Xmas in NYC

Posted in An Ongoing Journal...2 Comments

This, I suppose, may be counted as a true diary entry…

Yesterday I returned from a brief two-day trip to New York City with my son. For me, it was absolute perfection.

Elihu and I had made no plans ahead of time, save to visit with our friends. That in itself was the real reason for our excursion; the four of us enjoyed two wonderful dinners followed by long, unrushed and deeply engaging conversation. I awoke in the middle of the first night to the sounds of the street ten stories below and enjoyed a dreamlike and reflective moment of being there again, in a place so different, yet a place where I felt so at home. It restored my spirit for me to be again with our friends, for me to be again with my son.

When Elihu and I arrived in Manhattan mid afternoon on the first day (I’d met him at his dorm in the morning and we’d taken the train south to the city), we walked through densely populated sidewalks to visit two brass stores near the station. The first place was cold and stiff. Elihu was able to try out instruments, but under careful watch, and he was closely timed. When we inquired about the ‘other’ brass shop in the neighborhood, the manager flat-out lied to us, saying it had gone out of business. We decided to walk the few blocks anyway, taking our chances. The shop was still there. It was a true mom and pop store in the midst of the city. It was funky and full of amazing instruments – and lots of soul. A shop cat slept in the chair, and the proprietor himself was at the bench doing repairs. Elihu tried out pocket trumpets, mellophones and tubas at his leisure. We left having made a new friend in the owner.

On our second and only complete day in the city, my son and I walked through a few neighborhoods in the vicinity of Little Italy, afterward going uptown to visit the iconic Christmas tree at Rockefeller Center. In Chinatown we stopped several times in search of some hot tea and an opportunity for Elihu to speak Mandarin, but as it turns out, most of the population there speaks only Cantonese. Not the same at all, and so we didn’t have the ‘in’ we’d thought we would at the local places.

Nearby Katz’s seemed a natural choice for lunch, but we were quite surprised to see a block-long line (in keeping with the ‘Disney-esque’ and touristy character of this current NYC), so we passed in favor of a Middle Eastern place across the street where Elihu surprised me with his ability to chat rather easily in Turkish with folks at a neighboring table. (His ear for languages and his ability to jump in and try them out is truly impressive.)

The two of us enjoyed that sort of ‘knowing’ that only good friends share; we exchanged smiles at many snippets of overheard conversations. Passing Rockefeller Center, we burst out laughing when we heard a guy with a thick New York accent remark as if completely surprised, “That’s a friggin’ big tree!” We heard Tony Pots n Pans playing the grooviest stuff ever on his junk drums and a street guy enthusiastically calling out “Feliz Navidad” in well-timed intervals while a trio of hot young women danced… We witnessed so many beautiful moments the likes of which can’t really happen in any other place. Our brief visit was a delight.

On the second morning I took my final look at the loft I’d known for so many years, and I said my goodbye to our friends and then to Elihu. On the street, I took a last photo of the building, blew a kiss, then headed to the subway uptown. At Port Authority I got on a Greyhound bus. The window seat was comfy, the day was gray.  Elihu and I exchanged some texts, and I learned that he was on his plane at Newark, and they were about to taxi. Soon he would be at his father’s home in the Midwest.

I read a book, checking the map every so often to see our progress. I marveled over the stone walls running up and down hills through the woods we passed, I craned my neck to catch a glimpse of the Catskills to the west. In just a few hours the bus arrived in Albany, where I forgot all about my Lyft app and accepted the offer of a hustling cabbie for a ride back to my car at the train station across the Hudson River. As I got onto the Northway it began to snow, and when I arrived at the Hillhouse, a dusting of white covered the ground.

A few hours later mom and I went to dinner at a friend’s gorgeous historic home deep in the Greenfield woods. A fire burned in dining room’s hearth and the long table was beautifully decorated with an elegant red and white table runner, red glass plates and antique crystal stemware. Candles flickered in the windows. We arrived shortly after the guests were all seated, so it was a surprise when the hostess received us with a champagne toast of greeting, all of the glasses raised to us. I sat at the table, looking at all these folks from my small town whom I’ve known for many years now, and I marveled at my amazing fortune. From city to country in one day – from one loving reception to another. Amazing, really. For a woman who often laments her plight in life, I can’t argue that my life is a good one.

On this Christmas Day, I know very well how lucky I am. I don’t always feel as if I am – but I always know that I am. I saw a lot of poverty in New York City. I saw homeless people sleeping in awful places, I saw unwell people in dire circumstances. For every moment of joy I experienced, I witnessed another person’s tragedy. And I cannot begin to make sense of it. There is no sense to be made. This is an unfair and unjust world. And I don’t think it will ever change. But what I do think is that we can kind and helpful to other humans. That is the only certain way in which we can improve things. Help as we’re able, encourage as we’re able.

Although I don’t personally hold any religious beliefs about this holiday, what I do believe is that this is a time when people’s hope for a better life supersedes all else. When all people – housed and unhoused, well and infirmed – choose to feel a sense of hope and possibility.

Merry Christmas to all, and may hope continue to live in your heart.

PS: It was 37 years ago today that I went on my first date with Elihu’s father. Who could ever have guessed how that one night would change my whole life? I am sometimes sorrowful things didn’t go as expected, but mostly I am grateful. What a strange world this is indeed.

Gedenken

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I’m fairly sure the Germans have a word for it. They are good at unapologetically mashing together a bunch of words, thereby making a whole new word which more perfectly describes some phenomenon. At the window just now, looking out down the hill and over the tops of the trees, a feeling washed over me. I lingered in it, trying to feel it as deeply as I could. Trying to understand it as best I could.

I was kneeling on the floor by the Christmas tree, looking out of the picture window in the living room. The sun was bright, and it highlighted the cobwebs and the dirt on the window frame. The grass outside was resting in matted clumps; I haven’t had the money to cut the lawn in years. These days the property reeks of neglect. The decaying wooden window frame and the cracked pane of glass itself, held together only by a sheet of tinted cling film confirm that too. On the sill there rests an antique glass bottle with a garden of moss and tiny ferns inside. Years ago, Elihu and I came upon it on a winter walk in the woods. It is as captivating and mysterious now as it was when we found it. It’s been there for ten years, a tiny universe within a jar, continuing somehow to live. Getting dustier and dustier.

As I sat there, I was caught up in this feeling of acute sadness mixed with a sense of expansiveness. It’s hard to convey. One moment without end. Loneliness and dust and sunshine and silence. But I recognized this feeling; I’ve had it in lots of places. What is it about? It’s not quite sorrow, it’s not entirely unpleasant, but it hurts just a bit to feel. It’s a certain sort of aching. It feels as if I’m missing things – and it feels as if I’m also resigning myself to that missing. 

My house – at least the living room – is a very cozy place, especially so at this time of year, with the tree and candlelight and lovely decorations, and it has an effect on everyone who visits. When they enter the big room, people sometimes sigh or pause for a moment. Some even open their mouths. The living room here is a beautiful country sanctuary at Christmastime. And for the most part it does the job; it helps me to forget how lonely my life is, it helps me to forget that my best days are now most likely in the past, it helps me to forget that one of the major remaining events in my life will be my mother’s death. For a few weeks of the year, it is a very pretty distraction. And while I’m grateful for this space, sometimes it makes the contrast between the now and the never-to-be even harsher. I’m missing something, I just know it. But I just don’t know what that is.

For me, writing helps soothe the aching. It helps me to believe that all this longing-for-what-I-don’t-know isn’t for naught. You know, the old writer’s idea that every experience, no matter how crappy, is worth it simply for the sake of the story. So. Here’s the story – only it has no ending.

Even when I box up all those family treasures in a few weeks, turning the corner into red and white Valentine’s Day decorations, the ache won’t dull. In fact, it will become more acute as I wrap the ornaments and strip the mantle of the pine boughs. There will come again that one afternoon of the heavy heart. There will be the empty room, and that annual moment of reflection. It happened again, and it has gone again. I’ll stand there, hands on my hips, taking in the room now vacant of decorations, with pine needles and ornament hooks scattered across the floor, the only apparent color being the brown of the couch.

I wonder at all my fellow western-world humans who, like me, haul out the decorations each year, install them and then pack them away. They too must have those moments of rumination – coming upon old family trinkets and remembering again the stories that go with them – they too, like me, must feel a sad sort of “what now?” feeling in their stomachs when faced with an empty room afterward. It’s not just me, I know it. Anything I can possibly think or feel is certainly not novel or new.

As my son grew up, he spent all of his Christmases, save one, with his father. Alone in the house on those Christmas mornings, I’d look out the big window at the hills in the distance and wonder at the scenes going on at that very moment. Exhausted parents, shrieking and delighted children, living rooms covered in a sea of spent wrapping paper. I remembered how it was when I was young. And it was all going on right at that moment – somewhere out there. On the one year that I did have Elihu with me, it was so cold and lonely (literally, we were low on heating oil) that he actually cried. On Christmas.

The sun is now on the other side of the house, and it helps tone down the ache. Not sure why. Maybe it feels closer to evening – helped by daylight savings time – and that makes me feel like I’m closer to the nightly respite of sleep. Only that’s not really true. I have mixes to listen to and corresponding notes to make. I have original songs I need to revisit and relearn. I have a few shows to book and folks to call. There’s a slow leak in my tub drain and the basement sump pumps are in constant use, so I have to find a plumber. And I will make myself get to the gym. I’ve been good about that recently, no sense losing my momentum. No students today; I’ve been given the gift of time, and I’m going to use it well.

Day after tomorrow, Elihu and I are taking the train to Manhattan. We’re going to stay for two days with some dear friends for a final time in their Soho residence. They are retiring soon and moving to far-off Utah. This brings to a close a thirty-plus year history of visits. Ages ago, when I was a touring musician and performing in the city, I’d sleep on their floor. We remained friends, and long after the bands were over and after I’d begun the single mom chapter, my son and I continued to visit. After Elihu returned from a trip to Europe a few summers ago, he found his way to their home first, before heading back up north. There will be no more landing pad in NYC now, but that’s a minor loss compared to the fact that I can’t be sure when we’ll see our old friends again. I am going to savor this final visit. By Christmas, just five days hence, Elihu will be in the Midwest with his father, and I’ll be back here, alone in my cottage in the woods.

Before I know it, this eagerly anticipated visit will become just another memory. It’s enough to inspire a wistful sigh. I suffer a tiny heartbreak at the thought. But that’s the way it works here on this mortal plane. Expectancy, experience, memory.

The passage of time – or rather the unceasing forward movement of it – can be a blessing or a curse. If one is in a bleak situation – in jail, in a hospital bed, in a nursing home – passing time is itself a challenge. When I broke my neck as a young adult, I spent two months in a bed, unable to move. The wait was grueling. The boredom was maddening. Time positively dragged. These days, while I’m not entirely thrilled about being here, I do realize I’m in a unique and valuable spot. I am filling the space with songwriting and performing, which is good. At the moment, there’s no end in sight to the material; there’s always something waiting to be created. And if I apply a small bit of discipline, it means that I not only have something to show for my time, but it also passes more quickly – in fact I reside in a timeless place when I’m creating. I like that.

The feeling that inspired this writing has dulled now, and now the urgency of my to-do list has begun to tug at me. The out-of-time thing has once again taken place during this writing session, and now I see that it’s later than I’d realized. Or later than I hadn’t realized.

My takeaway from this on-paper rumination is simply that which all of us know, but seldom consider too deeply. Most of our lives are simply made up of memories. And with every forthcoming moment we have the opportunity to make another one. Memories are the only things during our lifetimes – be they accurate or self-tailored to suit our needs – that remain.

So, it’s time now for me to loosen my chair-stiffened joints and get going. There’s much yet to remember ahead.

Ambiverse

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Yesterday, my 88-year-old mother and a friend drove north into the Adirondacks. Essentially, it was a leaf-peeping trip, but along the way they visited the lakeside house where my father’s family had summered from the nineteen-aughts through the sixties. It was the house where I was conceived in August of 1962.

About a decade ago, I took mom and Elihu up to the Severance home. No one was in the main house, so I searched the grounds for the owners and found them having a large family gathering in a screened outbuilding. The owner happily gave us a relaxed tour of the house. He enjoyed the stories that mom recounted from more than a half-century ago. I enjoyed seeing the rooms and matching them up with my father’s stories. I spent a moment at the top of the stairs, imagining that young boy, long past his bedtime, sitting there listening to the eruptions of grownups’ laughter as they sat downstairs playing pinochle. But my biggest curiosity was to see the room. Easy enough, it was at the top of the stairs. A cozy bedroom under the gable that looked out and over that grand, descending lawn and the lake beyond.

When my mother and son and I stood in the room together, I felt the closure and completion I’d been after. My existence had begun in that room, and, as a result, Elihu’s life had begun there, too.

My son’s life had also begun in a lakeside retreat, one with a similar view (Torno, Italy). Like this place, the site of Elihu’s conception was also high above the nearby water, and on the south side of the lake. If you were to examine a map of each location, they look incredibly similar. My son and I both began our lives lakeside, looking out to the mountains beyond. This is something I very much like to know. Somehow, it grounds me.

A massive new house now sits too close to the driveway, and a few small outbuildings appear to be missing. The house itself has been painted, it is no longer pale yellow, and the shutters are now blue. The immense tree in the turnaround of the driveway has been taken down. It seems there has always been a tree there; it does make perfect sense. But new money doesn’t always abide by those classic rules of balance and aesthetics. No matter, it’s under the care of someone with resources. That’s the key to a building’s survival. The place may be changed in many ways, but it still exists. The phantoms of the home as it once was still hug the new periwinkle shutters and bare front yard. My father still lives there as a five-year-old boy bringing barn kittens into the house. The Confederate General and his family still live there, slightly dazed at their new Northern environs, but finding enjoyment in the cool waters and pine-scented woods, nonetheless.

These days I feel I am living in an in-between time. Things are this – and at the same time they are also that. My son is in college, closer to graduation than high school, yet he is close by, and I am able to see him fairly regularly. My mother, although visibly aging into frailty, is still living her own life, driving to the Adirondacks, regularly reading The New Yorker and feeding her outdoor wildlife friends each day. I myself look young enough to fool people about my age but am old enough to feel the oncoming infirmities. This and that. Both, at the same time.

Sometimes I feel as if I’m waiting for the other shoe to drop. Or at least the next chapter to identify itself. Lest I sound as if I’m complaining, I wish to say that I am not. I am simply feeling a little off – a little out of my body, a little unsure as to what it is that I am. My roles have always been fairly tidily described. But now, these days? I’m kind of in a nether role. I’m not a caregiver anymore. Not for the kid, and as it stands right now, not yet for mom. I’m in a rare place, this I know. And so I’m filling the space. And filling it easily.

I’ve begun to write songs. And while it may seem a mere hobby – on paper it would satisfy that definition – it feels to be more than that. A tiny spark ignites inside my chest when I envision writing songs and performing them. And then, if I imagine a band behind me, it gets so exciting that I don’t dare explore it further. It would be too big a disappointment if I began to care too much about that particular outcome, never to see it happen. But then again, why the hell shouldn’t I dream? Is that not what leads to creation? Have I not played behind dozens of other people who themselves had the conviction of self to assemble a band in support of their own vision?

It appears to be time for me to step up. And I am in the process of doing so. Step by step I am beginning to ascend. Or, as a band leader once put it to me, I am, to use his words, beginning to “ramp up”.

About a year and a half ago I had a rapturous musical experience which was followed quickly by an excruciatingly difficult period. I lost almost half of my hair due to the stress that it caused. I stopped working out. I started eating and drinking way too much. Then I suffered a back injury. After six months of brutal despair, I knew only I could get myself to a better place. And so I began to work my way up in the only way I saw available to me. I began attending open mics in search of a new musical tribe.

The open mics were challenging to endure, especially in the beginning. Long slogs through dozens of bad musicians playing done-to-death songs on out-of-tune guitars. Yet I tenaciously continued to attend open mics everywhere – even in Chicago – fascinated by the hard and earnest work that so many people were putting into their performances, even if, at the end of the day, they were far from performance-ready. I also went to the open mics on the hunt for the gems – the sleepers, those magic songwriters who stop by to work out a new idea, or who are there to fill a night because they’re passing through town… (That’s a bit of a fairytale outcome I now realize – although at the Caffe Lena open mic I actually have heard and become acquainted with a few “real” artists.) On the whole, there were no sleepers. The “real” musicians and songwriters were out playing real shows.

Tiring though they may be, the open mics have been a very important step in my ascent. They give me an opportunity to test this new skill of songwriting. They provide me with a goal. They provide me with feedback and input. They have opened doors for me to do my first solo shows. They have been a necessary step on the staircase ahead of me. They are a great tool, to be sure.

The first song I wrote was born of sheer need. I was going mad. Bereft and alone, without son, prospects or piano students, I pulled my keyboard outside into the sunshine on a late summer day because I had nothing to lose and no reason not to. Moved by the dire situations of two dear friends, I began an aural contemplation on the whys of it all. And by the end of the day, I’d written my first song.

It feels a bit naïve to actually call myself a songwriter at this point in my evolution – I only have about 30 songs completed and ready to perform – but I feel as if it’s a really perfect tool of expression for all the interior stuff that’s going on in my head right now, and it tugs at me daily. And at this time in my life, when I am not distinctly in my middle-aged years nor yet in my truly aged years, it seems to be a sweet spot for this new adventure to take place. I can still carry and setup my gear, I’m able to offer enough interesting covers to fill some single jobs, and I can perform a few sets of well-written original songs decorated with plenty of charming backstories.

Panic attacks still tap me on the shoulder and threaten to reappear, but I’m working on it. Silencing the self-sabotaging monkey which pulls me out of that place where I need to be in order to perform well should be handled by now, but it is not. I’m working on it. It is getting better. And I also gotta slow the fuck down when I talk. These things I know, and I practice every chance I get. I’m deeply appreciative of all the time I have to write and all of the opportunities I have to perform – and to work on telling that monkey who’s boss. I’m trying my very best to ramp it up.

I’m no longer at the bottom (although I’m not even sure if I know where the top is). What I do know is that I’m somewhere in the middle of it all right now. I’m en route.

And even though I’m not “there” yet (and I do fully realize that “there” may well simply be right here and now), for the sake of naming things in a physical world where we organize our lives through time and accomplishments, let’s just say that I am definitely on my way to a new place.

For now, I reside in the ambiverse.

To my friends near and far, you can watch my upcoming solo set at Caffe Lena (here in Saratoga Springs, New York) through their live stream. The show is on Sunday, October 29th at 7 pm. I’m up first, so tune in close to 7 EST for my set. Link here.

You can read a sampling of my song lyrics here.

Project

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When my son Elihu was four months old I had a thought. Quite literally, it went like this: Omg, I can’t wait til this project is done. Kinda feels like it should be wrapping soon. The way I felt about my child was, internally, the same way I had felt about making a record. You write, arrange, record, and then it’s done. When I realized that my child was not a recording, I was flushed with an urgent sense of panic. Wait – what? When exactly was this ending? Wait – this was not a project! Holy crap! This was forever! This was an actual human that I was in charge of! I was deeply surprised at myself. How was it that I’d never thought this through? I was filled with fear of the most urgent kind.

(When I was in labor – at home in my bed – and my doula was trying to help me, she dangled a onesie in front of me as some sort of enticement to hang in there until the reward came. I remember thinking – what in hell is that for? Lady, that piece of laundry means nothing to me. Don’t distract me (what was I doing again and why?) and my god, please let’s get this thing over already.)

Clearly, I have never been much of a planner.

Now, twenty years later, thinking back on my panic at the realization that my infant son was a life-changer and dependent entirely upon me, I realize from a new perspective that the project has been satisfactorily concluded, and finally, the post-release tour has ended. The content is good, and it’ll have a long and robust shelf life. But the job is done, and I’m free to move on to other projects – smaller ones with less on the line. Things I can see begun and done without waiting two decades. It’s a good outcome, and I’m deeply grateful for the freedom to embark on new endeavors. Even so, it makes me wistful, living here in this empty house with the uncut grass waving all around it… But I’m too tired to become teary and nostalgic and wish it otherwise; I’m feeling my age and thinking to myself that I made it just under the wire.

Sometimes I cannot believe that I got us both through that passage. And I can tell you, it was a hell of a lot more work than making an album.

My energy has been drawn elsewhere the past few months, as evidenced by the longest-ever pause in between essays across the twelve-year history of The Hillhouse. It strikes me a bit incongruous that at a time when I’m not on the hook for driving a kid to and from school, when I don’t have to make meals every day or shuttle tubas and airplanes around – a time when I’m merely accountable to a handful of piano students – I find myself feeling short of the time I need to get my creative projects completed. When I was working and being a mother, I was still able to find the time to write essays, and yet now, somehow, I’m just not. Only so much time, only so much energy. I’m using both those commodities in other ways now.

It may surprise people to learn this, but I have never written songs before this year of my life. Took me sixty years to get around to it. I’m good at creating parts – good at arrangements and decision making, but I’ve never been the one doing the creating. I’ve always been a sideman. And now finding myself twenty years on the other side of my life’s main project, I’m learning that the whole world works differently than it used to. Plus I’m not young and cute. Yeah, that stuff has currency. Things really do change.

Songwriting is interesting to me; it serves primarily as therapy (why is it that the folks who really could use therapy the most are the least able to afford it?) and it also creates something which I began to feel a need for as I entered the open mic culture for the very first time: new material that hadn’t been done to death. You could say I began songwriting out of necessity. And now that I’ve started – I can’t stop. It’s crazy to me. I’ve become a prisoner to this process now. Ideas come to me in the middle of the night – usually my most productive time is from 5 am til 10 am – and I’ll sing them into my voice memo. Then the work then begins as I cull and piece together ideas. It becomes sort of like a puzzle. And until now, I’ve always hated puzzles. But this challenge is different – it demands resolution. But man, the content is often primitive, and I can’t help but be self-conscious about the quality. Some songs come together quite nicely, but most of them don’t. It was so much easier all these years to offer my opinion about content someone else had already slaved over. Oy. Who knew? Not me. Like I said, I’m not always good about thinking things through.

There’s a new adventure emerging now. I’ve already done a few solo shows and have a few more on the books. I’ll be participating in a local songwriters showcase soon at Caffe Lena, here in Saratoga, and that’s kind of a nice way to mark my first calendar year of writing songs. I’m realistic enough to know that I’m not an established artist, nor will I be at this point, and that in this culture I’d be hard pressed to carve out a living room tour even if I were, but it’s not a deterrent. In fact, it’s sort of freed me up not to worry too much about the outcome and instead enjoy these new experiences.

I admit to feeling a good deal of conflict about spending so much time on something that will never net a penny, but I’ll just have to sort that out myself (it is therapy, after all). I hadn’t seen it coming, but it’s here. Songwriting appears to be my new project. And I’m not even sure when it’s gonna end. But some things you just can’t plan.

And now for the diary portion of this post:

Elihu is doing exceedingly well, living and working (with a salary and not a word of English known by a single coworker) in Tianjin, China. He has traveled a lot – covering a country as large as the US, visiting different climates and navigating through a variety of regional languages and hard-to-understand accents. I am SO grateful for the blessed satellites which allow us to enjoy two-hour long conversations which cost us nothing. This is a far cry from the days when a mother saw her child off on a ship never to know of their whereabouts or well-being. I am deeply satisfied in Elihu’s personal successes. I am happy that he still feels me to be a friend, that we can cover such a wide range of subjects in our conversations, that we two can find the same things funny, the same things fascinating.

Blog Slog

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If I wrote for a column, or if my material appeared in printed and/or published form, I doubt it would be thus. But as it is, my writing is relegated to the status of “blogging”, and my writings are not considered to be essays, but rather, they are called “blog posts”. An uglier word than “blog” cannot possibly exist. Nor could a piece of writing be held in any lower regard than the common blog post.

The notion that people who blog (I disdain the use of this word as a verb) struggle to create content is maddening to me. If you don’t wake up in the morning bursting with “content”, then do something else with your time! Write because you desperately wish to express yourself, write because you have a need to communicate and share witness with others. Write because you have insights to share with your fellow humans. Creating content for its sake alone seems like pure insanity to me.

When I am called a “blogger” it becomes easy for people, including good friends, to disregard my posts as mere entries in a diary. And even though they may indeed serve to chronicle my life’s events, my writings are so much more than that. But, for the sake of argument, let’s say that they were merely mundane journal entries – even if this simple estimation of my writing was considered to be true – how is that not of some interest? I personally believe that diaries can be wholly captivating.

From time to time, I myself enjoy going back over archived posts and re-reading them. Recounting Oscar Wilde’s words about his own diaries helps to restore my spirit, for I tend to agree with the man: “I never travel without my diary. One should always have something sensational to read in the train.” Indeed.

Here comes the diary entry:

Elihu is living in Tianjin, China for the next several months. He’s enjoying his post at an aeronautical engineering company which makes drones. He has found his tribe. His boss understands Elihu’s talents and skills and gives him opportunities to use them well. Now past the first exhausting few weeks, he is beginning to fully explore and enjoy his new environment.

In that China is such an enormous country, there are many languages spoken there; Mandarin was chosen by the government as a national language so that its many citizens could communicate with each other. Elihu’s four flat mates speak Mandarin as a second language just as he does – so you can believe my “little linguist” is busy trying to add a few more languages to his list. Eight and counting….

Thanks to WeChat, Elihu, his father and I can communicate instantly. This is what frees me from undue worry. Elihu and I sometimes chat for a half hour, as easily as if here were here with me in the kitchen. Having this window to another culture is fascinating – it’s such a rare experience!

My son has created a wonderful life for himself. And as his world expands, so does mine. Proud and grateful mama am I.

Big B Day

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Today is my 60th birthday. Throughout the past few months I have experienced a slow, burning sense of dread about becoming this old. Feeling keenly the paradox of finding life in and of itself a pure win, and yet at the same time feeling inextricably trapped in a nightmarish scenario of decay and irrelevance.

Strangely, yesterday and today I have been covered in a sort of calm. It’s a new feeling, not intense or forward in my thoughts – but instead, running in the background like a maintenance program. I have not experienced anguish or lament at reaching this landmark birthday, but rather I have been feeling a general sense of peace these days. This is new to me, and unexpected.

I am a vain woman, and it would be silly to deny it. But I am also an insightful woman. I counterbalance my vanity with the awareness that I am vain. (Not that it gets me off the hook entirely, but I offer that by way of partially absolving myself of that distasteful character flaw.) But as things feel from where I sit in this moment, I care less than I have in the past. Sure, I don’t want you to see me in full light with a great lens, but if you do – it won’t slay me anymore. Cuz my turn at youth is up. I get it.

It’s not as if I won’t still play the game – I’m still a vain and insecure person – so I’ll play it alright. But somehow, today, it doesn’t feel quite the same. It just doesn’t feel that critical, that urgent. I’m 60, not 40. Not even 50. Nope. I’m older. And it is what it is.

To tell the truth, what I’m feeling is a sense of freedom.

I don’t believe an outlook can truly change in an instant, or on some landmark day, and yet I can honestly say that I’m feeling differently right now than I would have expected. Feels kinda like I just don’t wish to hold myself accountable to standards that I simply can no longer meet. You know, the physical ones. Cuz things are different now. They really are. In just the past three years I’ve felt a decline. I can’t fathom cleaning up my five-acre property the way I did in the past. It’s beyond me now. I can’t reset the stones and hardscape like I did a decade ago. I’m not confident about cleaning my own gutters anymore. I know that I’ll never ride a motorcycle or handle lines on a sailboat again. These things do kinda break my heart, but I also know that I’ve had more than anyone’s fair share of great experiences. I can move along without regret.

My son is on his way to China for the next four months, a dream of his come true. My mother and brother live next door, and I am doing relatively ok. I’m poor on paper, but rich in life. I have a handful of dear friends whom I love, I have a beautiful baby grand piano and a huge picture window which faces the distant hills. I’ve got it good. So I’ll just take what I have and hold it dear.

Thank you, mom, for bringing me into this adventure, and for giving me everything I needed to make this life a pretty good one. I hope I’ve done the same for my kid.

Happy birthday to the spring babies of the family, Elihu and me.

Music Monster

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Melissa Ferrick at Caffe Lena in Saratoga Springs, New York

The size and complexity of the musical world blows my mind.

Genres and styles seem to be as numerous and varied as snowflakes. Just when I think I have a handle on things – at least within the parameters of the current, western culture in which I reside, and that I can organize in some satisfactory way the musical world as I know it today – I’ll learn something new about a subgenre, a style or a trend, and I realize it’s not possible. The musical world – even my tiny corner of it – is too big to fully understand.

In addition to my amazement at the boundless forms in which music exists, I am also fascinated by what people seek to get from music. It serves so many functions, and within those functions, so many aspects of music are valued in such different ways. I am endlessly curious about people’s motivations for listening to music. What on earth moves them?

Last night my own feelings about what’s musically important to me became clearer, and as soon as I got home, I began to digest my thoughts…

This evening I went to hear songwriter Melissa Ferrick at Caffe Lena, the iconic local venue here in Saratoga Springs, New York. My former husband produced what I believe to have been her first EP demo – the recording that came before her successful career began (starting on Atlantic Records), now over thirty years ago.

As I listened to her set, I observed the audience with care, as I do at all shows. I always note the reactions, whether folks nod or sway to the time, whether they mouth the lyrics, whether they sit stock still, whether or not they applaud or shout. It was fascinating to me how many folks didn’t move an inch as they listened. I’d say maybe five percent moved visibly. Melissa’s stuff is, as one would expect from a songwriter, mostly about the story, the choice of words. As I listened, I couldn’t help but think that the folks there present – as with folks who gravitate to singer/songwriters in general – didn’t seem to care so much about the groove or the harmony. Maybe even the melodies weren’t of top priority. They seemed to care primarily about the sentiments expressed. I imagined that they were listening for the language and the poetry. Listening for connection through story.

For me, that’s secondary. A clever lyric always impresses, but I don’t really want all that storytelling. (Says the woman who’s penned nearly 700,000 words of her story over the past decade.) And as for the nuance, the poetry? There’s a deficiency in my character, I fully admit it, because I don’t have a need nor the patience to listen for it. (I do enjoy reading poetry, however.) When I’m listening to music I’m wanting primarily to be soothed, to be taken to a place of ease and deep comfort. My objectives cannot be met by an evening of music consisting of essentially the same four chords with very similar voicings. For me, the story alone is never enough to carry the same predictable harmony, over and over. If I want a story, I’ll go hear someone read one. (I usually get a lot more enjoyment from the stories that come in between the songs than come from the songs themselves.)

Please understand that I know Melissa is a super-talented showman and songwriter, and her relationship with the crowd is beautiful. She’s top tier stuff. And her rhythm, her time? Her style of playing is built on it. Her groove is rock solid. Melissa is an all-around stellar human and badass musician. (But in light of how few in the audience were nodding in response to her time, it seems to confirm once again that for them, groove still takes a back seat to story.) Yet somehow – and I cannot quantify exactly how – it didn’t move me the way it did all those people there. Maybe it’s because I have no history with her material. I don’t know. Her set was a great thing to behold, and what she possesses is rare – and I’m glad I went, for sure – but on the whole, I don’t need a lot of solo singer/songwriters in my life. A few shows a year by great talents like Melissa will do me just fine.

There, I’ve said it. It’s been on my mind for decades. I’ve always known it, but I’ve never shouted it from the rooftops before. But now I am ready to declare that I am, musically speaking, a snob. Perhaps I’m even a bit of a simpleton. I want music to wrap around me like a warm blanket or tease me like a lover. I want to feel about a groove the way I do about a fresh, hot slice of thin crust pizza with just the perfect amount of char on the bottom. Oh dear God. That’s the good stuff I’m after.

I like things the way I like them, and at this point in my life I don’t wish to spend too much time trying to like things I pretty much know that I won’t. I’m always up for listening to something new, and I’ve probably spent more time critically listening to a far wider variety of music than most folks I know (thanks to my father, former husband and son and their huge combined musical orbits), but I no longer wish to give over hours of my time to music that I don’t really love.

Instead, I’ll take any form of Bach you have, I’ll take harmonically and sonically rich tracks of any genre, a few clever lyrics – then add in a handful of impeccably tasty sessions at Daryl’s House and I’ll be good. On the drive home I might want some hair bands to push me through those long, dark highway miles, and when I’m driving into New York City I’m gonna need my Cuban grooves on the way down and some deep R&B cuts on the way back. And when I can’t be soothed by tasty and tidy pop tunes, give me some straight-ahead jazz, the stuff that scratches the itch like no other musical form. On a fine fall day I might need to hear the sweeping expanse of a Mahler symphony. And on that first warm day of spring, I’ll definitely need some vintage Allman Brothers playing (with all the windows down) when I’m driving through Greenfield.

Metaphorically speaking, I listen the way I eat; the meat isn’t important to me, the sauce is. All I’m after is the bread and those sexy flavors. Actually, forget the bread. Brother, just hand me a spoon.

I don’t need a sophisticated story – just something I can identify with. Mostly, I just want a rich sound and a great feel. And please. When you’re sharing those lyrics, please… get to the point already. I’m here to witness your story, but do you really need nine verses to tell me about it? Give me a hook or a melody that I’ll go away singing, share a curiously clever lyric. Let me hear the kind of arrangement or performance that will make me laugh out loud because it’s that good.

As I see it, music and food provide the highest order of pure pleasure I’ll ever know at this point in my life. So this shit all better be pretty compelling. Music should sound as good as the best barbecue tastes.

After Melissa’s show I walked around the tourist town to hear the many lives acts whose music spilled out into the street. I paused at each, wondering what it was that appealed to the patrons. It was easy to see what all the cover bands offered; folks waved their beer bottles in the air and sang along with every line. Humans have enjoyed this sort of camaraderie for centuries. The jazz club was different, very few seemed to be listening, the music served more as an energetic bed behind the conversation. I moved on to the large venue in town and could feel the bass pushing my organs around inside my body before I reached the main room. It felt like a physical assault. Yeah, but this was a young person’s scene. Once I too had the energy – and desire – for a full immersion like this. But not now, it seemed almost violent. I didn’t finish out my tour of the town; I’m not a fan of electrified Irish bands; loud, midrangey and often on top of the beat, they usually just make me anxious. Kinda like Zumba classes. (Seriously guys, what’s with the crappy music at the Y? Someone, please, figure it out. Produce some compelling tracks already.)

These days I need the good stuff; I need the medicinal forms of music. Please, do your best to play and sing in tune. Bury the click or lay just a bit behind it. Let your string quartets and symphonies breathe and sway like great undersea plants. Give me a sonic profile that is balanced, lush, and just loud enough. Time is running low; I need to get to the good stuff now. I need to get to those tasty, salty crumbs at the bottom of the bag. Got no time for the filler these days.

Ok, so having just unloaded my uber-honest feelings about music, I feel I must make a confession: I do not find my own music to check many of my own requisite boxes. I’ve written songs that fit my current and limited purview; I write for me and a piano, not for a band. And it’s really more like therapy than songwriting. (Kinda like this collection of writings. So. Who knows how my songwriting might evolve?)

This songwriting thing is completely new to me, and I’m a tad disappointed that my process is confined to keyboards. Guitar players carry an arsenal of critical elements that serve to drive songs. I don’t have the built-in drummer of the strum patterns, I don’t enjoy the complex harmonic profile that strings create, and then there’s the portability issue. I have always been deeply jealous of guitar players, and it’s only getting worse as I realize all the components my one measly instrument is missing. I have begun to dream about having a band, of hearing how my songs might sound if they could only be fully animated. Who can I enlist? Fantasies of moving back to Chicago filter into my thoughts… At least there, I know musicians. I’m odd man out here, and it feels acute these days.

My efforts to find a duo partner have failed, so I’m skeptical that I can find anyone to help me animate my music. I dunno. I feel stopped. I’m such a critic, and yet I myself am worlds away from any sonic success. I began writing songs only to discover there are so many more layers to the process than I’d realized, to say nothing of what’s involved in producing it and bringing it to life. (I wish to add that I do know well about the production process, it’s just that I didn’t expect to get sucked in and wish for anything more advanced than simply writing a song and documenting it on my ancient iPhone 7.) With the skills and tools I have presently, I don’t have the ability to achieve a product that comes close to what I think might be satisfactory. Holding standards that I myself cannot live up to makes me feel a bit foolish, but there it is.

In writing my own music, I have created a monster. Kinda looks like my next project will be learning how to train the beast.

Postscript: Since publishing this post, it has been brought to my attention that a primary element of Melissa’s show is simply her incredible energy. Seems silly that I missed such an obvious thing; it appears that in my analysis of her performance and music, I missed the forest for the trees. Yes, Melissa exudes energy. She also exudes humanity and honesty. There’s much to be said for her and what she gives to this world.

Visit Elizabeth’s website here. Visit Elizabeth’s Instagram here.

Visit Elihu’s personal Instagram here. Visit Elihu’s tuba practice Instagram here.

Birthday Poem for Elihu on the occasion of his 20th birthday, April 28th, 2023

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Your birthday is now, right at 8:55, when post-childbirth drama you chose to arrive

This landmark occasion of leaving your teens demands recognition, by whatever means

I haven’t a gift and so after debate, I decided this best (besides now it’s too late)

You said “Rhyming comes easy, poems aren’t a big deal” in spite of assurance, my struggle is real

Yet spending some cash on a trinket or two would not suit you well, we both know this is true

So here, in the style of that small drummer boy, is a token from me (hoping not to seem coy)

I give you such love as a long-lasting treasure, that no technological gizmo can measure

(This particular blog template will not allow me to format this text as I’d like, hence the somewhat wonky appearance which I tried to justify with some additional punctuation.)

I re-discovered this post and poem by Elihu, which he wrote a decade ago, on his tenth birthday.

Visit Elizabeth’s website here. Visit Elizabeth’s Instagram here.

Visit Elihu’s personal Instagram here. Visit Elihu’s tuba practice Instagram here.

Final of Fifties

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There are some times when I long for the partnership of a marriage, times when I am nostalgic and perhaps even a bit overly romantic about the whole idea of aging alongside someone whom you know well. And then there are times when I feel pretty lucky, and I enjoy things just as they are.

Things took a tremendous turn for me almost fifteen years ago, and ever since, I’ve had to readjust my expectations. Life has been a challenge during the past decade and a half, yet it’s yielded results beyond any I could have imagined. I did the Green Acres swap; I traded my tony urban life as a famous man’s wife for a life on the farm as just another single mother hustling to make it all work.

You couldn’t have convinced me of it during those first brutal years, but now I know it was the best of any possible scenarios. My child wouldn’t have turned out as he has, nor would I have learned all that I have, if my husband had not left me. So many treasured memories of our shared life here in this tiny cottage in the woods as mother and child would not have come to be, so many life-changing events would never have happened if things had worked out the way in which I had expected them to.

But I am getting older. My body isn’t able to do things it could only a year or two ago. It’s not a hunch anymore, it’s real. And there are moments when I panic. What the hell am I supposed to do now? Is it in my best interest to grow old all alone back here in the woods? Is it even safe?

Yesterday my car got a flat tire in the driveway. And, for the first time in my adult life, I could not change it myself. My bad back and arthritic hands just couldn’t come through for me. Man, did I feel vulnerable. And old. As I sat there in my car, wondering what to do next, it hit me. Maybe this wasn’t where I should be anymore. Maybe.

My house is covered in branches, decaying leaves and moss, the gutters full. There’s a gaping hole in my garage roof with a swath of soffit hanging down like a giant loose tooth. Downed trees and huge branches lay all across my now-growing lawn. The iron hand rails down my kitchen steps have corroded so badly that they’re only held on by two remaining bolts. I haven’t got the physical stamina to tackle any of it, certainly not enough money to have someone else take care of things. And it worries me. The older I get, the more it does. Ten years ago – even just five years ago, I would’ve thrown my back into it and done my best to patch the roof myself. I would’ve tied the trees to my car and dragged them to a great pile and burned them. I had the energy and strength to imagine a solution and employ it. Now my back just won’t let me, my fingers can’t clutch tools very well anymore, and I hesitate to even go up a ladder. A fall is a potential disaster at my age.

At 59, all of these things are becoming clear to me.

In a few weeks’ time The Studio will be on the market, and the wait will begin. Who will buy the place since all the local arts venues have passed on it? Likely it will become a private residence. And that is not something I ever truly considered. It kinda changes everything. The anchor gets lighter, the future less certain.

When I first began renovations on The Studio in the summer after dad died, a contractor had spoken to me from the place of a concerned father; was this really my dream? he had asked me. Or was I embarking on this huge undertaking out of guilt, or a feeling of obligation to my late father’s legacy? I had thanked him for his candid offerings but assured him that I knew what I was doing, that it was a vision that I alone held. He probably knew as well as I did that I was headed down a long and expensive road, and that I honestly had no idea what I was doing. And while I can say that The Studio did in fact produce hundreds of beautiful moments and brought pleasure and delight to many over the following ten years – I cannot say that it ever paid for itself. To the contrary, it’s been through the gifts of kind people, including my mom, that the place ever broke even. But I have no regrets. I’ve learned a lot, and many wonderful things were born of the place.

But it’s so hard to let it go.

In the end, what in hell does anything matter but the moments themselves? Memories are important, as too are goals, but they all culminate in the single witness to a moment. This is something I’ve pondered for ages. I’m still in futile pursuit of truly getting it, but at least these days I understand a little bit better. And it’s what helps me to have no regrets; I have gratefully born witness to every moment of my “new” life here in Greenfield, from farming to academic to professional endeavors. Even as I felt the suffocating effects of my despondency, poverty and loneliness – even then I knew enough to hold a deep appreciation for the idyllic place in which we lived, the gifts of experiences that we’d been given, and the treasured way in which my young son and I lived together in partnership and solidarity.

Now that era has ended. What exactly comes next? Judging from the way my older students hold firm the handrails as they descend my kitchen steps, what comes next does not seem all that appealing.

I’ve joined the Y; I’ve had my first interactions with people other than students and store clerks since before the pandemic, and that restores hope in my heart. And over the past few months I’ve written around two dozen songs – something I’d never done until this year of my life. I am in possession of a Dot card and ready for networking; the links to my material are all easy to find. I’ve begun the hustle to get some work this summer. I’m still without a duo partner, but as with everything else in my life, it seems I’ll have to go that path alone. I also make myself attend open mics regularly – despite the drudgery that is inherent in that process – and so I get the opportunity to try out my new songs in front of people. It’s not a bad place to be in my life, if only perhaps a bit dull and without compensation.

My sixties await, and despite some genetic predisposition towards longevity in my family, Facebook and the virtual world beyond remind me that I could go any day; the prospect of dying feels close by and very real. I’m satisfied with my son and his future success, that storyline is resolved. And as soon as I can archive all my material in such a way that it can be accessed by folks after I’m gone, then I can rest easy. Resolution is what I’m after these days. (That, and a tiny, vain effort to remain present in this world in some form after I depart.)

Greenfield is a sweet place in which to live. Is not the name itself so very poetic?

Once, when driving back from the highway department where we’d helped ourselves to a bucket of free road salt, Elihu remarked through a laugh that he loved living in a town where a “five-gallon bucket was a unit of measure”. Elihu grew up knowing that the local good old boys would always come through to help us prime a pump or fix a fence; we always knew that our neighbors were our extended family. It was fundamental to the person my son has grown up to be. So I thank Greenfield, my neighbors – and my mother, too, for our success in this corner of the world.

Now the landscape here is different. The young children on our stretch of the road are quickly growing up; baby faces have matured through adolescence. No longer do tiny kids ride their bikes down the long gravel driveway to visit the big boy and his chickens. There is now a huge house in the field between us and the girls across the road. No longer do mother and child wander over a meadow to visit neighbors. There are hardly any meadows left. Even our dear woodcocks have moved away and taken up residence down the hill. Several new houses have been built, and ancient, historic homes have been razed. Greenfield looks so different now. I can see a suburb evolving. I can even imagine stoplights taking the place of lazy, country intersections.

Greenfield is changing swiftly, and I feel myself to be changing along with it. A new landscape is emerging for us both.

Post Script:

Elihu will turn 20 on April 28th, and I will turn 60 on May 7th. On my birthday I will drive my son to JFK airport, where he will embark on a three-month adventure living in Tianjin, China. He is now fluent and literate in four languages, conversant in three more, and he wishes to refine and improve his Mandarin as can only be done through an immersive experience. He has a huge adventure yet before him; he will be navigating through a country where all signs are in Chinese characters – no Roman letters to assist. There will be no safety net. And he’s a person of low vision, so that factors in, too. But I don’t worry. In fact, I’m thrilled and excited for all that awaits him.

Who knew that life in a tiny, country cottage would produce such a brave and adventurous young man? Who knew that this unexpected change in our life path would turn out so beautifully? To quote a line from a Richard Scarry book that I said to my son throughout his childhood: “This was the best mistake ever.” Truly, it was.

Visit Elizabeth’s website here. Visit Elizabeth’s Instagram here.

Visit Elihu’s personal Instagram here. Visit Elihu’s tuba Instagram here.

Showtime

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This is the final month of my fifties; one month from today I will turn 60.

Recently I’ve been feeling the sting of reality in a much fiercer way, and so I set about to express my thoughts differently than I ever had before. While not writing here for this dear blog, instead I’ve spent the past two months doing something entirely new to me: I have been writing songs. Just a month ago I would’ve been hard pressed to fill a set, now I have two generous sets of songs ready to go. Not all are keepers, but some, I believe, are pretty good.

Flushed with the excitement of creating songs that actually worked – songs that came from a genuine place of inspiration and most of which held together pretty well – I experienced a few moments of idealistic bliss, thinking that perhaps I should try to market these little gems. Some are quite formulaic, and they hit all the marks – with a little production could easily be imagined as the bed behind an introspective montage of some cookie-cutter Netflix drama… But that idea has been quickly dispensed with, at least for now, as the initial thrill has died down and the real world has imposed itself upon my starry-eyed visions. It’s ok. It certainly won’t stop me from writing. I have found that writing songs is a thrill and a challenge, it’s something I now love. And at this point in my life, I can draw from a deep well of experience.

A few posts ago I complained about the open mic scene in this town, and I’d hatched an idea to write songs in order to grab the attention of a lost and disconnected audience. The scene fairly infuriated me; the same songs that they played, the out of tune guitars and the warbling, pitchy vocals zapped me of my patience. More accurately all of this caused me to become infuriated with my own situation, as just a year ago this time it had seemed I’d had a foothold up and out of this place, but it was not to be. This past year I’ve been just sick that my prospects had vanished, and that I was left to languish in a town without any musical peers. The only solution, it seemed, was to write my own shit. So that’s what I did.

I’m not a fan of most disclaimers before a performance – but in this case I feel I must make it clear that by no means do I presume myself to be a poet. In some ways I suppose I’m creating a type of poetry that exists in tandem with music, but in that the words and music often arrive together, I don’t feel it’s the same. Nor do I think that my stuff is particularly enlightened or exceptional. But on the whole, I’m happy with these first exploratory months into this new mode of expression. It’s what makes me feel that this whole crappy detour of a year hasn’t been entirely for naught.

My health still has me in a near-constant state of despondency. I’m not far away from the heaviest weight of my life and due to ongoing troubles with my herniated discs, I just can’t move the way I used to. My mood continues to swing from the darkest downs to infrequent glimmers of hope and promise. The songwriting is another tool to help distract me from the day-to-day disappointments of what is my current life. But there is a small light driving me forward; I’ve been given several solo shows in which to perform my material, starting with a modest guest spot this weekend to a set as a featured artist at the local and iconic Caffe Lena. It’s definitely something. I don’t look forward to dealing with the panic attacks and mind games of anxiety that come with that attention, but the clock is ticking down now, and I don’t have time to fuck around. This seems a rare opportunity for a fresh start.

Turning 60 is much different than embarking on any decade that’s come before. It truly feels like it’s now or never. The stakes feel higher, the outcomes are so much dearer. In this life of mine I’m hoping for a few more moments of the connection and satisfaction that performing brings. And with any luck the journey will bring me into the sphere of good musicians once again, and before the final curtain there’ll be a few more shows to play.