There are a few things my son will likely remember me for long after I’m gone; a handful of annoying habits, some exaggerated facial expressions and hopefully, a couple of unique and insightful locutions.
Starting when he was teeny, I have always strived to condense matters, facts and various life lessons into concise, easy-to-remember phrases that when spoken will instantly conjure the matter at hand and remind one of the lesson to be learned. One of these such sayings is “Everything is a thing.” While its meaning may not be instantly gleaned by the reader, I think you’ll understand it easily enough if I expand a bit: I offer that within every seemingly commonplace thing or event, there exists a huge back story belonging to that thing; an industry, the thought and careful consideration of many human beings, and certainly the investment of time and money. To some certain folk, the mundane things we so easily take for granted may be the very cornerstones of their lives and careers.
You can take just about anything that is fashioned by the hand of man and find this to be so. The upshot of this idea? That one should take nothing for granted; the toil and thoughtful consideration of many of our fellow human beings are represented in every imaginable thing we enjoy or use. It’s easy to overlook how much was involved in the making of the chewed-up pencil which lies long-forgotten in the detritus of your junk drawer. But someone owns the factory which makes the little metal band which holds the eraser in place. Someone had to buy the materials to make the eraser, someone had to insure the trucks which drove the materials to the factory, and so on. One can take this tack with virtually everything on this earth which is not naturally existing, without the influence of man.
Years ago, when I was in the barfly chapter of my life, there was a charming neighborhood tavern I frequented in which a handsome young man with long, gently-curling, red-blonde hair tended bar. (He himself was not a drinker, and I often wondered how ridiculous we hard-drinking, hard-smoking patrons must have appeared to him as the night progressed.) It was a small thrill to watch him at his work, and as he was a kind and intelligent fellow, I wished I’d had a better opportunity to speak with him outside of the bar environment. One night I got my wish, and the young man agreed to join a small gang of friends whom I’d rallied to meet up after hours at the Green Mill Lounge. With live and top-drawer music every night of the week, there was almost never a bad night to stop in.
The bartender looked quizzically at me. He wanted a bit more information about the proposed destination, so I tried to explain. “It’s a jazz club. There’s live music.” He looked at me, appearing unsure of my meaning. “You know, jazz.” A light of some sort went on in his head and he responded, almost incredulously; “Is that the place where they do all that improvising?” Yes, yes, that was it! I agreed with great excitement by shaking my head; yes, that was it precisely! He looked almost pained at my confirmation. He shook his head to decline the invitation. “No, I’m not going. Nooo. I don’t like all that improvising“. I didn’t press the matter, the crowd was moving, and he couldn’t be talked into it. There was so much I wanted to add – I wanted to explain the context, the framework of the music so it might have made more sense to him, so he might’ve taken interest. In that moment I realized something: even though people may have some things in common – perhaps even a lot in common, culturally speaking – they can live in radically different private worlds. Jazz was a foreign country to him, but it felt like my home town. Something that acted as a cornerstone and primary identifier for my life was nothing but an annoyance to this guy. There wasn’t any point to trying to sway him, so I took my new lesson as a consolation.
From that point on, I have never taken any of my experiences or values for granted. And even though I may overlook things, or never truly demystify them for myself (case in point: I still have no idea how the game of football works; to me it just looks like a laborious, injury-prone and war-like game of chess which takes way too long), I still give these other worlds their due. When someone tells me they’re into something, or they collect something or play some game I know nothing about, I have a certain amount of respect for all that that might represent. It’s easy to take for granted all the time and energy that things take. Hobbies and careers alike require a lot of behind-the-scenes investment. And I try to make sure that Elihu recognizes that too. Thankfully I think I’ve been successful imparting that to him. (I myself have a lot of my life invested in that kid for sure, and lest anyone toss off the role of mother as a sidebar to a ‘real job’ – my child would certainly prove otherwise on that account!)
But not everyone does fully appreciate the value of another’s skills or accomplishments. The other day I had an adult piano student with whom I had the most unusual experience… He arrived at his lesson with an amp, a guitar, a huge boom box and a bag full of CDs. That much wasn’t so crazy; he was primarily a guitar player and wanted a chance to learn how to play on piano what he did on guitar. I got that. Seemed like a lot of work just for an hour’s lesson, but I’ve moved more gear for shorter jobs. But then the ‘lesson’ began to drag on, and almost three hours later I’d hardly given him any instruction, but rather we’d spent the time playing small parts of songs along with the CDs on the boom box (I had my own boom box, but it wasn’t substantial enough in his estimation). We’d essentially just been jamming on half-bits of songs, piddling around, getting nowhere with neither one of us learning much in the process. (I did learn that one of these country artists he liked chose to play a lot in Db, which I found curious.) He’d wanted me to have the boom box – on which great rings of red light flashed like an annoying karaoke machine in a bar – and he’d been most enthusiastic about giving it to me. I said politely that it was “too generous”, at which he agreed and said that we could just call it a trade. My heart sank to my feet. Food stamps were two weeks out, my ex’s payment was late, and I had a $50 tuba lesson in a few days’ time. What the fuck was I going to do? And how could I politely refuse this horrible machine that made it look as if a small spaceship had landed in my living room? I smiled my way to the end of my wasted afternoon and saw him out.
When you play an instrument – and you play well enough to join in pretty much any situation – but you don’t play like a virtuoso – I find it’s easy for people to take your skill for granted. They might think “you’re talented”, or “you’re lucky cuz it comes easy to you”, so therefore it’s no big deal. Something like that. As if you hadn’t spent hundreds of hours supporting that talent or skill. As if somehow, since what you did was “fun”, it wasn’t worth as much. It wasn’t in the same category of the necessary services like litigating, filing taxes or cleaning teeth. Here was a guy who’d somehow thought that because he was having such a good time, and because I was playing along so effortlessly – that somehow my time no longer had as much value. I don’t quite know how a person can come to such a conclusion, but how else to account for his oversight? He even left me with the request that I learn some of the songs on the pile of CDs he gave me. I lightheartedly suggested that he get a gig for us, and then I’d gladly learn them. He reasoned that you need to ‘work up the material’ before you book the gig. He was a nice guy, but he was missing something here. Everything is a thing. And this was my thing.
After stewing over it for a while, I ended up sending him an email. Cuz I honestly feed my son with my teaching income. I couldn’t overlook it. Happily, the fellow had had some similar thoughts in hindsight of our lesson, and he was more than gracious enough to not only pay me for the lesson, but to also tip me $10. That was very kind of him, and I told him how much I appreciated it. I got a little lesson about my self-worth through this experience, and I think he did too. Yup, sometimes there really is more to the story than one thinks at first.
I’d like to get myself a piano single gig this upcoming tourist season, but there’s a pretty good chance it won’t be happening. I’ll give it a try, but I have a good idea of what I’m up against now, and I’m still unconvinced I’ll land a job. Last year I’d made a pretty good effort, but in hitting the streets after so many years, I learned all over again how involved the whole process was. Again, there’s so much more to getting a job as a pianist and singer than you’d think; you must have dozens, if not hundreds of tunes ready to go. That means charts in your key (or charts on a tablet – that’s light years beyond my capabilities and budget at this point), it means gear, sometimes it means childcare (thankfully I’m out of those woods now!) and it means chutzpah, tenacity and salesmanship, not to mention the hours of playing and learning technique and theory. And these days, it usually means you need a nicely produced video of your performance too. Videos from over a decade ago won’t cut it, nor will your story about ‘taking time out to have a baby’. Nope, none of this will buy you an easier entree into this elusive world of the single, working musician. I suppose eventually one breaks down the barrier through sheer tenacity and a relentless drive – that seems to be the missing element in my method – but as of yet, I have not.
Nothing is every as easy as it seems upon closer inspection. Me, I’ve only ever been just good enough to play; I’ve admittedly used my ears and natural talent to cover me when hard work may have been lacking. And while I can sing and play, albeit in a rudimentary fashion, what we often call ‘jazz standards’ (which are really just pop tunes from the 20s thru the 60s which jazz instrumentalists have improvised over) I am not a jazz pianist. I can fake my way through some 2-5-1s (the chord progression upon which much of popular music is written), enough to get myself through a hotel lobby gig, but to hold that post all night at a singalong piano bar – I’m not so sure I could do that with unyielding vigor for a full three or four sets. Yeah, I could get there, and I suppose in a pinch I could possibly sub – but again, there’s a lot of infrastructure and time involved. Right now, my time’s needed in other places; I don’t have the time to make the proper investment.
There’s a joke about musicians that goes like this: How many musicians does it take to change a lightbulb? Answer: 100. One to do it, and 99 to say ‘I could have done that.’ ! Next time you hear a musician, stop and try to imagine yourself doing the same thing. Hell, next time you see anyone doing anything that you don’t currently do yourself, and ask yourself how you’d fare at the task. How comfortable would you be? How long would it take you to do the same thing with moderate proficiency? It’s easy to say you’d do it better than the other guy – but honestly, would you? Everything is definitely a thing. You can play guitar in your living room, but try doing it in front of a room full of people. Completely different. It takes skill to do anything well, no matter whether it’s cutting a lawn or writing a computer program. Everything is a thing – including all that other, unfamiliar jazz.
Here’s a link to Elihu’s performance of Ghost from Hamlet, which he performed last week at school, and again over the weekend at the Greenfield Talent Show, where he won third place for the same monologue. This too represents a good deal of unseen work. I myself don’t have a clue how or when he learned his lines. But I know they didn’t learn themselves! Proud Mama am I…