and I stood alone in the space, a clipboard full of new email addresses under my arm, I knew then that we’d experienced a beginning. The beginning of the preceding chapter was easy enough to define; six inches of standing water covering the Studio’s floor left me nowhere to turn. The moment my eyes first looked upon the flood I knew things had shifted. I just wasn’t sure how things would pan out…What followed was a chapter full of incremental changes, movement at a snail’s pace that could hardly be detected from up close. Yet things had changed. In a big way. And finally, we were here. I’d spent a lot of emotional energy coming to terms with the idea of my father’s era truly being done now, and it was a good thing the process has been slow – otherwise I might not have had the heart to go through with it. I needed the time to find emotional closure to the old days before I could step across the threshold into the new ones. Looking out on this empty hall, it occurred to me that one day this time will be looked upon with some nostalgia and interest, too. When my son takes over, or the board votes me out, or a theater company buys the whole shebang and puts a new wing on…. This will be the era that came before, upon which people wax nostalgic…

I may not know how many pages are left in my book, but at least I know to write more carefully as I go, being ever mindful of my surroundings as the chapters unfold. One day I hope to leave behind a fine book, with a fine ending too. But for now, it’s just one sentence at a time.

Waking Time

The sound was so shrill that it pierced the layers of fog surrounding me and reached deep into my subconscious, playing itself as a new feature of my dream. It sounded as it always did; like a warning or a cry for help. Was it a child’s cry? It didn’t quite sound like that, but it evoked a similar tightening of my gut. Was it a predator? Was it a happy sound or one of anguish? It was hard to tell, and as always, even after searching my surroundings as best I could, I wasn’t able to find the creature responsible for it. Gradually, as the cry continued, it pulled my waking self loose from the blissful abandon of my dreamscape, until I floated up and out and eons away from that place and instead came to the daily, and many times disappointing realization, that I was here. In my bed. And the goddam rooster was crowing.

Today’s re-entrance into waking reality was a little bit less of a blow than in mornings past. Elihu’s been gone for a couple of weeks and I’ve gotten a lot accomplished. Some mornings I wake with dread. Some with urgency; last night’s to-do list sits encouragingly on my bedside table and I’m ready to rock. Some days I awake in a pleasant neutrality, with caution and gratitude striking a momentary balance before the day begins to favor one over the other. Either way, it’s very seldom that I wake up entirely happy to be here. But this morning it definitely was different. Maybe not exactly a thrill, but at least waking up today didn’t pull my spirits down. That was progress.

A week before, each day had started differently; I’d had house guests stay here and so for that window in time things slowed down. So as not to lose forward momentum, immediately upon waking I turned my attentions to minor domestic repairs and garden chores to assure the mundane stuff got done, even when larger projects had to wait a bit. It all worked out very well, and in fact the visit was filled with serendipitous little meetings and outings – plus it gave me the opportunity to be with my friend’s daughter, a young girl who’m I’ve known for much of her life. We enjoyed some true girl time together (Elihu’s a great kid, but he could give a hoot whether I dress up or wear farm boots to town) and a chance to wear ‘super-sparkly’ stuff and mascara. (Just so ya know, Lilas and I also caught plenty of frogs.) Plus mom Mary left me with a pretty tasty recipe for oatmeal chocolate chip pancakes. It was a nice break in the routine, and after they left I could feel a refreshed surge of excitement for all that lay before me.

It’s beginning to look like the Studio might really blossom in the coming year – construction’s coming along, both indoors and out, and the place looks gorgeous. I’ve been trying to move about in the world in spite of ongoing panic issues, and have been making an effort to meet new people and see how other folks run their businesses. I’ve been practicing piano and have spent hours honing my book, moving songs into my preferred keys, merging lyrics and chords, making peace with formerly unknown bridges and verses. I’ve even gone out and met musicians. I’ve learned the contents of my wardrobe and cobbled together a few new outfits that will suit a new, public and active life. And more than all of this – I’ve finally gotten rid of the falling-apart and mismatched table and chairs that took up most of the precious screen porch. Since my food bill had been considerably less over much of the child-free summer, I was able to put that money towards an ensemble of low-end patio furniture I’d had my eye on since June. My patience paid off; the stuff had been marked down by almost half. I borrowed Zac and Stephanie’s vintage diesel truck and bounced down the road to pick em up. Planted the old wooden chairs at the top of the hill in the woods (what fun that always is to come upon some useful chairs when on a walk! And in the winter, it’s a great view) and last night, as the grass was still wet from a recent rain, I launched the old table to the heavens in an immense fire.

The first thing I did this morning was check the porch to see if it I hadn’t maybe dreamed it all… and to make sure the heavy table had indeed burned. No, that had not been a dream. It was now a pile of white ash. And yes, the porch looked lovely. It was whispering to me to come, sit, take my coffee there. Ok, maybe on paper it doesn’t seem like such a big deal, but this has added a whole new room to the house, and plus it’s outside. Surrounded by flowers, hummingbirds and butterflies, its ceiling dancing with the reflected sunlight from my pond and my pool. My kiddie pool. But still.

I also got a lawnmower this past week. Got five open acres that the woods is quickly reclaiming and have felt a growing urgency that I equip myself to take some action. I have a friend who mows the place a couple times a year just to keep on top of it, but the place really needs a bit more maintenance than that. A rider is far beyond my budget, but I was able to find a self-propelled and fairly new Troy Bilt from a fellow down the road – and what’s more – I can actually pull start it myself without throwing my back out. Yes. Finally, I have the power to cut my own grass. Again, on paper, not much. But in reality, it truly makes me queen of my castle at last.

The kid’s having a great time with his father and their family. He’s on Washington Island in the far northern region of Wisconsin, kayaking and enjoying nature walks. He sounds rested and happy. Makes me happy too. Glad he’s able to share in all of that typically summer stuff. I don’t always have the resources to give him those experiences. So that’s good. We’ve both enjoyed our time away. I have two nights left, and in that time I hope to sit in at the local piano bar. All this practicing has my voice a little fuzzy and my knuckles are puffed and sore with arthritis, but hey, it all still works. Things could always be worse. !

Shortly after Bald Mountain called me back into this waking world, I checked my nightstand to see if there might be a note of encouragement left by my last night’s self to help propel me into a new day…. And indeed, there was. It read “August 15th, 2015. Been here seven years.” Earlier this week I’d passed my three year mark for having quit smoking (I was a part-time smoker then, but still, it counts). And wouldn’t ya know, here it was. Today was the day Elihu and I had arrived, seven years ago, at this great unknown new life. A sketchy ranch house with green shag carpeting and what I like to call “high Angie Dickinson” decor – wrought iron pulls on the mahogany-toned cabinets, red velvet-covered doorbell speaker… I had looked about me from a place of deepest desolation. My head was spinning, my heart broken, my future absolutely unknown. The faint smell of wet dog didn’t help, and to be honest, neither did the fine view from my living room window. I was petrified of the situation, and my ex was so full of rage at me for having left. It was an absolutely horrible place to be. But see, now – it’s not. Things aren’t exactly what I’d thought they’d be when I set out to create a family and build a new life, but still. This place is my home, and this is my life. Not so bad. Really.

If you’d have told me seven years ago today that down the line I’d be raising chickens, shooting at foxes and stuffing a string bass into the back of my CRV, I’d have thought you were dreaming. But look how it’s all turned out. Wow. Me, a single mom in the country raising chickens and a polka-loving, tuba-playing boy? Yup. It’s all true. And I’m pretty sure I’m wide awake.

 IMG_0237Super sparkly and ready to rock.

Relic

It’s not my home anymore, and today this sight is truly a relic of my long-gone past, but still the shores of Lake Michigan restore my soul as nothing else can.
IMG_0183


In the wake of Martha’s death, things have changed around here. For one, in the short time between the lovely farewell party we held for her at the farm and the day in which her relatives returned to organize her house, several of her belongings had been stolen. It had to have been an inside job, which leaves the few of us who know the place well to be suspects. I don’t truly think Martha’s niece thinks that we did it, but I can’t know this for sure, and that cloud of distrust has given this transitional chapter a very unsettled feeling. But it sure helps to wind things up there, and at the same time helps propel me back into my own life, something that’s been on hold for a while now.

It’s more than strange to see the farm no longer inhabited. Not a soul remains. Only stuff. Things upon things, more piles and objects than one can comprehend. It is a house that has been receiving its contents for half a century. And now, with their final caretaker gone, they sit, silent and enigmatic, most of their stories lost to those who are left to dispatch with it all. For me, I don’t find myself wondering so much at the items – if the stories are lost, at least their purposes speak for themselves – but more to the point are the unanswered questions – why was Martha saving all of this stuff? For what use was it all intended? Hoarding can just as easily be achieved with elegant, historical relics as it can with modern junk. In the end, things that aren’t of use are essentially just that. Junk. Stuff that sits inert, waiting for someone to give it a new life. So while this house may seem at first glance to be full of precious antiques, I see it a little differently. I see it as a repository for things that at present aren’t realizing their potential. (And in some ways, I also see the place as a mirror for my own life in this moment.)

When mom, Elihu and I visited Chicago a few weeks ago (for the memorial of another dear, old friend), we were given the rare opportunity to see the places where my parents raised my brother and me – and personally it was a way in which I could finally say a deep and meaningful goodbye to those chapters in my life. Our old home had been lovingly restored, the new owners more than happy to share with us every nook and corner of the place. We had the good fortune to eat familiar, much-missed food at places that were once regular destinations in our lives. We re-acquainted ourselves with the new city skyline, saw neighborhoods where some old places were razed and new ones erected, and we took it all in with enthusiasm and great interest. The lake, the unending stretch of beach that goes on for mile after mile, that boundless expanse of horizon which I still miss so very much… We saw it all, and we experienced it all together. And at the age of eighty, I’m not sure my mother will return in her lifetime. I know I will never return in the same way. (As for Elihu, he doesn’t remember his Chicago life, brief as it was, so for him it’s just an interesting anecdotal chapter that came before his time.) This trip was the perfect conclusion and farewell to our former lives. And this time it made coming home to Greenfield truly feel like coming home.

Shortly after we came home from our brief visit to Chicago, Martha died. And a week later, we had her memorial celebration. After that, the items went missing from her place. And now, the farm is no longer our space to enter freely. Ultimately that’s ok – there’s plenty I need to get to; the Studio, my teaching, my own home and property, my chickens, my health, my daily routines (which have been anything but routine over the past month or more) and, of course, my son. I’m resurrecting my quest to find piano solo jobs in this bustling tourist town, and last night made more than a dozen stops in my first attempt to sus out how things work these days. I learned plenty in just six hours of conversation and visits. I’m not up to speed in many ways. I’m out of practice, unfamiliar with my songs, my keys, even the silly lyrics. And technology? Forget about it. My lack of a smart phone and tablet all but cuts me off from the world around me. My songlist itself needs some serious updates (I’d thought I could hang my hat on the novel concept of being nostalgic and ironic, playing mostly a diet of guilty pleasure radio hits for the over 50 set, but the wisdom on the street is that I need a serious infusion of more current material, regardless of my cute little shtick.) I recall a time in my life when I had several hundred songs up and ready to go without a second thought; now I second guess it all. Did I really ever do this before? Was I really a musician in a former life? I certainly never jobbed with a vengeance, but I got work. More importantly – I almost always had work; and if I didn’t, it ended up finding me. Here, in Saratoga, a world in which I’ve never worked professionally, I don’t have the infrastructure of dozens of musician friends nor the good reputation I once took for granted to proceed me. And I certainly don’t have that ‘famous’ guitar-playing husband to help give me an added boost of credibility. All I have is me. (And a new rig, thank God. Wait, make that ‘thank mom’. !) Here, in this ‘new’ town, in this new life, it feels like I’m a relic.

Things can change, this I know. And thanks to a handful of magically timed recent meetups with some very wonderful women I know and a little outside perspective, I’ve been able to reinvigorate the vision. If it weren’t for my hairdresser – whom I merely visited yesterday for a quick hello – I wouldn’t even have set out to meet all the people I did. She urged me to go and close those deals which I’d proposed just a few months ago. And sitting in her chair, whom should I meet but an old friend of Martha’s. It seemed another push from the universe to let go of the past and move into my future.

My day started at six a.m. and didn’t end until lil man was back home and we two settled into bed around 2:30 (his flight from Chicago – where he’d been visiting with his father – got in after 1. A super late night.) My day started by learning, praise Allah, that I didn’t have colon cancer. Pre-cancerous polyps, but that was all (my grandparents died of colon cancer, and my cousin, two years my junior, is on her third round of chemo in her fight against the disease). My day filled quickly after the doctor’s appointment, and I only returned after dark to close the chickens in before I headed out to the airport to pickup Elihu. It was a day full of unplanned-for events, the enjoyable company of friends, and the gleaning of much important professional information. I felt a bit like an outsider though. Yes I’d left Chicago more than six years ago by now, but I’d been cloistered away ever since in the role of rural, impoverished, single mom. Yesterday it felt like I was starting all over again. But at least I was beginning on my own, not in the wake of a famous husband, not on the reputation of a varied career as keyboardist, not as a frontman for a well-loved band, not as any of those things. Just as me.

I still have a hard time letting go of my past life because sometimes I worry that nothing can match its glamour; that instead of a fruitful future, I can expect a long, bleak road ahead. That kind of thinking has been easy to succumb to in the past, but I need to get rid of it now. It’s ok to hold on to a keepsake – there’s nothing wrong with being in possession of a relic or two – but there’s still a lot of junk in my house that no longer serves me which I need to clear out, so that a new life can have the space and freedom to move on in.


IMG_0085The most beautiful, perfect sendoff for our dearest Martha. Michael made a fine toast (we all raised a glass of Martha’s regular evening drink – gasp – Apricot Brandy) after which we all sang Martha’s favorite song, “Simple Gifts”. That big, beautiful farmhouse came alive again, and I’m sure wherever Martha was, she was pleased.





A real-life tableau, undisturbed for decades.

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Ever a practical woman, Martha wrote her own obituary, as well as her final wishes and disbursements here in this plain, spiral notebook. She called her matters ‘mundane’; simple though they might have been, mundane they were not.

IMG_0152A last image of what has been our ‘normal’ for the past five decades. Mom and Andrew sit in the kitchen at the farm as they have since he and I were tiny.

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IMG_0048Is my own collection of stuff any less of a mystery? How in hell did this crap all find me? Another garage sale of epic proportions in on the calendar for this summer. My house will not end up like Martha’s. (Besides, there’s no space; it’s a mere four rooms to her ten.)

IMG_0052I am of the opinion that if you do not see it, you will not use it. I’ve labeled all this stuff and use it all pretty regularly. I’m doing my best to keep my crap confined to this storage room and nowhere else.

IMG_0058I’d thought my new rig was so modern and ready-to-rock, but alas, the bulky 3 ring binders of charts (and my reliance on them too) instead of a handy tablet is a handicap in this day and age. No matter, for now it’ll have to do. Until I can store it all in my brain, that is.

IMG_0103I try to keep my world as simple as possible. Hopefully, a tidy home will provide a solid platform for a full and invigorating life to come. If some things are about to change in my life, I’ll need some things in place that never do. That’s just the kind of gal I am. I’m fine with some change, and I feel it’s important to routinely clean one’s house out of unused items, but I utterly depend upon some things remaining just as they are.

IMG_0025Here’s a pic of our first-born hen this year, whom we named Martha. Sadly, for no reason I can understand, she died one morning this week. We’d never before had a hen who was half red and half white. She was as unique as her namesake.

IMG_0014I don’t cry anymore when our animals leave us, but my heart still breaks. I’d hoped to have a living remembrance of Martha here on our tiny farm, but I’ll have to let go of the sentiment and attachment. Sorrow and regret can zap a person of their hope, and I need to keep mine strong and healthy. Goodbye and thank you, tiny, feathered friend.

IMG_0002It’s not exactly in my backyard, but Saratoga Lake’s not terribly far.

IMG_0011Our house on the hill lives in the middle ridge of this photo – in the darker blue section just above the treeline, with the Adirondacks beyond. For me this is a new body of water, a new horizon. This beautiful view gives me a new perspective on things, and that’s something I could really use right about now.


       Post Script: Martha suffered a stroke in the mid 80s which left her left side paralyzed. While she was able to drive for a while, and did far more than one would expect for a person in such a situation, she was clearly stopped in her tracks by this life-changing event. It has been posited that her stuff remained in disuse because she was never again able to resume her activities and projects as she’d planned after her stroke. Heartbreaking to think how everything can change in a minute. A good reminder for us all to use our lives as fully as we’re able, and while we’re able, too.

Dream Gift

For the most part, my dreams aren’t that mysterious. While they take place in some fabulously surreal landscapes, the subjects are easy to recognize. My dreams are a Dadaesque montage of various and sundry events from my current life, taking place in the settings of my earlier life. Usually things happen alongside modified versions of a vast lake (Michigan), in a place under a canopy of trees (Evanston) or beside a modern city on that same lake (Chicago). My inherent nostalgic bent thrives as I sleep, and upon waking I feel a hazy sort of satisfaction to have returned ‘home’ for a visit. My dreams look backward, not forward. I see no sense in keeping a dream journal to glean hints of powerful hidden foreshadowing, because from stem to stern, I’m just not the kind of gal who thinks a whole lot about the future.

Until last night. I slept in fits and starts, due to a stubborn cold which made my breathing difficult and irregular, and as a result I was able to awaken in the midst of several dream sequences, all of which I can easily recall. And the thing that struck me, as I reviewed the scenes in my head before rising, was that they took place here. And now. And – more intriguing to me – was the fact that they were all somehow centered on the Studio. There was construction, industry, there were people working together, sharing the vision… Hammering, drilling, the smell of lumber, the sight of studs awaiting drywall… At one point I awoke in a start, yelling out loud “We must have two bathrooms!”, and found my heart pounding as I sat up in bed, still panicked that the contractors had overlooked this very important feature…. When I came to, and realized that we did have two bathrooms, I was greatly relieved. I pulled the scene back into my mind’s eye and studied it more closely. Now this was interesting; there were some design ideas there I hadn’t considered before that just might work… Merry Christmas indeed. This felt like a gift.

People may tire of my manic swings, hell, I myself can’t believe how low and high I can go in such short order, and how endlessly I can do so… But I’ve long been mulling over the idea of what’s missing in my life these days, and how I need to redefine myself and live into the future ahead. A lack of planning skills is in some way why I’m here, now, in this present funk. So I need to start envisioning how it all might look one day… Elihu will be gone into the world in too little time, and if I think I’m having an existential crisis now, just imagine how it’ll hit me then!

I know, as well as everyone does, that the main objective of life is to express love in the world, and that expression takes its form in service to others. I’m not a big fan of hard work, or methodical process, so I’ve chosen to do my part in the service sector in the guise of smiles to strangers, small talk to disenfranchised-looking folks and such. Not meaning to sound too full of my self, I do admit a certain ease when it comes to expressing compassion and connecting with people. Elihu once remarked about me that I seemed to make friends wherever I go. Yeah, kinda. But that’s easy. I kinda feel I need to step it up a bit more.

I love teaching, I love coaching kids, and it’s the best feeling in the world when they get something. Hell, I love it when my adult students get something. I have never been a particularly hard worker, so I’m keen on sharing my slacker shortcuts with anyone. If I can save anyone else from all the time spent not understanding what the hell was going on – in music, in life, in any endeavor – then I feel I’ve done something of service to my fellow humans. That’s all well and good, but somehow, I gotta cast a bigger net. But I’m so afraid. I try to identify what imaginary, invisible thing it is that holds me back. After spending the last two days reading the memoirs of three successful women writers, I can identify one thing right off the bat: I don’t have an insatiable drive for success. Seriously. I am fucking lazy. I’m not being all needlessly self-effacing here; I’ll admit that when I’m in it, I’m in it. And I can work my ass off. I can produce tangible results like crazy. I’m good at organizing, assessing and restoring visual order (when given the wide-open space and freedom from parenting duties). So yeah, I can work. But it’s private. There’s no one to judge, to witness. And like I said, I don’t experience this kind of work ethic until the place is clear of kid duty. And see, that’s one big problem. These other women did it fine with kids in the mix. Me, I just don’t get that. Plus they had spouses, boyfriends, even goddam deadlines. I do remember the adage “If you want something done, give it to a busy person”, and I can vaguely remember a time in my life when that might have been said of me, but right now, the way I feel here and now – forget it. I get panicky just trying to envision coaching a small ensemble, never mind running a series of educational programs and making sure that our 501(c)3 papers are in order. Shit. How will this work? I can’t do this. Can I?

I gotta. The key to ridding myself of panic, of that paralyzing horror, the key to wanting to wake up in the morning and not distracting myself all day long by keeping a super-tidy house and making a killer tasty supper – the key to all of this is to be of service in the world. I thrive on being a good mother, and I thrive on buoying the spirits of those who seem to have withered under the weight of it all – cuz I so get it – but I think it’s time to be brave and take on more. This cold I’m currently experiencing has done a nice job of presenting me with a swath of guilt-free down time. Time in which to read, to learn what it feels like in someone else’s head, to get a new perspective, to digest… It’s been a good couple of days. My nose is sore as hell, I can hardly hear a thing in my right ear and my eyes are still disgustingly red and watery, but it’s all good. In a way, this miserable cold has kinda been a gift.

It’s hard to imagine that my position at Waldorf is over, at my choice, and that I have no tether. With an audience to witness this internal struggle, I haven’t left myself an opportunity for escape. (Believe me, I wrestle with whether or not to even include the whole Studio story here. I am so tempted to pretend these thoughts never happened, so tempted to continue teaching, being a mother, collecting eggs, all as if nothing else mattered. Who knows, I still might do that. Just sayin.) If nothing else stands to motivate me, I must remember my father. I cannot allow this amazing gift of such a beautiful venue go to waste. If nothing else, I must continue his legacy. It’s taken a year (and even so, I’m still not completely there) to realize that I can never, ever hope to come close to doing what he did. His gift was early music, and it’s not mine. To try and continue as before is impossible. Hard as it is to come to terms with, it’s true. I can only do what I do. My gift is connecting people, uplifting people, sharing insights, being a host. So I need to follow the spirit of my gift, in whatever form it needs to manifest.

It was last year on the 27th that dad died, and a year ago January that the Studio flooded and ruined the gorgeous oak floor on which so many performances had taken place. A year since my heart was doubly broken. While I haven’t done as much as maybe I’d originally thought I would in the year since, I have to understand that this has been an important year, a necessary year. Like my cold, this stopping-in-my-tracks business of the flood, the demo and the slow start to rebuilding, this seemingly fucked up situation has actually turned to reveal itself as a gift. The gift of time for inner adjustment, the time to let go of what things were, to begin to nurture an idea of what things might yet be…

Recently, the forester called me to say they were ready to put the landing in for the logging equipment. Two years behind schedule, the logging of my family’s woods was finally scheduled to happen – which would not only put some money in the coffers to continue rebuilding, but it would, in the process, provide the Studio with its own parking lot. I can’t remember feeling as happy, joyful and hopeful in years as when he told me the news. We’re waiting on a good deep freeze to get the heavy equipment in, and because it’s been so warm and rainy lately, I almost feel as if it’ll never happen. As if the call from the forester might just have been a dream. When I get super down, I try to conjure that feeling of excitement, of progress. Not sure I’ll believe it til I see it. The drive is marked, I’ve circled the keeper trees with nylon tape, and the crew will call me when they’re on the way. I’ve been told that when it starts, it’ll happen fast. Which is good, cuz I could use some forward movement just about now.

In such unsuspecting ways do these life gifts reveal themselves. And in so many ways, this waking life itself is kinda like a dream. It meanders around new corners and pushes you into strange, unanticipated situations. And sometimes, I think, it might just be better to be surprised. Isn’t it more fun sometimes not to know what happens next? After all, it’s the element of surprise that makes it so exciting to unwrap a gift…

 

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Post Script:  Speaking of service, today I remembered Reverend William Sloane Coffin, Jr. as I searched my shelves for some new inspirational reading. My father and he were friends at Yale, where Rev. Sloane was chaplain – the two of them also sang in the Yale Glee Club – and I had Bill’s last book “Credo” autographed one year as a Christmas gift for my father. I was fortunate to enjoy a few conversations with Reverend Sloane; at the time I didn’t fully appreciate how lucky I was to have spoken with him. In revisiting some YouTube videos of him recently, I have a new appreciation for the fellow. In person he was just as warm and supportive as you’d imagine him to be. Here’s a short clip of Bill receiving an honor for his service, and some of this thoughts on the state of our world…

November Pics

Life’s been so full lately that I haven’t had time to archive my recent photos – plus my computer’s been in and out of the shop for weeks now, making a life sans-smart phone a tedious one indeed at times. I’ve had to visit the library a time or two to check my email. Makes me feel a bit like a vagrant, but I suppose it’s a good thing to be humbled every now and then. (Certainly helps me better appreciate the luxuries of a laptop and my favorite cozy chair.)

The changes all around us are imperceptible in the moment, but when I compare the images of this November with those from a year ago, my heart skips a beat to know how different things are now. For one, my father is gone. And now there’s a house at the end of our driveway, its windows staring straight into ours where there used to be nothing but a gentle field. We no longer have a goose guarding our home, and some favorite hens from our flock are gone. My son now plays string bass with some proficiency, and has finally experienced the freedom that tinted contacts offer. Plus, the kid is taller than last year for sure. (He’s still the shortest in his class, but hey, it’s all relative.)

Last night Elihu’s school had their fall assembly, in which each of the grades, from 1 through 12, performed. It lasted but an hour (that alone impresses me – the faculty has engineered the logistics beautifully) and it gave us all the things one expects in such a program. It had parents feeling proud, in love, in awe, and once again, in disbelief at how our children have grown so. Truly, it seems only yesterday that my dear Elihu sang in his first grade concert… And the other children, I watch them in amazement too, trying to understand this mysterious growing process that shows itself only in brief, acute moments. It’s a good thing that most of life’s big changes don’t happen all at once; myself, I like to have time in which to take things in, to figure out where things stand in the present, so I can move more mindfully into the future. But no matter how thoughtfully one approaches life, sometimes there is just no substitute for the perspective one gets in looking back.

And with that, I offer this rather lengthy pictorial retrospective on our month thus far…

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 Elihu brought his bass to the farm and played for Martha her favorite song, Simple Gifts.

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The farm’s kitchen, the epicenter of my life since I was tiny. That’s mom on the left.

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Mom helps fix Martha’s supper. This image has me pondering the plight of aging; my mother, whose own age is beginning to lessen her physical abilities, is the caretaker for Martha. Interesting the hazy lines between old and really old. Both of these women were superior take-charge gals ‘in their day’. Martha still, however, rules the roost, giving mom step-by-step instructions on how every last duty is to be carried out. Sheesh. Watching these two, dare I say, ‘control freaks’ in their late-in-life interactions is a good lesson for me: it is good to know how to delegate, but more important to let people help you on their own terms. Trust, I believe, is at the heart of the lesson. It’s hard to relinquish control, I get that. But aging kinda forces it on you. Best to be ready.

IMG_1383A quick smooch with Masie before we head out.

IMG_1465Our first dusting of snow. Beautiful, yes, but we’re not quite ready. Elihu hit his forehead and yelped ‘already?’ when he saw this. I swear he was close to crying. He’s not a cold weather kid. In fact, for some unknown reason, since he was very little he’s been telling me that he wants to live in Vietnam one day. ?? I love him more than anything in the world, but I don’t think I’ll be moving along with him. Naw. I’ll be in Italy.

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Good weather for indoor tower-building.

IMG_1498The tallest one yet.

IMG_1188The Waldorf School of Saratoga Springs in the evening, such a cozy sight. Had a parent’s meeting, and thankfully, my son is now old enough that leaving him for an hour or so is possible. Hope when I get home he’s ready for bed…

IMG_1296When going in to say goodnight, I found a poem on Elihu’s desk. Turns out when he can’t sleep (which is every night, just like his ma), he writes poems in his head, then gets up to write them down before he sleeps. Has a bunch of them apparently. !

IMG_1327Downtown there’s a makeshift memorial on Broadway for Saratoga’s Banjo Man, Cecil Myrie. The day after he died I posted the photos and obit on the lamppost – within hours people had added balloons, flowers and candles as well as assorted trinkets, including cigarettes, banjo picks and a fireman’s hat.

IMG_1180The look of town has changed rapidly over the past decade, but local folks will recognize these three Saratoga homes, untouched by progress. Seriously, they looked the same in the late 1960s as they do in this 2014 photo. Feeling as I do about change, I relish this image.

IMG_1144We’re giving our young Buff Orpington rooster away to a new home soon, so he’s enjoying a final visit to the kitchen.

IMG_1137Goodbye, handsome fella! (The bird, that is.)

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Nice to see this Red Bellied Woodpecker again this year (a confusing name when it’s really its head that’s noticeably red). Took this from across the room as he’d spook if I got close.

IMG_1417Today we’re going to visit our old goose, Maximus at his new home across town (we’re also giving them the rooster seen above). This is a special morning, so it requires a special breakfast. I surprised Elihu with a pancake in the form of his signature cartoon character, Stanley the Tree Sparrow.

IMG_1436We’re at the gate – and can hardly wait!

IMG_1438I stood and watched in amazement. The flock was free to escape this bird-crazy boy, yet somehow, Maximus did not flee. In fact, he allowed Elihu to get close…IMG_1441!!!!

IMG_1448“Family” selfie. Miss this guy. It’s such a good feeling to smooch a goose. Elihu and I can smooch a chicken and eat a chicken too – the same one, in fact – but we both agree that goose is off the menu for us both now. It just feels different.

IMG_1454They go for one last run before we leave. Max is happy here; he has a pond, lots of open acres in which to roam (note the yak in the background!) and finally, Max has a girlfriend. He has a great life here, so that makes us happy too.

IMG_1459And a final smooch…. for now. See you again, Maximus!

IMG_1508Back at the Hillhouse, giving some love to the king of the roost – and our only resident rooster now – Bald Mountain.

IMG_1151Eyes wide open (indoors, with no lights on), showing me what ‘perfect hair’ looks like. Right on.

IMG_1533Okay, seeing Maximus was special. But this is in a whole new realm of special. These babies ($600 after all was said and done if you can f*ing believe it – they’re just goddam soft contacts!!) are about to change Elihu’s life…

IMG_1284An ordinary picture, right? Look again – this is Elihu, eyes wide open, outside, WITHOUT his dark red sunglasses!! This moment, humble and ordinary as it may appear, is no such thing.

IMG_1189Elihu, about to join his classmates at school for the very first time without dark glasses, is overcome with emotion. I thought I was taking a picture of a smiling child, when he began to sob. You can see the feeling beginning to dawn on him in this image…

IMG_1193He joins his friends on the foursquare court and waits for someone to notice…

IMG_1197Yes!!!

IMG_1216He’s still squinting a bit (he’ll need some supplemental dark glasses for outdoors), but finally Elihu can open his eyes outdoors. Whew!!

IMG_1224I take a quick peek into his classroom to make sure things with the contacts are still ok…

IMG_1242Elihu wants to visit the music store after school with his new contacts in…

IMG_1254We love the use of glockenspiel in some of our favorite polkas. I wouldn’t mind a set of these myself, even if I have no current use for them…

IMG_1263We love this place. I try to make sure he’s not the annoying kid… but he enjoys trying things out for a spin. It is a great opportunity to get an understanding about how different instruments – and different setups – can feel.

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Singing his heart out. He’s been looking forward to this performance for weeks. And again, no dark glasses. A new world for him. Can’t help but think back on his first grade concert… He sang his heart out then, too.

IMG_1511The sixth grade does a eurythmy performance. Eurythmy is the art of sound made visible, and is an important part of Waldorf education. (That’s my little eurythmyst on the far left. He was so psyched to finally be doing his performance in costume.)

IMG_1513And this is Elihu, ending the number and leaving the stage with a flourish.

This act is over, and now a new one begins…

Fine Day

Today Elihu and I made our annual trip to the picturesque village of Lake George, in the Adirondacks. Each year, just as school’s beginning and the summer is coming to a close, we head up north to enjoy a lakeside meal and a little adventure. On the docket for the day was watching an attempt to break the Guiness record for the longest parade of Ford Mustangs; they needed 621 to be successful. We saw but one Mustang on the way up, and when in town saw maybe two or three more. It surely didn’t seem a world record was about to be set. Elihu had wanted to earn some cash, and we’d thought busking for the crowd here might work, but when the cars – and the crowds – didn’t show up, and when we heard the sound of music coming from the bandshell, we knew it wasn’t the time. So we headed to the place we always eat, and enjoyed a lovely meal of steamed mussels and calamari instead.

After lunch, although Elihu was jonsin to play, I asked him to humor me and go hear the band first – from what we could pick out over the relentless onslaught of Jimmy Buffet covers from the duo on the neighboring restaurant’s deck – I thought I’d heard some real music. It had been way too long since I’d heard any good stuff (Saratoga is a town mainly of cover bands – in the summers the music that floats through the air sounds kinda like montage of never-ending wedding bands). The busking could wait. And frankly, when we got to the stage and learned this was the weekend of the Lake George Jazz Festival plus saw there was a tuba player – both busking and record-breaking lines of cars were forgotten. I admit that I tried Elihu’s patience when I insisted he meet the guy after the set – but Elihu was glad we hung around. The tuba player showed Elihu how he could play melodies on his mouthpiece, and that stuck with him. It was just the right inspiration at the right time, and he was psyched to have met the guy. The two of them chatted for a while, we took some pictures and then parted ways. Elihu felt Saratoga would be a better opportunity to make some cash, so after a couple more enjoyable and impromptu chats with folks en route to the car, we headed back.

Once on our turf, he had his plan. He hit both of his usual spots, and in between played for a bit with a fellow we’d not seen before on the street. I did my dutiful mom thing as he played, sitting off to the side, all but ignoring the kid (he’s eleven; he needs to retain his dignity. Who wants a hovering mom?) and waited. Elihu was playing well, and trying some new things. It made me smile to hear him playing well, and playing with such joy. I had a pleasant chat with a gentleman with whom I shared a bench, and shortly Elihu declared he was through for the day.

These days, Elihu and his classmates are rather consumed with the culture of Pokemon. I’d thought it might have passed by now, but no. Elihu gives a lot of mental energy to assembling his deck. He gets lost in thoughts of how he’ll battle his opponents, what powers he’ll use, what special EX cards he’ll need to win… I try to share in his excitement, or at least I try to show interest, but really, it’s hard to keep it up. My son is lost to me in the world of Japanese anime characters, and I can’t possibly understand. But I can support him, and when he’s worked hard all week, done the chores I’ve asked of him, finished his homework and practiced his bass, I feel it’s altogether fitting that he be allowed to buy himself a little treat. And especially when it’s with money he’s earned himself. In about forty minutes he’d made around thirty dollars, and so I took him to the store to get the newest release of Pokemon cards. He was beaming all the way home.

Elihu talked with his father on the phone for a bit as I made supper, and then afterward we watched a little ‘Simon’s Cat’ on YouTube for a quick nightcap of laughter, and then he was off to bed. “This was such a good day” he said as I turned out the light. Yes, it was, sweetie. It was a fine day, indeed.


IMG_3154Beautiful Lake George in upstate New York.

IMG_3162I’ve waited all week for a glass of wine. !

IMG_3156Here’s a gratuitous selfie with the same view.

IMG_3169Glad we brought these this year. Elihu really can’t see much detail beyond the deck without em.

IMG_3160And this is a shot of me, in the reflection of Elihu’s large, dark glasses. When I talk to him, I can’t see his eyes – all I ever see is myself – so I snapped a pic to kinda show him what it looks like.

IMG_3183This is the crowd…

IMG_3194And this is the event.

IMG_3243The view from the lawn. I grew up being part of really huge events, so this seems quaint by those standards. But hey, it’s been so long since I’ve heard any music at all that I’m thrilled to be here. You can’t beat the scenery, and a smaller venue is so much more pleasant in many ways.

IMG_3179The group? Billy Martin’s Wicked Knee. That’s Billy on the drums.

IMG_3184And that’s Elihu’s new pal Marcus Rojas on the tuba.

IMG_3202Showing Elihu how much you can play on a mouthpiece alone.

IMG_3218Elihu shows his djembe to Marcus’ little boy.

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This is Will on the left, he plays accordion – and the yellow CD on the right is a brand-new project he and Marcus played on together (look for their group Musette Explosion). Will was going to be playing later on in the afternoon. It was a posse of NYC musicians there.

IMG_3196Peace out, Marcus! See you next time…

IMG_3247Back home in Saratoga Springs, Elihu stopped to leave a tip in this guy’s case, but instead, this man insisted that he tip Elihu, who he’d heard playing djembe across the street. How kind!

IMG_3253Then Warren invited Elihu to play with him for a bit.

Here’s what it sounded like.

IMG_3256In an alley on the way back to the car, we heard the most beautiful and plaintiff melodies from this harmonica player, and Elihu felt compelled to double-back and leave him a tip and a kind word.

IMG_3263Keepin it real. This is what all that cash was about! After pack upon pack of humdrum cards, Elihu lands a couple of good ones back-to-back. Love it.

IMG_3269A fine day – in so many ways.

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Just a friendly reminder that if you’ve enjoyed my posts and would like to buy me a cup of coffee (that’s a blogger’s euphemistic way of saying ‘give me a small tip’) you can click on the tip jar icon at the top right of this page and it will allow you to do so rather effortlessly through Paypal. Thanks for considering, and thanks even more for contributing to the coffers of this writer and mother.

Saratoga Streets

Well, it’s here. The end of the tourist season in Saratoga Springs, New York. Elihu was away for much of the summer, but he still got a little time in busking and meeting folks. I keep telling him to rake it in while he’s still relatively little and cute, cuz the tips just don’t come as easily when you’re a pimply-faced teenager (or an adult!). But in the end, he does it because he loves it, and the money is really just icing on the cake. He will likely continue to play into the cold months, but the sweet season is over for this year. Here are some highlights of our final weeks on the streets of Saratoga…

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I’m always extra proud of my son when he tips the other street performers without a word from me (and he always does).

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This is chalk art by Alexis Broz, now billing herself as the ‘original’ chalk artist of Saratoga. You go, sister, we know you are!

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Here Alexis left her imprint on a T-shirt artist’s street space.

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We ran into some fellow Waldorf School students and everyone hung out for a bit.

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Here’s the charismatic Eryn (and also a former student of Elihu’s teacher at Waldorf) doing her thing, shortly before jetting off to attend The American University in Paris.

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Another view of the same scene.

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Cecil Myrie’s a Jamaican banjo player who’s been a staple of the Saratoga street scene for the past three decades. (Here he’s showing Elihu how to play this resonant bass box.) He has bone cancer now, and in spite of his desire to, he just wasn’t able to muster the physical strength he needed to join us out on the town. As we chatted about life – and about Chicago – imagine my surprise when he recounted for me his memories of hanging out at the “Step-Hi Lounge” on Wabash… the very haunt in which I myself passed away many hours in my days as a film student at Columbia College. (CCC is right across the street, but the Step-Hi is now no longer: a parking lot takes its place.)

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Cecil’s trying to give me a lesson, but I’m having a hard time here…

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Okay, I’m pulling it together now…

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But my lil man has it down. Just look at that left hand!

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And speaking of mentors, here’s our dear pal Ed, at Saratoga Guitar, giving Elihu a little impromptu lesson.

IMG_0883Looking good Elihu! Maybe next year you’ll have another trick up your sleeve when busking season arrives.

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Here he is on the final day of racing at the track (the major tourist attraction here since 1863).

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Here Elihu is playing alongside Skidmore music degree grad Paul, who plays the Gyile from Ghana, West Africa. It’s tuned in a crowd-pleasing pentatonic scale, and thanks to Paul’s great feel, he rocked those five notes hard all afternoon. Goodbye til next year, all you fellow buskers… it’s been a lovely season.

 

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Just a friendly reminder that if you’ve enjoyed my posts and would like to buy me a cup of coffee (that’s a blogger’s euphemistic way of saying ‘give me a small tip’) you can click on the tip jar icon at the top right of this page and it will allow you to do so rather effortlessly through Paypal. Thanks for considering, and thanks even more for contributing to the coffers of this writer and mother.

Done

Most of the projects on my domestic list have been completed. Some, the ones for which I need an extra pair of hands – and some extra cash – remain on the list, but they don’t bother me too much. Overall, my house looks tidy, my garden is blooming and a neighbor has taken it upon himself to exterminate most of the remaining raccoon population. So really, all is at a nice holding point. I even took a walk – for no good reason – down the road to another neighbor’s place. Had a short visit, then returned through the big field, picking some wild blueberries along my return. It’s humid out again, the kind of heavily scented air that comes after a rain in the dead of summer. Most days here in upstate New York are fairly humid to begin with, but when I smell the woods before I smell the grasses of the field, then I know it’s wetter than usual. But it’s not oppressively hot, which is nice. Walkable.

As I stood chatting with the fellows across the road, Phil asked how it was that I didn’t have anything to do – why wasn’t I working? I had to admit that it was a rare moment, and that I’d come to a lull in the list. But as I answered him I couldn’t help but feel that my response was a little lame. It seemed I needed a better excuse for myself. Or did I? In this culture of go, go, go I was lucky to have window in time like this, unspoken for, unfilled with commitments. But still, I couldn’t shake a vague, nagging sense that I needed a better reason to be doing nothing more than walking down the road to fill my afternoon. I’d heard something on the radio the day before about the benefits of living a minimalistic life, so in remembering that, I cut myself a little bit of slack. I guess I could let myself off the hook for an afternoon. I guessed. After cooing to the baby and smooching the dogs, I headed home, still not entirely convinced that I shouldn’t be doing something more important with my day.

Although my personal to-do list has seen some real progress, there is a whole lot to be done regarding the Studio. It’s a world away from done. In fact, it has barely even begun. After dropping a cool fifteen hundred bucks (thanks to mom, of course) we were able to get the bathrooms back up and running.  We’ve hosted three weeks of art classes in the space by the skin of our teeth really, nailing curtains over the exposed studs in the bathrooms, and covering the bottom two feet of the room in used drop cloths. My partner liked the utilitarian look of the canvas, and I agree it looks funky and fun. But this will not do for the long haul. And the only thing between our present situation and the finished product is me and the time I invest into repairing and restoring. That, and a hefty advance on our timber sales (from a cut to be made this coming winter) which will enable me to make the improvements. I’ve never been good about planning things that involve budgets, so I admit that I’m kinda milking this pause in my schedule, as I put off this new adventure into the unknown.

I rode my bike over to the Studio yesterday and just stood in the space. Something inside was resisting this, and I needed to face it. I had to make myself understand that this was my job now.  And what a privilege! How lucky could a person possibly be to have an opportunity like this? Even after the tremendous shock of our initial loss (the burst pipe back in January that has necessitated all this rebuilding) I still find myself settling back into a state of mild complacency. Perhaps it’s just too much, and I’m shutting down. But this is no time to shut down. And as I stood there, contemplating all that lay before me, I experienced a mild jolt of panic about my previous job; there may be no one to fill my chair at the piano this fall at school – and I can’t manage a rehab project and learn Debussy and be mom, too. Not wanting the school’s entire movement program to come to a stop because of me, I promised I’d play until they found a replacement. But have they? I need to look into that first thing Monday morning. I remember a time when I thought I could do it all; It took me a while to come to the realization that I had to drop something. Why haven’t I been pushing harder on this front? Maybe I haven’t quite committed my spirit to this place yet. Yeah, I can see it, but somehow, I don’t quite seem to get how real this is. I gotta get it through to myself that nothing will get done if I don’t do it myself. I need to make this place my top priority now.

I suppose it’s not so bad that I take a short break from things. That I pass a day without fixing, painting, mending, cleaning, sorting… In fact, in this unexpected bit of project-free time I’ve begun to resurrect an old dream (which derailed when I had a baby!) about putting together a ‘guilty pleasures’ cover thing – solo piano, duo, whatever – for the ‘over 50’ set. The kind of tunes that in my past life would garner taunts and severe mocking from my musical peers – but which nonetheless have people singing along as soon as I start to play…. Screw it, my days working in a cosmopolitan jazz scene are over, my days of being in a young, hip alternative band are history, and I live in a moneyed tourist town with a median age of sixty. If I were to do anything musical again (besides teaching), this seems a realistic option.

But I can’t allow myself to become distracted. The cover thing can wait, but the insulation can’t. Gotta get those minisplit heating units in before winter, gotta get the walls back before I can heat. Got to get some prices, map out a budget. I know what I have to do, and after a moment’s pause, I’ll get back to it. For now I’m finished with things here at home, but I’m still nowhere near done.

IMG_9388My painting of the garage doors started with a good prep job…

IMG_9387I always get messier than I should.

IMG_9473A job well done.

IMG_9396Work on the new house begins in the adjacent field.

IMG_9488A walk through the woods to the little house ‘next door’…

IMG_9425…and I return with Ryan and Brandon.

IMG_9435They remembered to check the trap – what mixed feelings I have. Success, and yet it’s a baby. Ich. I hate this business.


IMG_9440But the mood lightens as they smooch good old Thumbs Up.

IMG_9705What a laid-back chicken. Never had a friendlier hen than she.

IMG_9714At the end of a long day together, the boys and their mom head home. Big sister Ava’s going to take the long way, the others cut across the field.

IMG_9523Saratoga folks will recognize SPAC. Mom took me to see the dance company Momix. What a nice treat! Plus we were driven to our seats in an electric car – woo hoo! Using a cane has its privileges.

IMG_9522A little selfie of mom and me.

IMG_9519The ramps to the balconies. In my teens and twenties I saw a handful of shows here on the lawn. Doesn’t hold quite the appeal it once did.

IMG_9544Haven’t had a seat in the actual theater itself in nearly twenty-five years. !!

IMG_9562The whole night was a visual fantasy – impossible to understand how they could do such feats. The outline seen here is created through glow in the dark costumes… the rest was too fast for my low-tech camera to capture.

IMG_9616Back to the work site next morning. Now the well is going in. Impressive to watch, hard to conceive of 325 feet of pipe going straight down into the ground. I just hope this doesn’t adversely affect the level in our own well. Water tables are all connected, and new construction can sometimes have unforeseen consequences. (They ended up with 5 gallons a minute at 325 feet, the Studio’s new well got 8 gpm at just 85 feet. Plus we dowsed to locate the water. Ha! Feeling kinda smug.)

IMG_9643This job definitely requires finesse and skill.

IMG_9617And pipes must be welded on site as the hole goes down. All in all an impressive job to witness.

IMG_9483Wow, these guys are making fast progress. (The Studio’s dark red sign is visible down the road in the distance, just to the right of the machine.)

IMG_9609Shoot. Poor Azealia died last night. She liked to sit in this corner, and likely ended up sleeping here last night instead of roosting. She’d been moving slow all week. I even wondered if she needed a little extra care. But she had a good, long life. She was of Madeline’s generation. Only Thumbs Up and Specks are left from that era.

IMG_9647At least she died peacefully. She had the tallest comb of all. I buried her under the flowering quince bush along with her cousin, Molly.

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And then there were three…. Only three hens – one white, one red and one black – a rooster and a guinea are left after a flock of fifteen this past Spring. Lost almost all to the raccoons. Phooey.

I left to help neighbors with a move, and came back at 4:30 in the afternoon to find a huge raccoon on top of Bald Mountain – flushed with fear I laid on the car horn and the animal reared up and fled, leaving a dead-looking rooster on the ground. I ran to him, found him just laying there – and I saw tons of feathers everywhere… they marked the path of the struggle. It seems he was being a good and strong defender of his tiny remaining flock, giving the raccoon a good fight for almost two hundred feet. I picked him up, fearing he was dead (he’s Elihu’s very favorite), but saw he was still breathing. I checked him for blood. None. So I held him close, talked to him low, and just waited for a few minutes to help calm him. I returned him to the brooder pen for isolation, water and rest. The next morning his crow was that of a sick bird with laryngitis, so I figured his throat had been quite damaged by the attack. Happily I can report that he is now crowing almost as he had before, and he is bravely undaunted by the recent scare. I’m also happy that my other next door neighbor reported shooting five raccoons yesterday. He didn’t get the big one, so Baldy’s attacker is still out there, but nonetheless it’s a great relief. We just want to clear this particular corner of Greenfield so that our birds may live.

IMG_9672The hero of the day and Miss Thumbs Up beside him.

IMG_9794A portrait of our favorite two. The back end of Baldy’s comb was bitten off by the big male raccoon just a couple of weeks ago, but thankfully has healed well. (Note the silhouette of a hand in the thumbs up shape on our gal’s head. Facebook approved!)

IMG_9739Specks stands on my feet as she eats from my hand. She’s three and a half years old now. She’s a cousin of matriarch Molly, and the last to carry Molly’s gene for white. Hope to get some of her babies next Spring. But that is a long way off.

IMG_9751Love my Specks.

IMG_9663Giving Jemima an ‘enforced smooching’.  You’ve heard of the crazy cat lady. I think I’m on the edge of crazy chicken lady… Or maybe I’ve crossed the line. Not quite sure…

IMG_9604A happy garden with a happy hen.

IMG_9807A happy harvest of blueberries, some from our property, some wild from the field.

IMG_9799A happy home where all is done. At least for now….