Never in my four years at the helm of this blog have I passed so much time in between posts. But there are many good reasons for such a break. Too many, most likely, to accurately recount here.
The digest begins like this: Two weeks ago the logging job stopped, and with it came not only the money from the harvest, but the work in earnest began on the Studio (thereby spending all of the windfall in short order.) The logging site was left with a lot more mess than we’d agree upon, and I met with the forester to discuss cleanup, a task I knew would be very hard to enforce once the big machines had left the premises. I’d seen the gear there on Sunday, but by the time I’d finished my early morning rehearsals at school on Monday morning, I returned not only to find every last piece of earth-moving equipment gone, but huge heaps of dirt, stumps and stone ringing the work site. So not what we agreed upon. But then again, they were there to get the timber, not to leave me with a squeaky clean parking lot. But still. One more thing on the list to make right.
Meanwhile, there were decisions to be made about materials and finishes and such, while daily life continued without slowing down. Lesson plans, rehearsals, paperwork for the Studio, meetings, meals and homework all kept going, much to my frustration. I’m not a great multi-tasker, and as such the past month has been a bit trying for me. Panic attacks have been kept at arm’s length (thanks to the miracle of Xanax I can avoid them almost altogether), and as if a perfect bipolar patient, I swing back and forth from one emotional extreme to the next several times in the course of a day. One moment I’m brimming over with hope and visions for a successful future, the next I wonder what in hell it is I think I’m doing here and I’m just about ready to take a job at McDonald’s and excuse myself from the whole affair. Exhausting stuff.
One week ago Elihu and I drove to Philadelphia to meet my cousin (my late father’s nephew), his wife, his sons and one wee one too. It was the first time I’d ever met any Conant relatives as an adult, so it was an important visit. My cousin also took us to hear the Philadelphia Orchestra – box seats, no less – where we heard not only Mahler’s 5th, but also a new concerto written for tuba (!!!). Serendipity came through for us after the concert and we found ourselves walking backstage, escorted by the composer of the piece himself. Elihu was beside himself with the thrill, and I’m afraid that I caused him no small amount of embarrassment as I lost my cool and fell into something of a star-struck stage mom in the presence of both composer and soloist. We chatted with the tubist, and offered to meet up with her again in the summer, when the orchestra (of which she is a member) makes its summer residency in our hometown of Saratoga Springs, New York.
For me the trip involved a lot of driving – more than twelve hours in the car for a brief, weekend stay (and with panic attacks threatening the whole way it was a bit more stressful than it might have been otherwise). But it was well worth it for the new relationship we now have with our family, not to mention the memories we made that will, to use the most trite but accurate expression, last a lifetime.
Since our return from Philly everything at the Studio seems to be happening without pause; decisions I might like to have labored over a bit longer need to be made ASAP; purchases, while modest, are still adding up to steeper totals than I’d imagined, and the reality of our lot in the wake of now-absent loggers still has me concerned. But it’s all good, as I must remind myself. Sometimes even hourly. I’m tempted to cry almost daily with all the money that’s going out… It feels surreal to live on food stamps and state assistance and then turn around and pen a check for several thousand dollars as if it were business as usual. I can’t wrap my brain around the discrepancy between the commerce of the new business, and the lack of commerce here at home.
In an effort to drum up some income (as well as play music again!) I’ve begun to make some plans. Since Elihu is now old enough to be left at home alone for more than a quick run to the convenient store, I’m starting to think about getting something together for the summer tourist season and actually finding some work. Breaking into the local ‘music scene’ (there really isn’t one – it’s just a summer extravaganza of wedding-esque cover bands) is proving to be much more difficult than I’d thought. In spite of knowing a handful of musicians, I can’t seem to find a single job. Not even a freebie – and Lord knows I’d be happy just to sing. My gear is as out-of-date and out-of-the-loop as I am, and my now-ancient (make that vintage) Yamaha S80 won’t cut it anymore, even if I should find work. (Yes, I do still have my Rhodes and Wurli, but those are in dire need of work and require an extra pair of hands to move.) The days of lugging a 70 pound board around – plus amp and gear – are just plain over. Some of my pro friends might pooh-pooh my desire for a lightweight keyboard with, gasp, built–in speakers, but that’s the way this gal is headed, I’m afraid. I found a candidate for a new board on Craigslist, and when this income-free week of Spring break is over and students resume, I hope to make it my new piece of gear. Let’s hope it ends up paying for itself in the coming months.
Sometimes it feels as if I’ve taken a giant hiatus from my life after having become a mother – and a single one to boot. When I stop and look at the stats, I realize that I haven’t worked as a musician since shortly after Elihu was born. That means I’ve been dormant for over a decade! Not that I have any regrets; being present for my child as he’s grown up has been a blessing that many are never given the option to experience. Yeah, being broke has been a drag, but even so, it’s been acceptable, because I’ve been able to be here for my son (plus, when in a true pinch, grandma has always had our back. The significance of that cannot be understated.) I have an amazing child in part because I’ve chosen to be with him and not farm him out to daycare while I grind out a minimum hourly wage. It’s all worked out ok thus far, but I pray things will be changing soon. I’m tired of just getting by. They say do what you love and the money will follow. God I hope. People ask me what my business plan is with the new place, and honestly, I can say that I still do not know. I know what I intend to achieve, but the hows are still the struggle. Lists are being made and ideas being created – and tossed out just as fast. Something will take shape, I know. Just not sure how. But whether I make music myself, or make music possible for others, as long as I can somehow glean an income in the process, I’d be the happiest gal around.
Today it’s Easter, and while this year my son may no longer truly believe in the Easter bunny (can’t help but think he maintains his belief to please his mum!), outwardly his show of enthusiasm doesn’t let on. Last night we watched the old 70s TV special “The Easter Bunny’s Coming to Town” (with Fred Astaire narrating) and today we quoted our favorite passages from the show as we dug into our colored eggs. To my chagrin, when his little half brothers called this morning, they had Elihu turning the house upside down for hidden eggs, which the Easter bunny had not bothered to hide at 3 in the morning when he was filling the basket. The Easter bunny can only do so much. ! And now, I think my kid gets that. But no matter whether he believes or not, it’s still been a special morning for us. We’re both happy to be at home, together. That makes it a good day, no matter what.
Soon we’ll gather the last eggs from the coop for the incubator, and after that we’ll take a long, leisurely walk around the property. We’ll visit the fox’s den in the side of the hill, we’ll check to see how little snow is left in the shady spots, and we’ll see how our mom-and-son cairns by the lightening-struck tree have weathered the years. We’ll shore up the piles of rocks, agree that it was a fine walk, and head home to await an evening meal with grandma and Uncle Andrew.
I’m not sure how things will pan out in the days to come, but today I’ll try not to worry too much about it. Instead, I’ll continue to do what I’ve done for the past ten years of my life – I’ll enjoy watching my son as he makes his way through his childhood and towards his future.
The hall, gorgeous; the Mahler, rich; but Carol – beyond anything he’d expected. Elihu was simply transported. He loved the piece, and he was given a new appreciation for the virtuosity needed to play such music. Suffice to say he aspires to much more than the common polka these days. Thanks, Michael and Carol.
Chatting backstage with tuba soloist Carol Jantsch and composer of “Reflections on the Mississippi”, Michael Daugherty.
Philly by the light of day. I was interested to learn that the sculptor of this famous bronze figure of William Penn atop the city hall clock tower was by Alexander Milne Calder, the father of modern sculptor Alexander “Sandy” Calder. There’s even a plaza which is home to works by both father and son.
Sadly, I saw this hairy woodpecker being hit by a car. He lived long enough for me to bring him home. We admired his beauty, then buried him along with our other birds under the flowering quince bush.
Happy Spring to all our friends around the world, and may good things blossom anew for each and every one of you.